Donald Sultan Figurative Paintings

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

"Toyota" 2018. Oil and mixed media on newsprint mounted on panel. Pop and Contemporary Pop / Text / Cultural Commentary / Earth Tones / Modes of Transportation

Kent Williams’ work melds the rigor of technical prowess with the iconoclast’s impulse to disrupt. Juxtaposing beautifully rendered classical forms with elements of abstraction and surrealism, Williams coaxes a sense of cohesion from essential contradictions. Although a virtuosic draftsman, he is concerned less with fidelity to the form than to the feeling. The result is an astonishing amalgamation of the sensual and the technical. Working in tactile surfaces and palpable brushstrokes, Williams doesn’t attempt to conceal the seams that form when joining contradictory concepts; carnal and cosmic, order and chaos, the sacred and the profane. Rather he allows us to witness the violence that occurs when two bodies collide and the beauty that can so often follow. Entanglement was commissioned as the cover art for the Criterion Collection DVD of "Women in Love".

The hair is made of actual gold leaf (imitation), so the hair shines and sparkles nicely in light. Original painting. Acrylic, oil, paper and gold leaf on high quality linen canvas s...

Original painting. Acrylic, paper and pastels on high quality linen canvas stretcher. Finished off with a soft glossy varnish. 60 x 80 cm 23.6 x 31.5" . The corners are painted a...

Original painting. Oil, acrylic and paper on high quality canvas stretcher. Finished off with a soft glossy varnish. 80 x 100 cm 31.5 x 39.4". The sides are painted and it’s ready...

Original painting. Acrylic, oil and paper on high quality linen canvas stretcher. Finished off with a soft glossy varnish. 60 x 80 cm 23.6 x 31.5" . The corners are painted and it...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Original painting. Acrylic, oil and paper on high quality linen canvas stretcher. Finished off with a soft glossy varnish. 70 x 90 cm 27.5 x 35.4". The corners are painted and it’...

Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...

Sever Frentiu (Săcuieni 1931 - Bucharest 1997) - Male portrait. 65.5 x 39.5 cm without frame, 76.5 x 50.5 cm with frame. Mixed media on paper, in a wooden frame. - Work signed low...