Prints and Multiples

Woman Embroidering (Nini) by Lucien Pissarro (1863-1944) Woodcut 15 x 10 cm (5 ⁷/₈ x 4 inches) Stamped with initials lower right Numbered lower left, 18/20 Provenance: Private Colle...

Takashi Murakami Flowers Skateboard Deck 2015: A vibrant, unique piece of Takashi Murakami flowers wall-art - this highly collectible limited edition Murakami skate...

Light streams through a window illuminating an alcove in Hadrian’s Palace in Rome. A place to meditate over a book perhaps or record one’s thoughts in a journal – The Spaces in Bet...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

From the 1960 collaboration Les Rois Mages, this Dali print is on Japon, numbered XXVIII/C, signed in pencil, also in the stone and with a blind stamp.

Color lithograph Original vintage exhibition poster 1978 Signed in the stone In good condition

Original vintage Czechoslovak propaganda poster - Za Vlast Za Socialism! / For Motherland For Socialism - featuring dynamic artwork of a soldier in uniform and armed with a rifle gun...

Complete title: El Origen del Deseo - Quiero estar Dentro de Alegría (The Origin of Desire - I Want to be Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

ALMOST VD; 1946 military poster by Franz Oswald Schiffers. Almost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

Rodeo Queen 1981 Luis Jimenez Stone Lithograph 42 1/2 x 28 1/2 in. (107.95 x 72.39 cm.), Edition of 50 Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Complete title: El Origen del Deseo - La Motivación Desbordante Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional prac...

ALPHONSE MUCHA (1860 – 1939) Flirt Biscuits Rennert/Weill 72 Lithograph in colors c. 1900 Signed in stone, lower right margin Image: 24” x 11”, Paper: 25 ¼” x 11 ¾” F...

Official Vintage 1937 program of the Coronation of King George and Queen Elizabeth. Framed in a dark brown wood shadowbox with an off-white colored ma...

RGRFineArts is pleased to present this rare lithograph by the African American artist Calvin Burnett of Marlborough, Massachusetts.

Original vintage travel advertising poster - Let British Railways Handle Your Party Outing - featuring a great graphic design of colourful hands holding a cut out paper chain of peop...

UNDER AND ABOVE, NEW YORK CITY, 2021 Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond. Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing. 2 x Prints as One work of Art: 80 x 50 cm Framed 82 x 52 cm approx./ 32 x 20.5 inches approx. Unique Work Series: New York City Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity © Michael G Jackson...

The New York Herald's 1906 Funny Folk Calendar is a delightful time capsule that transports us to a year filled with humor, whimsy, and artistic charm. This...

Erotic scene is an artwork realized by Toyen in 1927. Mixed colored watercolored lithograph. The artwork is an illustration from the book Pybrac written by Pierre Louÿs  (1870-1925...

Original vintage travel poster for the Cote d'Azur ete Bandol hiver Le pays du soleil et des fleurs / French Riviera summer winter The land of sun and fl...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Pierre PUVIS DE CHAVANNES (after) The Reaper : Life and Death, 1873 Original Etching Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Artist: Théo Tobiasse (Israeli-French, 1927-2012) Title: "Je Traverse une Ville sur un Cheval de Papier (I Ride through Town on a Paper Horse)" *Signed by Tobiasse in pencil lower right Circa: 1980 Medium: Original Lithograph on Japon paper Limited edition: 165/175, (there were also 15 artist's proofs in roman numerals) Printer: Unknown Publisher: Unknown Sheet size: 22.5" x 30.5" Image size: 19.75" x 25.88" Condition: Minor skinning from previous mounting tape on verso and some remnants of mounting tape from previous framing on verso. In excellent condition Rare Notes: Provenance: one owner ever - private collection - Dallas, TX / Sacramento, CA; acquired from Reddi-Arts, Inc, Jacksonville...

The fire of Marseille, 1971 realized by Hans Bellmer.  Etching, Signed in pencil. Limited edition of 100 copies numbered in pencil Richard de Bas paper tinted brick red 56 x 78 c...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

Parmasos VIII. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, ...

Bowie 2 Bowie by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age...

Nine Of One by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age n...

