Articoli simili a Oiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle

François Desnoyer - Senza titolo astratto in riva al mare, litografia originale

Pablo Picasso - Picasso, étude pour la céramique, Céramiques de Picasso (Orozco 105) (dopo)

Pablo Picasso - Picasso, Shakespeare V (Bloch 1197), Picasso-Aragon Shakespeare (dopo)

Vuoi altre immagini o video?

Richiedi altre immagini o video al venditore

1 di 7

Georges Braque
Oiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle
1958

Name: Oiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle
Brand: Georges Braque
Price: 2040.45 AUD
Availability: InStock
Rating: 4.9 (68 reviews)

Informazioni sull’articolo

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Vallier, Dora, et al. Braque, the Complete Graphics: Catalogue Raisonné. Translated by Robert Bononno, Gallery Books, 1988, illustration 122. Notes: From the album, XXe siècle, Nouvelle série N° 11 (double) Noël 1958, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1958. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1958. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. GEORGES BRAQUE (1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. In 2013, the painting, Paysage à la Ciotat by Braque sold at Sotheby’s for $15.8 million USD, setting the world record for the artist.

Creatore:

Georges Braque (1882 - 1963, Francese)

Anno di creazione:

1958

Dimensioni:

Altezza: 31,5 cm (12,4 in)Larghezza: 24,52 cm (9,65 in)

Tecnica:

Litografia

Movimento e stile:

Cubismo

Periodo:

1950-1959

Condizioni:

Località della galleria:

Auburn Hills, MI

Numero di riferimento:

1stDibs: LU1465216495132

20% in meno

716 USD Prezzo promozionale

20% in meno

Visualizzati di recente

Mostra tutto

Georges BraqueOiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle1958

Informazioni sull’articolo

Georges Braque

Altro da questo venditore

Anni 1960, Cubismo, Stampe figurative

Picasso, Le peintre et son modèle (Cramer 128; Bloch 1848) (dopo), 1964

Anni 1970, Cubismo, Stampe figurative

Picasso, Composizione (Orozco 193-204), Au Baiser D'Avignon (dopo), 1971

Anni 1970, Cubismo, Stampe figurative

Picasso, Composizione (Orozco 193-204), Au Baiser D'Avignon (dopo), 1971

Anni 1970, Cubismo, Stampe figurative

Picasso, Composizione (Orozco 193-204), Au Baiser D'Avignon (dopo), 1971

Anni 1960, Cubismo, Stampe figurative

Picasso, Composizione (Orozco 207-261), Vingt-Neuf Portraits Imaginaires (dopo), 1969

Anni 1960, Cubismo, Stampe figurative

Picasso, Composizione (Orozco 207-261), Vingt-Neuf Portraits Imaginaires (dopo), 1969

Ti potrebbe interessare anche

Inizio XX secolo, Cubismo, Stampe figurative

Jacques DespierreI cacciatori, metà del XX secolo

Metà XX secolo, Cubismo, Stampe figurative

François DesnoyerSenza titolo astratto in riva al mare, litografia originale, metà del XX secolo

Anni 1940, Cubismo, Stampe figurative

Picasso, étude pour la céramique, Céramiques de Picasso (Orozco 105) (dopo), 1948

Anni 1940, Cubismo, Stampe figurative

Picasso, étude pour la céramique, Céramiques de Picasso (Orozco 105) (dopo), 1948

Anni 1940, Cubismo, Stampe figurative

Picasso, étude pour la céramique, Céramiques de Picasso (Orozco 105) (dopo), 1948

Anni 1960, Cubismo, Stampe figurative

Picasso, Shakespeare V (Bloch 1197), Picasso-Aragon Shakespeare (dopo), 1965

Visualizzati di recente

Georges Braque
Oiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle
1958

Jacques Despierre
I cacciatori, metà del XX secolo

François Desnoyer
Senza titolo astratto in riva al mare, litografia originale, metà del XX secolo