1970s Abstract Prints

Engraving, 1970 Handsigned by the artist in pencil and numbered 71/80 Publisher : L'Oeuvre gravée, Berne Printer : Atelier Juan José Torralba, Barcelone Catalog : [Llorens 257] Carbo...

Red Abstract is a contemporary artwork realized by Le Oben in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 100. 

After a sunday is a contemporary artwork realized by Le Oben in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 24/100

Engraving Handsigned by the artist in pencil and annotated EA Artist proof 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 76.50 cm. x 58.50 cm. 30.12 in. x 23.03 in. (image) Th...

This original lithograph in colours is hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. It is dated “76” [1976] next to the signatur...

The Beach is a woodcut print realized by Colette Pettier in the 1970s. Hand-signed and numbered, artist's proof. Good conditions. The artwork is created through deft strokes by ma...

Abstract Composition is a colored lithograph print realized by the contemporary artist Giulio Turcato in 1973. Hand-signed in pencil on the lower right. Artist's Proof. Good condi...

This original lithograph in colours is hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. It is dated “76” [1976] next to the signatur...

Salvador Dali Allegory of time and aging, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERE...

Miro a l’Encre II Joan Miro, Spanish (1893–1983) Portfolio: Indelible Miro Date: 1972 Lithograph on Wove Paper Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 21.5 x 18 inches Printe...

The Blue Space is a screen print on paper realized in 1975 by Aldo Borgonzoni (1913-2004). Hand-signed and numbered, edition of VII /XVI prints. The ...

AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front An unnumbered proof, aside from the regular edition of 1000 Accompanied by the ...

An expressive, moody abstract composition in tan and brown, with Mark Tobey’s soft, calligraphy-inspired mark-making reminiscent of earth, loam, or even flowing water. Mark Tobey, F...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 10) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 8) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

An expressive, moody abstract composition in red, with Mark Tobey’s soft, calligraphy-inspired mark-making reminiscent of water and bubbles flowing upward. Mark Tobey, Underwater Fr...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 6) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XII/XXX.

Lithograph, 1973 Handsigned by the artist in pencil and numbered XVIII/XX Publisher : La Mata (Paris) Catalog : [Tonneau-Ryckelynck n°7301] 65.00 cm. x 49.00 cm. 25.59 in. x 19.29 i...

Artist: Alexander Calder (1898-1976) Title: Beastie (Braniff International Airways Flying Colors Collection) Year: 1974 Medium: Lithograph on Arches paper Size: 20 x 26 inches Condit...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

Set of four abstract, surrealist compositions in rich blue, green, purple, turquoise, grey, navy and black. Henri Goetz Suite of four etchings with carborundum on Arches wove paper...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 100. 

Lanny Lasky (1923-2011) Untitled, c. 1970s Print (lithograph?) Sight: 22 1/4 x 17 1/2 in. (image) Framed: 30 1/2 x 22 1/2 x 1 1/2 in. Signed lower right, numbered lower left: 113/120 Lasky was as passionate about making art accessible to all as she was about creating it. She devoted much of her time to art education — as an education director for the Hudson River Museum, at the Lincoln Center Institute and the Bronx Council on the Arts. She was a consultant to the New York State Council on the Arts and the Connecticut State Department of Education and worked in many capacities, including director at the Museum of Modern Art’s education department from 1986 to 2001. Lasky brought art to countless Riverdale children and senior citizens through her work with Riverdale Neighborhood House. “Throughout her life she was always committed to her work as an artist, but she was also seriously committed to art education and that was important,” her son, Michael Lasky, said. “She worked toward innovative art programs and had the kids paint...

After a sunday is a contemporary artwork realized by Le Oben in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 23/100. 

Francis Bacon Triptych, March 1974 (center panel), 1974 offset lithograph, edition of 150 31 1/2 x 23 3/4 in. (80 x 60.3 cm)

WALASSE TING Untitled (from Carnegie Museum of Art Portfolio), 1972 Original Limited Edition Vintage Lithograph 15 × 22 inches Limited Edition of 1000 Catalogue Raisonné: 155, Lembar...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Etching, 1973 Handsigned by the artist in pencil and numbered 71/100 Publisher : L'Herne, Paris Printer : Atelier Crommelynck, Paris Catalog : RMM 362 64.70 cm. x 49.80 cm. 25.47...

Night City Risaburo Kimura, Japanese (1924–2014) Date: 1970 Screenprint, signed, numbered and dated in pencil Edition of 107/120 Size: 18.5 x 26.5 in. (46.99 x 67.31 cm)

Untitled  is an artwork realized by Dorothea Tanning  in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 20/150.

Adolph Gottlieb Guild Hall is for Everyone, 1970 Vintage Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph poster. Donated by D...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Patti Smith 78 Speed 1977: Rare original hand-signed flyer for Patti Smith Group shows at CBGB 1977. The flyer was designed by Patti Smith using one of her drawings at the time; with...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 99/150.

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

Green and blue tonal architectural landscape of a cathedral. The work is signed, titled, and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a H...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of V/XXX

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 112/150.

Letter B by Rafael Alberti, from Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand signed and dated on the lower right margin. Numbered on the lower left. ...

Letter B by Rafael Alberti, from Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand signed and dated on the lower right margin. Numbered on the lower left. ...

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 38/100

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 110/150.

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 70/100.

Letter T by Rafael Alberti, from Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand signed and dated on the lower right margin. Numbered on the lower left. ...

Sign Board is a contemporary artwork realized by Mario Persico in 1970 Mixed colored lithograph Title and date on the lower margin. Hand signed by the artist Numbered on the lowe...

The Pond is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 63/95.

The Pond is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 62/95.

The Mouth of the Time is a contemporary artwork realized by Nani Tedeschi in 1971. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...

A very good impression of this color screenprint. Signed and numbered 200/15 in pencil by Bearden. Catalogue reference: Gelburd/Rosenberg GG#59

Untitled (Calvesi 50), 1973-76 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition: 44/90 Signed and numbered in pencil, lower margin

Florence Arnold (American 1900-1994) Hard-edge Abstract Square Screenprint. Pencil Signed, Dated, and Numbered 18/25 Size: 16"x16". Florence Arnold began painting seriously in 194...

A very good impression of this color lithograph on wove paper. Signed and numbered 74/175 in pencil by Bearden. Published by London Arts, Inc., Detroit. Catalogue reference: Gelburg...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110