Living Room Sets

Stunning vintage TOGO set in its original, soft black leather with the perfect patina. From its first owner (1989) Still 100% original! Matching set! Designed by Michel Ducaroy for ...

The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. It is the first sofa/chair ever made only of foam and leather. The Togo collection features an ergonomic design with ...

This modular sofa was produced by Klöber, a German manufactory founded in 1935. It consists of four separate lounge chairs in black leather. The minimalist base is made from chrome-p...

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

We are delighted to offer this stunning vintage Oxblood leather Chesterfield Club Sofa which is part of a suite This sofa is part of a suite as mentioned, I have the matching pair if armchairs...

Mario Marenco dining room set, Postmodern, beech, tan leather, Italy, 1970s Impressive and tall chairs made in solid beech. Rectangular table with asymmetrical lines, also in sol...

We are delighted to offer for sale this lovely hand dyed tan brown leather three seat sofa with ornate stud work all over The sofa is well made and stylish, the leather is fully a...

Beautiful Napoleon III period living room in blackened wood garnished with a velvet decorated with bouquets of flowers, including a bench and two armchairs. The very original movemen...

Rare dining set designed by J.J.P. Oud and manufactured by Kollektor Perpetuel Den Haag, Holland 1979. This set was originally designed for eissenhof Siedlung Stuttgart in 1927. This...

Set of lounge patio with one two seats sofa and two big rotative armchairs. It´s very spacious and comfortable. Height to the seat: 16.14in Armchair measurements: H: 39.37in ...

Newly reupholstered sofa (foam and fabric) form the 1970s Second sofa available in smaller size (160 centimeters width).

Incredible Mid-Century Modern sculptural garden seating group from Italy 1970s. This set can transform any outdoor or indoor space into a surreal lounge. The set consists of a two seater lounge...

We are delighted to offer for sale this stunning very rare handmade in England fully restored Bordeaux leather Gentleman's club suite with hand turned legs ...

Grands fauteuils by Olivier de Schrijver (born in 1958) in teak. Model Zen with teak wavy headband, comfortable armrests and base, curved seats, Belgium, 2020.

Extraordinary set of six “Tulip 151” model chairs designed by Eero Saarinen. Widely recognized model, a classic in the history of design. Simple structure, the seat itself is made of...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Counter chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Wool, Calico 29. Dimensions: Height: 101 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm ...

Beijinho 4-seat sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture of high-quality leather...

This rare five-piece (5) living room suite by Giuseppi Pagano, designed in 1939 for Bocconi University in Milan, is comprised of two oak bentwood upholstered open armchairs with otto...

De Sede DS46 Sectional Sofa-Livingroomset in Strong Buffalo Leather, Switzerland 1970s Original De Sede DS 46 designer leather corner sofa, chair, and...

Beijinho Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture of high-quality leather an...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

Sofa dimensions: Height: 77 cm (30.3 in) Width: 120 cm (47.2 in) Depth: 60 cm (23.6 in) Seat: 45 cm (17.7 in) Chair dimensions: Height: 77 cm (30.3 in) Width: 57 cm (22.4 in) Depth:...

A very fine French 19th century Louis XV style three-piece giltwood carved and silk Aubusson tapestry three-piece salon suite, comprising of a settee and two fauteuils (armchairs), the Aubusson silk...

Gorgeous rattan sofa and loveseat settee pair handcrafted in Italy by wicker works. Made in the organic modern California coastal style and manner of Michael Taylor. Known as the cla...

An extremely rare and extraordinary set of 4 dining chairs in solid ash, highlighted details such as the butterfly shaped back rest. Seats and the curved back reupholstered in a grea...

Lounge set consisting of two chairs and an ottoman, aluminum, leather, Italy 1970s Pair of lounge chairs and ottoman made in Italy in the 1970s. These chairs strongly represent the ...

A fabulous vintage Boho cast brass bell. A charming floral design in a heavy weight bell. Acquired from a Palm Beach estate.

Exceptional matching Camaleonda set in its original coral corduroy. Designed by Mario Bellini for B & B Italia. The “Camaleonda” sofa is Mario Bellini’s contemporary classic. The pl...

The set consists of square walnut table and 4 armchairs produced by Bernini in 1980’s. The chairs have a walnut frame with black leather upholstery. Table top can be turned around an...

The Modular Sculptural Galaxy Rack and Seating Assembly by Kunaal Kyhaan is a collective of 4 stackable individual pieces. The modular large shelving unit fragments into three seats ...

Living room consisting of pair of armchairs and sofa bed, in gray-brown fabric, 1970s, Italian design. CONDITION: In very good condition, may show slight signs of wear given by time...

This vintage Art Deco living room set from the 1930s features a beautiful cube style design with a cream colour finish and Rosewood veneer. This set includes three chairs made of Ros...

