Foam Sofas

A rare pair of Pierre Paulin sofas, labeled and upholstered in their original fabric, belongs to the ABCD series, which was designed in 1968 for Ar...

Misha Kahn [American, b. 1989] Mole Eats Worm 2020 Foam, fabric, steel 38.75 x 107 x 45 inches 99 x 272 x 114 cm

Grey Timber 4 Seater Sofa by Kann Design Dimensions: D 104.5 x W 260 x H 75 cm. Materials: Solid wood, elastic belts, HR foam, fabric upholstery Kvadrat Remix 126 (90% wool, 10% nylo...

Navy Blue Atlas 2 Seater Sofa by Kann Design Dimensions: D 94 x W 203 x H 78 cm. Materials: Powder-coated steel, HR foam, fabric upholstery Kvadrat Sprinkle...

Ochre Cut Sofa by Kann Design Dimensions: D 80 x W 230 x H 72 cm. Materials: Solid wood, steel, wood veneer, HR foam, fabric upholstery Kvadrat Baru 450 (90% wool, 10% nylon). Availa...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

This artwork embodies Percival's unique artistic essence. It presents innovative formal and structural solutions, while its symbolic significance seamlessly harmonizes with what can ...

Designed in 1972 by industrial designer Mario Bellini for C&B Italia (now B&B Italia). With the intention to mimic a swollen pillow resting on the floor. There was no foam available ...

Two Camaleonda seats and one backrest designed by Mario Bellini for B&B Italia in 1970. The offer includes two seats and one backrest (=three parts)...

Handsome vintage taupe gray faux leather upholstered Bridgewater style sofa with tight back, two loose seat cushions & square tapered wood feet. Beautiful condition, keeping in mind ...

Set of 2 “Bibambola” sofa designed by Mario Bellini for B&B Italia. Original vintage version from 1976, recently reupholstered by the previous owner with a light grey fabric. This ...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

Fantastic Mid-Century Modern settee designed by Italian architect Adriano Piazzesi for Harvey Probber, Inc. Burger bun is a whimsical kidney shaped form des...

Pigro sofa by Pepe Albargues Dimensions: W 182, D 90, H 77, seat 42 Materials: pine wood structure, tablex and particles board. Steel structure painted or chromed. Foam CMHR (hig...

This is an extremely early Florence Knoll ‘Parallel Bar’ Sofa, Model 57, designed by Florence Knoll in 1958. It is a rare example of Florence K...

Baika 3 seater sofa, elegantly encased in dark chestnut wood, becomes the most understated yet striking piece in your home. This unique sofa captivates attention with its distinctive...

Mid-Century Wingback Italian sofa. It consists of a solid handcrafted wood structure with a curved high back and ebonized conical leg. Reupholstered in ...

Danish vintage Børge Mogensen sofa 2 persons model 2212. It's upholstered with the original dark mocha colored leather, almost black. The legs are made of solid teak with oil treatm...

Luxury and sophisticated, this three-seater luxurious sofa is showcasing varying textures and a great way to enhance the visual details of your elegant ...

Rare sculptural postmodern designer sofa model ''Tube'' designed by Anna & Carlo Bartoli for Italian high-end furniture manufacturer Rossi di Albizzate. The sofa features internal t...

This is a classic Three Seat Sofa designed by Florence Knoll and produced by Knoll in 2012. The sofa was custom ordered for the executive suite of a corporate office in New York City...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

This is a two-seater ‘Florence Knoll’ settee sofa, model 1205S2. The piece was originally designed by Florence Knoll in 1954. This example dates to 2022, and is upholstered in its or...

This is a "Spencer" three seat sofa, designed by Rodolfo Dordoni and produced by Minotti. The sofa was produced circa 2020 and appears to have only been lightly used. Condition overa...

This is a Royalton Sofa, designed by Philippe Starck and produced by Driade shortly after the design's introduction in 1988. In the late 1980s, Starck was approached by hotelier Ian ...

Original condition.

This is a 2013 production SM1 Sofa, designed by Shelton Mindel and produced by Knoll. The sofa was specially ordered in orange leather with very nice hand feel. It's in terrific cond...

This is a custom c-shaped high Alcove sofa, designed by Ronan and Erwan Bouroullec, produced by Vitra in Germany. It was acquired directly from Vitra, when...

This is a ‘Kennedee’ sofa, initially designed by Jean-Marie Massaud for Poltrona Frau in 2006. This particular sofa was manufactured in Italy in 2010. The piece features a hand-stitc...