Keith Haring Mickey Mouse Skateboard Deck: Standout Keith Haring Skateboard Deck featuring lush, vibrant, fun colors & classic early 1980s Keith Haring Mickey Mouse imagery. A brilli...

ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Paper Size: 20 x 20 inches ( 50.8 x 50.8 cm ) Image Size: 13 x 18 inches ( 33.02 x 45.72 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplemental...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Matted size: approx. 37 x...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with tree in the foreground and trees in the background. The artwork is minimalistic. Pr...

SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...

Erotic scene is an artwork realized by Toyen in 1923. Mixed colored watercolored lithograph. The artwork is an illustration from the book Pybrac written by Pierre Louÿs  (1870-1925...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

Original vintage fashion advertising poster for Levi's jeans featuring a colourful illustration of people wearing blue jeans, denim jackets and shi...

A very good impression of this color lithograph. Signed and numbered 40/150 in pencil. Printed by Desjobert, Paris. Published by Touchstone Publishers, Ltd., New York. From "Mujeres....

Enclosed is a rare etching of the famous image of "Sylvie" with either she was a model or a lover. Nicola was a Lady's man and loved woman who are his major theme. Sylvie, was origin...

Spirale Nebula, 1970 Lithograph in colors on wove paper Printed by Mourlot, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition of 100 copies Professionally framed Alex...

This is number #16 in the catalogue on the etchings of Bernard Buffet in a limited. The above size is the paper size and it is also framed. There is no fading or foxing in and on th...

Death holds an audience  is an etching realized by Giambattista Tiepolo in 1785.  Death, an old nun with a veiled head leafs through a large book and holds an audience. In front of ...

Man and soldier with an urn  is an etching realized by Giambattista Tiepolo in 1785.  A woman looks out of the print. Two characters, a man and a soldier, are in front of a funeral ...

Original vintage music poster for The Rolling Stones in Concert world tour 1969-1970 featuring a vibrant colourful image by the notable American ...

Classic colour fox hunt print by Finch Mason (1850-1915) published by Fores Piccadilly London 1886 Print Sz: 12 3/4"H x 14 3/4"W Frame Sz: 17"H x 19"W

Metis is an  hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes...

Back to the Land “Farming” by Ludovic-Rodo Pissarro (1878-1952) Colour wood engraving 19.3 x 10.5 cm (7 ⁵/₈ x 4 ¹/₈ inches) Initialed and titled in the plate and numbered, 4th state ...

An imaginary landscape painting, bold brushwork with rich, delicate detail. I am inspired by prayer and bible verses which in English, Chinese and French, ...

Philip Reisman, a Social Realist painter and printmaker known for his views of New York City street life. Fourteen of Mr. Reisman's etchings of New York life were in the show Works o...

Classic coaching colour plate painted by James Pollard (1792-1867) titled 'The Bedford Times' 'Changing of Horses at the Old White Lion 1830' Print Sz: 11 1/4"H x 16 1/2"W Frame Sz...

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

Art deco c1926 Tres Parisien fashion pochoir No. 8 w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 1/2"H x 7"W Frame Sz: 13 1/4...

KAWS SKELETON 2021: complete set of 4 works: A set of 4 neon printed KAWS designed skeletons published in 2021 to commemorate Halloween. Each accompanied by its KAWS illustrated coll...

Hand-coloured litho depicting the American jockey, Tod Sloan (1874-1933) from the Men of The Day series #750 since bespokely framed 1899 Print Sz: 9 1/2"H x 13 1/2"W...

Framed print by Jacque c1968 depicting the art of serving fruit and 10 varieties of cheese Print Sz: 7 1/2"H x 15 1/2"W Frame Sz: 9"H x 17"W

Glam art deco c1926 'Tres Parisien' fashion pochoir No.8. w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 5/8"H x 6 7/8"W Fram...

Original antique travel poster for Lago di Como featuring elegant Belle Epoque artwork depicting a lady in a floral pink rose dress with a flower in he...

Philosopher standing with a book is an etching realized by Giambattista Tiepolo, in 1785.  Sheet 32 x 23 cm. Good impressions on paper, with wid...

Sardona, Grisons 2021 Edition on 2 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 76 x 7 cm Other edition in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that it is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...