Mid-20th Century Art

Medium: original lithograph. Miro created this lithograph in homage to his friend and fellow artist Georges Braque, who died in 1963. Printed in 1964 for the special "Hommage a Georg...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

Vintage Impressionist oil painting on canvas. A myriad of greens, blues and beiges make this unique and strikingly unusual painting a feast for the eyes. It's cleverly painted wher...

Luigi Corbellini (1901-1968) Vue d' Anvers (View of Antwerp), ca. 1950 Oil on canvas, 19.5 x 25 inches. Measuring 27.5 x 33 inches in original frame. Signed lower left. Titled i...

Jacques La Grange, 'The Start of the Race, 1899', color woodcut, edition 500, 1934. Signed and numbered '21/500' in pencil. A fine impression, with fresh colors, on cream wove paper,...

A large mid-century oil painting on thick board of the French Provence countryside, signed in the lower right by the artist, Pierre Edmond Peradon (1893-1981). A serene composition ...

French Rococo Style Giltwood Picture Frame Decorative Wall Art Frame French, mid 20th century giltwood decorative picture frame Overall size: 14.5 x 16.5 inches Internal rebate / sig...

Expressive Pink Floral Still Life, Catalan Modernist Oil Painting TECHNICAL DETAILS Artist: Ramon Calsina Baró (Barcelona, 1901–1992) Title: Pink Floral Still Life with White Vase ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Bleu II (Blue II), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition publishe...

Nordic summer landscape with a red farmhouse by a lake and distant mountain ranges under the midnight sun. Executed in a luminous and atmospheric palette of soft greens, blues, pinks...

About this work: “Daguerreotype Dandies, c. 1937” by Tressa Benson (American, 1896-1987). Painted with the charm of a rediscovered family photo, this wonderfully eccentric work by B...

Medium: pochoir (after the watercolor). Printed in 1961 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery. Image size: 5 1/2 x 3 3/4 inches (140 x 97 m...

S Ossborn Still Life with Dahlias, 1944. Oil on masonite panel measuring 16 x 18 inches. Framed measurement: 19 x 21 inches. Signed and dated lower right.

➡️ Landscape River scene⬅️ ⏩It is signed Bernard Héranval⏪ Rouen on the banks of the Seine ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size...

1780's-1800 Fine English School Ink & Watercolor Armoured Cavalier Carrying Lady on Horseback Romantic Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

Title: British Countryside Landscape Dramatic Sky Green Fields Watercolor Painting Artist: British School (mid 20th century) Medium: watercolor painting on artists paper, unframed Si...

Capri Club by Toni Frissell Beachgoers relax on the Capri coast, 1959. (Toni Frissell) Limited edition estate stamped print 24 x 20" inches / 60 x 50 cm paper size Unframed (framin...

➡️ Luminous Landscape with Water mill⬅️ ⏩It is signed J Weakaes⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐48x36cm / 18.9x 14.2inc...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Stud...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Not signed.

➡️ Landscape Luminous naturalistist⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐35.1x52.6cm /13.8x20.7 i...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's winter hat and coat, Likely an illustration study for a print advertisement for the famed Chicago depa...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Beautiful minimal Abstract Expressionist painting. Mixed media on paper glued down to illustration backing board. Paper sheet measures 10.25 x 14 inches. Cardboard panel measures 1...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 5 1/2 x 3 1/2 inches (140 x 87 mm). Not signed. C...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from The Lithographs of Chagall I, originates from the October 1960 issue published b...

➡️ Canal Landscape with Mill⬅️ ⏩It is Antoon De Vaere (1900-1989)⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐79.5x60.4cm / 31.3x23....

Elegant and stylish commercial illustration for print advertisement, ca. 1930s. Original painting. Ink on illustration board. Image measures 9 x 12 inches in a black wood frame meas...

This beautiful 1930’s Art Deco portrait oil painting is by Italian New York artist Arturo Noci. It was painted in 1932 in New York where he lived from 1923 to his death in 1953 aged ...

The Parisian Park by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 24 inches Provenance: all the paintings we have by this artist ha...

A vibrant and whimsical first edition lithograph from Marc Chagall’s celebrated Lithographs Volume II, showcasing the artist’s signature dreamlike composition. Floating figures, play...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

Title: French Lakeside Landscape Ink and Watercolor Study by Bernard Labbe Artist: Bernard Labbe (French, mid 20th century) Medium: Ink and watercolor on paper, unframed Size: 8.75 x...

Large Catalan Harvest Landscape Painting Pyrenees Olot School Figures Oil SPECIFICATIONS Artist: Salvador Corriols i Pagès (Olot, 1907 – 1975) Medium: Oil on canvas Date: Mid-20th ...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...

"The Vanguard Series Nr. XXII: A Collection of Postwar European Abstractions", oil on board, by unknown artist (circa 1950s–70s). A compelling body of work emerging from the forgotte...

"The Vanguard Series Nr. XXIV: A Collection of Postwar European Abstractions", oil on board, by 'R.G.' (circa 1950s–70s). A compelling body of work emerging from the forgotten studio...

A pair of mid-century Impressionist beach landscapes depicting Rio de Janeiro , ca. 1960. Oil on canvas, each measures 12 x 16 inches; 15 x 19 inches framed. Signed indistinctly lo...

A beautiful oil on panel painting by American artist Helen Enoch Gleiforst. She was a painter known for her colorful cityscapes depicting the times of her generation. This painting i...

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Very Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his ...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Dimensions with frame: 44 x 57 x 5 cm. Signed and dated "Arthur 48" in the lower left corner. A striking and modernist still life depicting three freshly caught fish arranged on a w...

➡️ Landscape countryside forest⬅️ ⏩It is signed H Aucier⏪ ⭐Medium:⭐ Oil on wood panel / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐33x41cm /13x16.1 i...

A beautiful early 20th century French expressionist Ecole de Paris oil on panel portrait of a standing lady wearing a yellow jacket and fur stole. This excellent quality depiction o...

The Deposition of Christ French School, mid 20th century oil on canvas, unframed canvas: 28.5 x 42 inches Provenance: private collection Condition: very good condition For more any...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's red gown, evening wear. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches. P...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical paradise, evoking a realm of harmony, innocence, and divine presence through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of spiritual unity and transcendence, capturing the timeless serenity and mystical beauty of Eden within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of paradise and the enduring connection between humanity and the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradise I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, July 29, 1960 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, published by Editions de la revue Verve, Paris, 1960 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradise...

➡️ Alpine landscape with church⬅️ ⏩It is signed Pierre Dubreuil⏪ 1891-1970 ⭐Medium:⭐ Oil on wood / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐29.7x4...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

Gelatin silver print mounted on board, 7 1/2 x 9 1/2 in. (190 x 241 mm) from the Roland Butler Collection, Press Agent, Ringling Bros. and Barnum & Bailey Circus (1930s-1960s) Roland...

Title: French Village Street Scene Ink Wash Architectural Drawing Bernard Labbe Artist: Bernard Labbe (French mid 20th century) Medium: Ink and wash on artists paper, unframed Size: ...

ARTIST: Bruce Dubois Bombergere (1918-1980) American TITLE: "Parisienne French Street Scene" MEDIUM: oil on canvas (c.1965) SIZE: 54cm x 43cm inclusive of frame CONDITION: very goo...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Rev...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...