Furniture

Vintage Hollywood Regency white fretwork leafy faux bois tall post king size bed headboard. Item features a tall impressive twin posts, acorn/pineapple ...

Modern lacquered four-tier étagère with open oval fretwork trellis sides in a ghost white lacquered finish. Dimensions: 30" W x 14" D x 76.25" H.

Small square white painted faux bamboo, fretwork table with a glass top. Nice detail, from the 1970s, Asian style.

Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminum. In these sculptured elements the geometrical design of the s...

Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminum. In these sculptured elements the geometrical design of the s...

Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminum. In these sculptured elements the geometrical design of the s...

A fabulous vintage Regency console table. Tall and not too deep so it’s perfect for those narrow spaces. Chic semigloss white finish with gorgeous fretwork detail. Two tables availab...

Set of Six Fretwork Back Dining or Lounge Chairs, American, circa 1990s. Elegant white painted finish and black and white striped cushions.

A pair of 1950s Hollywood Regency fretwork style wall mirrors. Creamy white with black speckled wood frames with gold trim outline and enhance the fra...

Contemporary Fretwork Rug by Doris Leslie Blau Size: 16'2" × 22'6" (492 × 685 cm) This modern area rug is a dream come true of all aficionados of timeless design and refined workmans...

Contemporary Fretwork Rug by Doris Leslie Blau Size: 11.2" × 20.0" (340 × 609 cm) This minimalist modern area rug is a dream come true of all aficionados of timeless design and refin...

A Chippendale style bachelor chest by White Furniture. Hardwood painted a soft gray color with brass hardware, serpentine front, canted corners with fretwork and ogee bracket feet. F...

A pair of circular porcelain black Asian lamps with fretwork detail to sides and wood bases with feet.

Timeless and stylish Chinoiserie white painted dining chairs by Hickory Chair Company. Fretwork side chair is part of the James River Collection, crafted from maple in White Finish....

Set of 6 Mid-Century Modern High Back Fretwork Chairs. White painted wooden frames with geometric intersecting pattern that designs into angular legs. Cushioned vinyl seats are upho...

Inspired by the 19th century French antique, this reclaimed pine sideboard has an emphasis on high drama and a high function, set apart with a graceful, feminine fretwork motif. With a flat rectangular top above four doors with openwork details in front of glass opening to a painted interior with shelves. A multi-layer antique white...

A Chinese Qing Dynasty period wooden coffee table from the 19th century with stained glass top and openwork motifs. Created in China during the Qing Dynasty, this coffee table featur...

Small intricate chinoiserie chandelier with ball, bells, fretwork and canopy. It requires six chandelier size bulbs.

Pair of White Faux Bamboo Octagonal Tables by Thomasville. Amazing Two -tiered Chinoiserie style end tables with detailed fretwork at every angle....

A fine antique Chinese Export porcelain plate in the Fitzhugh pattern. Decorated in underglaze blue with floral devices to the face, and a border to the rim with a repeating diamo...

86 piece dinner service with the marking: "Original ZWIEBELMUSTER, Czechoslovakia", in the Classic Blue Onion, Meissen Pattern, comprising: 24 dinner plates...

A beautiful pair of French Paris porcelain blue and white chinoiserie style open-work vases. Each is beautifully hand painted with tiffany blue chinoiserie figures of a boy and girl in a field...

This exquisite dish is almost identical to a blue and white Delft dish in the Philadelphia Museum of Art Bequest collection of John W. Pepper. 1935-10-39. The dish is described in de...

A FINE, MID-CENTURY MODERN, FRENCH, BROWN SUEDE & BRASS, FLOOR STANDING LAMP WITH ORIGINAL PARCHMENT & SUEDE SHADE, 161 cm., 5ft 3 ½ “ high Evokes the mid-century modern atmospher...

Chinese Art Deco blue, beige, black handwoven wool rug Size: 3'2" × 6'0" (96 × 182 cm) A modern early 20th century Chinese Art Deco rug, the midnight blue field with enormous cream f...

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

An antique Chinese Peking long gallery carpet handmade during the early 20th century in shades of cream and blue. Measures: 5' 9" x 16' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Lacy Victorian “fretwork” panels attached with screws to form this planter. The decorative panels & bottom have been refinished in matte linen white.

A smart and extremely well made antique Chippendale Style piano stool. This was made in England, it dates from around the 1890-1900 period. It is of fine quality, the frame has beau...

This is an amazing piece. It was a custom project from the 60s. The body is black lacquer. The top is a rose and white Italian marble. The doors and back panel are mirrored, and the ...

a highly carved Piedmontese side table / console (once gilded) with English demi-lune white marble and scagliola top with blue ribboned oak-leaf band within a pearled (pearl strings)...

A vintage Gampel and Stoll kidney shaped elephant desk with one drawer. I know it’s Fretwork border around the top of the desk. The desk has been 100%...