This is a 3473 sofa, originally designed by Charles and Ray Eames for Herman Miller in 1964. It's constructed from aluminum, iron, and plywood. It may be the original white naugahyde...

This is a circa 1980s production Tilbury three seat sofa (part of the Software collection), designed by Mario Bellini and produced by Cassina in Italy. This example is one of a few s...

This is a ‘Gaia’ sofa, designed by Arik Levy for Bernhardt Design in 2008. Its frame is composed of polished aluminum, and it has a molded-foam seat and back. The upholstery is done ...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features six modules with backrest. High quality Italian azure linen velvet upholstery. ...

This is a Divina Two-Seater Settee, designed by Piero Lissoni for Knoll in 2001. This example dates to 2008. The piece is upholstered in a chocolate-brown leather, likely Volo leathe...

Listed for sale is a CH104 Sofa made with a stainless steel frame and white leather. The sofa was designed by Hans Wegner and produced by Carl Hansen & Son in Denmark. It dates to ci...

This is a 3473 sofa, originally designed by Charles and Ray Eames for Herman Miller in 1964. It's constructed from aluminum, iron, and plywood. It may be the original white naugahyde...

Listed for sale is an exceptional and very rare F40 settee / sofa, designed by Marcel Breuer and produced by renowned bauhaus manufacturer Tecta. Tecta has been bringing to life earl...

La Plume is generous and inviting, with a focus on comfort unlike anything we’ve ever made before. All our armchairs are made with solid FSC European hardwood frames, which we guara...

Soriana two-seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. It features its original brown leather upholstery. Winner of t...

This is a single (two are available, but the price listed is for each sofa) Steeve sofa, designed by Jean-Marie Massaud and produced by Arper in Italy. The sofa is in terrific condit...

Designed by trailblazing Italian industrial designer and architect Mario Bellini in 1974 for B&B Italia. Unlike most sofas which rely on a solid frame, the Stelle utilizes a balanc...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

**5 WEEKS** The ARTHUR Two-Seater Sectional Sofa is a true embodiment of style and versatility, designed to elevate the ambiance of any living space. With its calming color tones an...

English arm sofa 93”w x 40”d x 35”h Seat H:19”. Seat D:24”. Arm H:22” Beautiful completely brand new upholstery, A. Rudin english arm sofa upholster...

Designed in 1968 by iconic Italian architect Cini Boeri. Polyurethane foam wrapped in a removable puffy quilt. The designer’s and manufacturer’s most famous furniture...

**LEAD TIME 5 WEEKS Designed to maximize both form and comfort, the Papillonne three seater sofa will add a unique style to your space. You can combine different fabrics for back a...

The Fuyu Two Seater Sofa, with its impressive design in a customary form for unmatched comfort, adds a touch grace to your living room... Measures: Length: 86.6'' / Depth: 51.2'' / ...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Curve module Measures: W. 125 cm / D. 96 cm / H. 73 cm / Seat Height 47 cm Modular sofa: assemble different modules t...

Zeus Grey Sofa by Emilie Lemardeley Limited Edition of 8 pieces. Dimensions: D 150 x W 280 x H 110 cm Materials: Wood, foam and Giant fabric. Designed as jewellery for the interior,...

Gionathan De Pas, Donato D'Urbino, Paolo Lomazzi "Ipercubo 200" modular sofa for Driade, original cognac leather, Italy, 1970s, set of five. The most peculiar feature of the “Ipercu...

Postmodern Camaleonda seating elements by Mario Bellini for B&B Italia, 1970s. set of two C&B Camaleonda sofas in the original iconic orange fabric.The set is in fair vintage condit...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Small module Measures: L 120cm / P 96cm / H 73 cm / Assise H. 47 cm Modular sofa: assemble different modules to creat...

This classic camelback sofa with a dramatic, swept-out, flared arm and a flared solid oak leg. The solitary seat and back cushion create a seamless and clean look. The piece is const...

An intriguing blue hue inspired by a lake is the one selected for the fine velvet upholstery (Splendido cat. A) characterizing this superb clean-lined sofa. Innerly stuffed with a mi...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Wonderful vintage MCM (a.k.a.) Mid-Century Modern to modern tuxedo style custom sectional sofa by Classic Gallery. This listing price is for frame only. It...

The unbridled desire to achieve the perfect balance of a modular sofa led our design team to HANJI. Named “desire” in an African word, this modular sofa wit...