Edwardian 1905 Art Nouveau Necklace Platinum 18Kt Gold 15.12 Ctw Peridot Diamond

A French Edwardian art nouveau flower brooch. Beautiful three-dimensional piece, created in Paris France during the Edwardian and the Art No...

Edwardian enameled white Orchid convertible brooch. Beautiful three-dimensional piece, created in America during the Edwardian and the Art Nouveau periods, between the 1901-1910. Th...

Edwardian enameled purple flower brooch. Beautiful three-dimensional piece, created in America during the Edwardian and the Art Nouveau periods, ...

Edwardian enameled flower convertible brooch. An extremely beautiful piece, created in America during the Edwardian and the Art Nouveau periods, back in the 1900-1910. This outstand...

Convertible day and night diamonds earrings Very modern design, from the Italian contemporary jewelry. This convertible drops earrings has been carefully crafted in solid 18 karats ...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

This impressive Art Nouveau Diamond brooch pendant is 1890 ca Sensual, sinuous lines expertly carved from rich 18 KT gold, contraste...

Diamond Leaf Brooch 64 Edwardian Cut, Swiss Cut, Single Cut and Old European Cut Diamonds=7.25ct VS1-I1 F-I 23 Baguette Diamonds= 2.0ct VS1-I1 F-G-H 1 Round Brilliant Cut Diamond=...

An exceptional Art Nouveau era brooch pendant presented in its original velvet box. The central brooch pendant is crafted from 18 karat yellow gold which has been silver topper and s...

An Edwardian peridot and diamond brooch, of quatrefoil design, centered with a square-shaped peridot within a foliate scroll surround set with old ci...

The "Retro Brooch 18kt Yellow Gold and Platinum with Diamonds" is a exquisite piece of jewelry that combines classic design elements with precious materials to create a timeless and elegant accessory. The brooch is crafted from two luxurious metals - 18kt yellow gold and platinum. Yellow gold is known for its warm, rich color, while platinum adds durability and a silvery-white luster. This combination of metals enhances the brooch's overall aesthetic and value. The brooch features a retro design, which typically refers to a style popular in the mid-20th century, particularly during the 1940s and 1950s. This design style often incorporates bold, geometric shapes and intricate detailing. The brooch is adorned with diamonds, which are among the most coveted gemstones in the world. Diamonds are valued for their brilliance, hardness, and rarity. They are typically set into the gold and platinum to create a dazzling, sparkling effect. This brooch is set with 1.10ct old-cut Diamonds. Given the use of 18kt yellow gold and platinum, you can expect a high level of craftsmanship in this brooch. The metals are carefully molded, polished, and finished to create a smooth and luxurious texture. Brooches like this one are versatile accessories that can be worn on a variety of garments, including blouses, dresses, jackets, scarves, and even hats. They can be a stunning focal point or a subtle accent to enhance an outfit's overall elegance. The combination of retro design elements...

Cartier Art Deco 18kt yellow gold and platinum ruby and diamond double - sided ' Winning post ' stick pin. The pin features calibre-cut rubies and old mine diamonds, set in 18kt yell...