Abstract Prints and Multiples

Park Seo-Bo Écritures 2024 Relief on porcelain 47 × 36 × 5.5 cm (18.5 × 14.2 × 2.2 in) Signed and accompanied by a Certificate of Authenticity Edition of 99 In excellent conditions ...

Park Seo-Bo Écritures 2024 Relief on porcelain 47 × 36 × 5.5 cm (18.5 × 14.2 × 2.2 in) Signed and accompanied by a Certificate of Authenticity Edition of 99 In excellent conditions ...

This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed and numbered 1/40 in pe...

Helen Frankenthaler: 1928-2011. Well listed very important American abstract expressionist. Her paintings have sold well into the millions of dollars. This particular print is done a...

Artist: Francisca Sutil, Chilean (1952 - ) Title: Thebes Year: 1986 Medium: Paper Pulp and Pigment Multiple, signed and numbered in pencil Edition: 75 Image Size: 22.5 x 14.5 inches ...

"I printed my love on some pages of your book" Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unfra...

"I printed my love on some pages of your book" Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unfra...

Medium: original lithograph. Catalogue reference: Mourlot 346. Printed in 1963 for the art revue Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published i...

Damien Hirst, Mill Bay H13-7 from Where The Land Meets The Sea, 2023 Laminated giclee print on aluminium composite panel 90 x 90 cm (35.43 x 35.43 in) Hand signed on the label on ...

Jim Dine Eight Sheets from an Undefined Novel: A rare, highly-collectible sample portfolio of 8 offset printed lithographs advertising Jim Dine's Eight Sheets from an Undefined Novel...

Damien Hirst, Woody Bay H13-8 from Where The Land Meets The Sea, 2023 Laminated giclee print on aluminium composite panel 90 x 90 cm (35.43 x 35.43 in) Hand signed on the label on...

Italian nautical scene entitled "Tarantino's" , a limited edition lithograph signed by the artist Susan Pear Meisel. The black frame is wooden.

Limited edition of 5 pieces

This artwork "Sans Titre" c.1980 is an original etching on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed and numbered A.P 7/10 ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: ...

Serigrafia originale su carta Fabriano Rosaspina di Francois Morellet, firmata e datata a matita in basso a destra, numerata a sinistra. da una cartella di dieci serigrafie, tratte d...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of III/XXX.

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 12/100

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 36/60 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Asian, Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Josef Albers Homage to the Square - P1, F23, I2 Hand signed on the Colophon Screenprint on Mowhalk Superfine Bristol Paper Sheet: 15 x 20 inches 980/1000

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. After serving in the Air Force in WW II, Francis returned to his native Californ...

Derriere Le Miroir-Page 9 Color lithograph, 1973 From: Derriere Le Miroir, No. 201, January 1973 Unsigned (as issued) Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, Adr...

Medium: original lithograph. Catalogue reference: Mourlot 300. Executed for Derriere le Miroir in 1961, and published in Paris by Maeght. Sheet size: 14 1/2 x 11 inches (370 x 277 mm...

Yaacov Agam, Israeli (b. 1928) Offset Print Poster: Birth of a Flag: An American Portrait 1776-1976 Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back s...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In v...

This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed, titled a...

This artwork titled "Paysage" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed, titled and num...

This artwork titled "Marbre" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed, titled and numb...

This artwork titled "Alternance" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed, titled and ...

Günther Uecker (German, born 1930) Lichtungen I, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil Pu...

Lithograph Handsigned by the artist in encil Edition : 66/175 76.50 cm. x 56.50 cm. 30.12 in. x 22.24 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) On Arches pape...

Antoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...

Medium: original lithograph. Printed in Paris in 1974 by Atelier Arte and published by Maeght. Sheet size: 11 x 22 inches (275 x 562 mm). There is a center fold, as issued. Not signe...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Josef Albers Homage to the Square - P1, F23, I1 Hand signed on the Colophon Screenprint on Mowhalk Superfine Bristol Paper Sheet: 15 x 20 inches 980/1000

Signed and titled in pencil 39 /50 Edition Original silver frame with wood backing from Kato Framing, Tokyo Framed measures: 31 x 24.5 inches Toko Shinoda is a Japanese artist worki...

This artwork "Sans Titre II" c.1980 is an original color etching with aquatint on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed...

Limited edition of 5 pieces

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Etching and aquatint, 1974 Handsigned by the artist in pencil Edition : 43/45 Catalog : Dupin 686 41.00 cm. x 34.00 cm. 16.14 in. x 13.39 in. (paper) 32.00 cm. x 24.00 cm. 12.6 in....

Engraving, 1965 Publisher : Éditions Berggruen, Paris 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 47.00 cm. x 62.50 cm. 18.5 in. x 24.61 in. (image) Mezzotint BFK Rives pap...

Thomas Ruff (German, b. 1958) Substrat, 2019 Medium: Chromogenic print Dimensions: 32 × 45.8 cm (12 3/5 × 18 in) Edition of 300: Hand-signed and numbered in pencil Condition: Excellent

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró V Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lith...

Etching and aquatint, 1972 Handsigned by the artist in pencil and annotated "HC" Edition : /50 + H.C. Publisher : Maeght, Paris Printer : Morsang, Paris Catalog : [Dupin 555, p. 19...

Engraving, 1985 Handsigned by the artist in pencil Edition : 31/99 Publisher : La Hune (Paris) 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 39.00 cm. x 29.00 cm. 15.35 in. x...

Engraving, 1980 Handsigned by the artist in pencil 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 49.00 cm. x 45.50 cm. 19.29 in. x 17.91 in. (image) Etching, drypoint and aqua...

Engraving, 1980 Handsigned by the artist in pencil Edition : 31/50 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 68.00 cm. x 44.00 cm. 26.77 in. x 17.32 in. (image) Etching, d...

Engraving, 1980 Handsigned by the artist in pencil Edition : 31/50 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 69.00 cm. x 49.00 cm. 27.17 in. x 19.29 in. (image) Etching, d...

Lithograph, 1979 Handsigned by the artist in pencil Edition : XXXV/L Publisher : Graphis Arte (Livourne) Printer : Graphis Arte (Livourne) Catalog : [Guastalla 385] 76.00 cm. x 56.00...

Limited edition of 5 pieces

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect con...

LUV is a masterful play of eccentric neon colors that creates beautiful visual harmony between line, typography, and depth. Miller emulates collective human expressions of love, emot...

"I printed my love on some pages of your book" Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unfra...

Ladislas Kijno Elapsed Time in Blue Screen print on creased paper applied on vellum Enhanced with acrylic painting Entirely handmade by the artist Handsigned in pencil For a set of...

Anastasia Kurakina's works on paper are the Vatican Museums collection since 2017 artist: Anastasia kurakina original print on paper hand signed BIO In search of the human esse...