Vintage Midcentury Modern French Design "ORCHID" Modular Sofa & Armchair set by Michel Cadestin for Airborne. Made in France, 1970's period. Sectional sofa with 3 seperate seats that...

We are delighted to offer for sale this pair of stunning vintage Oxblood leather Chesterfield Club armchairs which are part of a suite These are part of a suite as mentioned A ...

This exquisitely designed and fabricated Art Deco Cubist Skyscraper Style Settee and Club Chair Set in Black Lacquer W/Holly Hunt Upholstery in the Manner of Ruhlmann originates from...

This is for Allison, one sofa and two lounge chairs. Item Reference LU4154138829682 LU4154138829492 This model” Samspel” sofa was designed by Carl Malmsten in 1956 and manufact...

Objekt: Secessionistische Sitzgruppe (2 x Fauteuil, 1 x Canapé) Entwurf: Gustav Siegel (Wien, um 1902) Modell-Nummer: unbekannt Ausführung: Jacob & Josef Kohn (Wien, um 1902) Maße in...

Mid-Century Modern Bamboo and Rattan living room set consists of two comfortable armchairs and one side table. The armchairs have their original fabric cushions. The set is in reall...

Set of two wingback lounge chairs designed by Ib Kofod-Larsen in 1954. The chairs are reclinable and it can be adjusted in three positions, as seen in the pictures. The chairs have b...

Made in Italy, 1950s. This set is very particular and interesting because both the sofa and the armchairs feature vintage brass cones feet. Their fabric is original and, as you can s...

Gorgeous Vintage 3 Piece French Style Parlor Set, Upholstered Absolutely gorgeous Sofa and 2 Armchairs Carved wood frames Removable seat cushions Button tufting Fronts are upholstere...

Italian Baroque sofa and armchairs, 1970s A richly carved wood sofa set consisting of a sofa and two armchairs in Baroque style. Italian, 1970s The pine sofa, colored in walnut, ric...

- newly upholstered in floral pattern fabric - refinished oak wooden parts - The armchair dimensions : Height : 78cm , Seat height : 46cm ,Width: 80cm ,Depth 75cm

Modular Gognac color Sofa Model Caprice by Henning Korch, 1970s Discover the vintage charm of the modular sofa set 'Caprice', designed by Henning Korch and produced by Swan in the ...

Set 4 Floral Gold & Red Upholstery Fine Carved Legs Slipper Lounge Chairs MINT!

A French 19th-20th century Belle époque Louis XVI Style bergère giltwood carved three-piece salon or parlor set, comprising of a two-corps settee and two armchairs, all upholstered i...

An exquisite suite of richly carved giltwood salon furniture in the Louis XVI style, comprising four oval back 'Fauteuil Cabriolet' armchairs and a matching two-seater sofa. Each cha...

Introducing the Florida sofa and armchair, crafted by the designer Johannes Andersen and manufactured by AB Trensums Fåtöljfabrik. Despite their vintage status, they remain in good c...

The "calin" pillow armchair was designed by pascal mourgue for cinna / ligne roset in 1994. An artist more than a designer, pascal mourgue first sculpted some pouffes in the sand bef...

Elegant pair of armchairs Italian midcentury design in the Guglielmo Ulrich design style.   

Boucle Champanhe Agnes Sofa by Nelson Araujo Dimensions: W 80 x D 68 x H 58 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour. Please...

Set of two armchairs and two stools Armchair dimensions: Height: 83 cm (32.7 in) Width: 58 cm (22.8 in) Depth: 74 cm (29.1 in) Seat height: 41 cm (16.1 in) Stool dimensions: Height...

Scandinavian easy chair; model 46 designed by Olav Haug and produced at Elverum Møbel - og Trevarefabrikk, Norway The chair is reupholstered in woolen fabric from Gudbrandsdalens Uld...

Restored Mid-century Rattan side table set includes a 31" wide square corner table and two matching side tables, each adorned with a tiered lamp stand and a Paul Frankl styled stacked rattan base. The tables boast matching mahogany tops with cut rattan along the edges and cutouts along the base. Elevate your living space with this modernist set featuring a post-war Hawaiian charm...

Beautiful curved backrest pair of chairs from Anonima Castelli, 1960’s. Wooden frame with burgundy Eco Leather seat and backrest upholstery. Condition Good, age related wear and mar...

Ez egy gyógyáru nappali garnitúra , forma es stílus szempontból egyaránt. Szükséges viszont a restauralas munkák, a fa es a karpit részek. De ez után egy igazan impozáns es elegáns ...

Beautiful set of French Napoleon III seats, Louis XVI style, with dry green upholstery. The set is made up of an armchair, a charmeuse, which is lowe...