Contemporary Still-life Photography
CONTEMPORARY STYLE
Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.
Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.
The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.
Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.
Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.
34
to
88
2,574
936
344
990
1,536
1,369
759
1,078
857
601
442
702
Overall Height
to
Overall Width
to
3,688
482
169
137
76
44
41
12
6
5
4
3
1
1
949
871
750
405
316
298
294
265
213
210
186
179
162
161
160
142
132
125
118
115
263
3,411
4
1
1
7
85
144
187
121
110
106
101
2,222
2,045
1,417
991
837
Style: Contemporary
Wedgwood Golden Parrot with Blueberry Lemons, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Golden Parrot with Blueberry Lemons, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Wedgwood Sapphire Garden with Pineapple Beets, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Sapphire Garden with Pineapple Beets, limited edition photograph, archival, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Wedgwood Menagerie with Citrus, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Menagerie with Citrus, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Myrtle and Mary Paradise Lost with Orange Key Lime, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Myrtle and Mary Paradise Lost with Orange Key Lime, limited edition photograph.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Tyler Shields - Glitter Champagne, Photography 2019, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18" Editions of 3 + 2 Artist Proofs
30" x 30" Editions of 3 + 2 Artist Pro...
Category
2010s Contemporary Still-life Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...
Tyler Shields - Touch, Photography 2020, Printed After
Located in Greenwich, CT
Series: Touch
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5 x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Artist ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Wedgwood Wonderlust with Mushrooms, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Wonderlust with Mushrooms, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Spode Wildcat Prowl with Rosemary Pomegranate, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Spode Creatures of Curiosity with Romanesco, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Spode Creatures of Curiosity with Goose-Cranberry, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Spode Creatures of Curiosity with Goose-Cranberry, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an ea...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
E Shipley Zambezi with Blueberry, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
E Shipley Zambezi with Blueberry Onion Cup, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Spode Blue Italian with Lime, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Spode Blue Italian with Lime,, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower # 113, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 113
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 29, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 29
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 14, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 14
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 23, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 23
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 24, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 24
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 18, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 18
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 30, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 30
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 28, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 28
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 26, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 26
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 27, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 27
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 25, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 25
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 20, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 20
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 19, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 22, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 22
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 21, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 21
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 11, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 11
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 17, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 17
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 16, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 16
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 15, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 15
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 10, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 10
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 09, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 09
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 13, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 13
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 12, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 12
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 08, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 08
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Dead flowers, black and white analogue floral photography, Limited edition of 20
Located in London, GB
'Dead flowers'
2023
Limited edition of 20.
Photograph shot using mid-century large format film camera Linhof.
Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both f...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Film, Photographic Film, Photographic Paper, Black and White, Giclée
Chad Kleitsch - Untitled Flower # 112, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 112
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 41, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 41
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
'Venice #6' 2024 - black and white polaroid landscape photography
Located in London, GB
'Venice #6' 2024
A photograph captured with a Polaroid camera.
Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Ink, Photographic Film, Photographic Paper, Giclée
Chad Kleitsch - Untitled Flower # 102, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 102
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 124, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 124
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 98, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 98
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
'Venice #8' 2024 - black and white polaroid landscape photography
Located in London, GB
'Venice #8' 2024
A photograph captured with a Polaroid camera.
Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Ink, Photographic Film, Photographic Paper, Giclée
Chad Kleitsch - Untitled Flower # 89, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 89
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 114, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 114
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 152, Photography 2019, Printed After
Located in Greenwich, CT
Untitled Flower # 152
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 121, Photography 2009, Printed After
Located in Greenwich, CT
Untitled Flower # 121
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 02, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 02
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 133, Photography 2009, Printed After
Located in Greenwich, CT
Untitled Flower # 133
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 06, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 150, Photography 2020, Printed After
Located in Greenwich, CT
Untitled Flower # 150
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 129, Photography 2008, Printed After
Located in Greenwich, CT
Untitled Flower # 129
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 90, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 90
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 03, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 03
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 116, Photography 2008, Printed After
Located in Greenwich, CT
Untitled Flower # 116
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 115, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Contemporary still-life photography for sale on 1stDibs.
Find a wide variety of authentic Contemporary still-life photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Chad Kleitsch, Tyler Shields, Isabelle Menin, and Patty Carroll. Frequently made by artists working with Pigment Print, and Archival Pigment Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Contemporary still-life photography, so small editions measuring 0.5 inches across are also available. Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $61,000, while the average work sells for $2,500.
Recently Viewed
View AllMore Ways To Browse
Paintings Artist Tom L
Venice San Giorgio
Vintage Formal Men
Vintage Rodeo
Vintage Technology Posters
Vintage Tool Posters
Virgin Mary Vintage Art
Warhol Leo Castelli
Whistling Man
17th Oil On Board
48x38 Painting
American Davenport
American Indian Child
Australian 19th Century Painting
Baby Impressionist
Bell Board
Bernini Sculpture
Harbour Island