Large white tole 1970s lantern from new-old stock. Body is 19" high. Glass is 16" high. Base is 9" in diameter. Includes original lattice work canopy. Whit...

Antique 19th C Gothic Revival Carved Armchair. Mahogany tone frame with Neo Gothic design. Hand Carved and Superb Condition Antique Gothic Reviva...

This carpet is a pair with 20952, both in the classically correct blue and white style. Frets are everywhere: the fret wave border, the thick deep blue fretwork corners, the bold “Sh...

Amazing set of six bamboo rattan dining armchairs made in the Brighton Pavilion style. The chairs feature an intricate Chinese chippendale open fretwork design crafted from bamboo. The horseshoe shaped frame gracefully curves down to the arms and seat. Newly upholstered fitted loose seat cushions, webbing, and dust covers. The fabric has a laurel leaf style motif over a white ground. Beautifully crafted with a desirable aged patina on the bamboo finish. Rare to find a matching set of six. Provenance: From the estate of William Bernstein...

French painted leather top desk, a twist on a classic 18th-century French design. Finished in Salted white and highlighted with gray details, a gilt to...

Vintage Faux Bamboo Aluminum Vinyl Strap Blue Garden Patio Loveseat Settee. Item features cast aluminum frame, blue and white vinyl straps, metal armrests,...

This console table displays the best classical inspiration of the Regency period. In this example the white marble top sits above a moulded frieze carved with Greek key patterned bli...

Vintage faux bamboo aluminum vinyl straps blue garden patio lounge chair and ottoman. Item features cast aluminum frames, blue and white vinyl straps, meta...

A set of four painted creamy white Chinese Chippendale style chairs comprising of two-arm and two side chairs having caned seats and n...

Introducing the "Pyramid" Light, a rare and striking design by Jørgen Rasmussen & Ole Meyer for the esteemed Danish lighting firm Louis Poulsen. This iconic pendant, crafted from met...

Sweet little Chinese export brass box with beautiful floral etched designs, looks like peonies to me. With a lovely white jade top carved in fretwork with a vase framed by the flower...

On behalf of a gentleman collector, a most beautiful and capacious satinwood Thomas Chippendale design cockpen armchair. The whole with hand painted lacquer work panels of chinoise...

19th Century marble topped gilt console table festooned with leaves, flowers, and shells. The highly scrolled feet and cabriole legs are joined by a central stretcher and joined in t...

An unusual set of 8 George III Chippendale style painted dining chairs. The set consisting of two armchairs and six side chairs is hand-painted with off-white ground and Neo-Classic ...

A good set of six "cockpen" chairs, two armchairs and four side chairs. 1960s version of the Georgian chair with Chinese Chippendale fretwork backs and ...

This is a set of 4 vintage cups and saucers. An English, ceramic and hallmarked silver coffee can by Aynsley, dating to the early 20th century...

Midcentury set of four peacock or fan back dining armchairs made in the Hollywood Florida Regency taste. The chairs feature a balloon shaped back with an open lattice fretwork design...

Vintage 5 Pieces Coastal Style Rattan dining set in the McGuire's Manner. Circa 1980s Features an intricate bent rattan fretwork in an antique washed white finish bounded by laced r...

Mongolian carpets do not fit into the usual Chinese typology. Very often square, with limited palettes and of coarser wool, they seem to be woven by a separate craft tradition. This ...

This large wooden birdcage was once home to the tiny pet bird of a Qing-dynasty aristocrat. Dated to the early 20th century, this barrel-form cage is carefully assembled of thin bamb...

Originating from Russia in 1890, this antique Karabagh runner hosts an interesting, uncommon play on the Classic Boteh (paisley) pattern; an eastern symbol of flame and the universe....

With an arched back and square seat. The down curved arms carved in foliate scrolls, the front legs with carved blind fretwork with interlaced and trefoil motifs, circa 1765. Splayed...

This is an antique decorative stick stand. An English, cast iron hallway rack by Coalbrookdale, dating to the late Victorian period, circa 1900. Appeal...

From Rug & Kilim’s Modern Classics Collection, a stupendous 16x27 palace-sized rug inspired by antique Khotan rugs of the highest caliber. Further on the design: Hand knotted in ...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

74742 Distressed Weathered Vintage Indian Rug with Chinoiserie Shabby Chic Style 03'11 x 06'00. Versatility and high end style collide in this beautifully worn and well loved vintage Indian rug. Elegantly designed and timelessly weathered, this Vintage Indian Rug features a distinct Chinoiserie and shabby chic style. A decorative roundel ornaments the center field surrounded by a plethora of complimentary motifs and flowers with angular fretwork in the border. Capable of a variety of design applications, this vintage Indian rug is the answer to your high end Chinese...