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Archival Ink Black and White Photography

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Medium: Archival Ink
Shallow River
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Phoenix Rising
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...

More Ideas
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

The Red Maiden
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Nursing Madonna
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Acrylic Polymer, Archival Ink, Archival Paper, Photographic Paper, Photo...

Whispers of Imuto
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Mixed Media, Archival Paper, Photograph...

The Seeress
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Photogram, Archival Pi...

Not of this World
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Acrylic Polymer, Archival Ink, Archival Paper, Photog...

Kyoto Poetry
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...

Shieldmaiden
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Maiko
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...

My Blade, My Beloved
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Dream of Geiko - from the series "Ink Stories"
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Arc...

Dance of Irezumju
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Throne of Wisdom
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Photogram, Archival Pi...

My Erikae
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Paper, Photographic Paper, Photogram, Archival Pigment, Archiva...

Chooser of the Slain
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Acrylic Polymer, Archival Ink, Archival Paper, Photog...

Blue Smoke
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Madame Butterfly
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Mizuake Intentions
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

I am Freyja
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Acrylic Polymer, Archival Ink, Archival Paper, Photog...

Onna-Oyabun
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Whispers of Imouto
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Photorealist Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Protector of Odin
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Photogram, Archival Pi...

The Flower & The Willow
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...

Kiss of my Kettlingr
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...

Rookery Study #2
Located in Sante Fe, NM
This selection of images appear in my upcoming monograph scheduled for release fall of 2022 by the University of Texas Press. Ghostlight is an exploration of dark waters: the otherwo...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Phantom Moss, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Phantom Moss, limited edition photograph, signed and numbered This photograph is part of Carter's series Ghost Light. Keith Carter’s work explores time, place, and vernacular cult...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Oak Mott Study #7, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Oak Mott Study #7, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Lo...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Hanging Moss, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Hanging Moss, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Ang...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Ghostlight, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Ghostlight, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angel...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Crossing, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Crossing, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angeles...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Egret in Flight, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Egret in Flight, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los ...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Cormorants, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Cormorants, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angel...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

Camellia Flowers, limited edition photograph, signed and numbered
Located in Sante Fe, NM
Camellia Flowers, limited edition photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los...
Category

2010s Archival Ink Black and White Photography

Materials

Archival Ink

LE JARDIN
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Blac...

DANDELION
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Plexiglass, Digital Pigment, Archival Pigment, Black and White, Pigment,...

PATRONNE
Located in New York, NY
Print is also available in Medium size: 50'' x 40'' and is priced at $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Paper...

FLEURS SAUVAGES
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Adhes...

EFFECT PAPILLON
Located in New York, NY
Print is framed and total size is 50 x 40. The work is framed in a a black floating frame with conservation acrylic. Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Digital, Pigment, Archival Pigment, Digital Pigment, Archival Ink, Archi...

L'ARTISTE
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Digital Pigment, Archival Pigment, Digital, Plexiglass, Archival Ink, Ar...

PHANTASMA
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Plexiglass, Archival Paper, Digital, Photographic Paper, A...

LUNE DE SANG
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Plexiglass, Black and ...

ROUTES
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Digital, Pigment, Archival Pigment, Digital Pigment, Archival Ink, Archi...

BELOVED
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...

SORCIER
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. Print is also available in large size: 63'' x 50'' and i...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Paper, Black and White, Plexiglass, Pigment, Digital, Pigme...

Drovers
Located in Chicago, IL
Drovers Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 84 inches 57 x...
Category

21st Century and Contemporary Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Pigment

The Thundering Herd
Located in Chicago, IL
The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...
Category

21st Century and Contemporary Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Pigment

St. Peter's Square, Rome, Italy, Edition of Snow at the Vatican 1950s
Located in New york, NY
St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...
Category

1950s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Photographic Film, Digital, Archival Pigment, Digital Pigment

Free Coffee (color)
Located in Kansas City, MO
Artist : Gary Hodson Title : Free Coffee (color) Materials : Archival Pigment Print Date : 2016 Dimensions : 11 x 17 in. Gary Hodson’s subject matter remains diverse and includes...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Paper, Archival Ink, Digital, Archival Pigment

Free Coffee (B&W)
Located in Kansas City, MO
Artist : Gary Hodson Title : Free Coffee (B&W) Materials : Archival Pigment Print Date : 2016 Dimensions : 11 x 17 in. Gary Hodson’s subject matter remains diverse and includes h...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Paper, Archival Ink, Digital, Archival Pigment

Do Not Go Quietly Into the Night (color)
Located in Kansas City, MO
Artist : Gary Hodson Title : Do Not Go Quietly Into the Night (color) Materials : Archival Pigment Print Date : 2018 Dimensions : 13 x 19 in. Gary Hodson’s subject matter remains ...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Photographic Paper, Archival Ink, Digital, Archival Pigment

Do Not Go Quietly Into the Night (B&W)
Located in Kansas City, MO
Artist : Gary Hodson Title : Do Not Go Quietly Into the Night (B&W) Materials : Archival Pigment Print Date : 2018 Dimensions : 13 x 19 in. Gary Hodson’s subject matter remains di...
Category

2010s Conceptual Archival Ink Black and White Photography

Materials

Photographic Paper, Archival Ink, Digital, Archival Pigment

Landscape #36
Located in Sante Fe, NM
I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
Category

2010s Contemporary Archival Ink Black and White Photography

Materials

Archival Ink

Salma Hayek as Frida
Located in Chicago, IL
Salma Hayek photographed as Frida Khalo during the production of the 2002 film "Frida." Archival chromogenic print on Hahnemüle Photo Rag Paper, matted ...
Category

21st Century and Contemporary Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Archival Paper, Inkjet, Rag Paper

Frank Sinatra - Shoot Me Shooting You
Located in Chicago, IL
Shoot me Shooting you – Frank Sinatra at home in Toluca Lake, CA. Circa mid-1940s. Sinatra always had a camera and was often experimenting with them, here Nancy Sinatra Senior catche...
Category

21st Century and Contemporary Contemporary Archival Ink Black and White Photography

Materials

Archival Ink, Rag Paper, Giclée

Clint Eastwood (from the film Outlaw Josie Wales)
Located in Chicago, IL
Archival chromogenic print on Hahnemüle Photo Rag Paper Edition of 25 Print size: 15 H x 11.5 W inches Frame size: 25 H x 19 W inches Artist bio: Peter Sorel, Immigrating to the...
Category

21st Century and Contemporary Contemporary Archival Ink Black and White Photography

Materials

Archival Paper, Archival Ink, Inkjet, Rag Paper

Paris Scene 01
Located in Vienna, AT
Andreas H. Bitesnich is seen as one of the greatest photographers of our time. Especially in the area of nude photography, he counts among the best in the world. Bitesnich captures m...
Category

21st Century and Contemporary Archival Ink Black and White Photography

Materials

Archival Ink

Archival Ink black and white photography for sale on 1stDibs.

Find a wide variety of authentic Archival Ink black and white photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add black and white photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Gerald Berghammer, Tyler Shields, James Lewin, and Daniel Grant. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Ink black and white photography, so small editions measuring 0.63 inches across are also available

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