Edward HopperNight Shadows1921
1921
About the Item
- Creator:Edward Hopper (1882-1967, American)
- Creation Year:1921
- Dimensions:Height: 7 in (17.78 cm)Width: 8.25 in (20.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1477213843012
Edward Hopper
Born in Nyack, New York, along the Hudson River, Edward Hopper began to study art in the local schools before seeking instruction in commercial art in New York City in 1899. From 1900 to about 1906 he studied at the New York School of Art under Robert Henri and Kenneth Hayes Miller, both of whom urged their students to concentrate on modern subjects.
Among Hopper's fellow students were George Bellows, Rockwell Kent, and Guy Pene du Bois. Between 1906 and 19l0, Hopper made three European visits of several months each, spending most of his time in Paris. Living quietly with a French family, he did not study in an art school but painted on his own. The artists he looked at and admired were those Henri had suggested — Goya, Manet, Degas, Sisley and Pissarro. The latter two showed up as the first major influences of his street views of Paris.
Back home in these same years, Hopper was painting aspects of the native scene that few artists had attempted. Although the Ashcan group — Henri, John Sloan, William Glackens, George Luks and Everett Shinn — concentrated on the visual aspects of the metropolis, Hopper was the first to capture the inner feelings of the city and suburban dwellers themselves. Railroad Train (Addison Gallery of Art) and The El Station (Whitney Museum of American Art), both of 1908, were transitional works showing Hopper's movement away from Henri's dark tonalities of the period toward outdoor light and color effects. Little recognition came his way at first and Hopper was forced to concentrate on illustration work to make a living.
Hopper stopped painting completely for a time and, around l9l9, took up etching, capturing on the plate his concepts of everyday life in America that contained the essentials of his later paintings: uncompromising realism, absolute simplicity of statement and a sense of mood that raised it above mere naturalism. His etchings were accepted in major exhibitions and won prizes for the artist; this encouragement led him to take up painting again, both in oil and watercolor, a medium in which he proved to be a master.
In 1927, a showing of his oils at the Rehn Gallery in New York definitely established Hopper's reputation. From about 1920 on, a number of younger artists including Thomas Hart Benton, Charles Burchfield, Reginald Marsh, John Steuart Curry, Grant Wood joined Hopper in a nationalist school dedicated to painting the native scene in a more or less naturalistic style. Hopper's masterpieces of the 1920s and 1930s: House by the Railroad (1925, Museum of Modern Art), Automat (1927, Des Moines Art Center) and Lighthouse at Two Lights (1929, Metropolitan Museum of Art) formed the core of this American Scene movement.
Hopper's vision was unique. The people inhabiting his city and suburban scenes are lonely, anonymous, temporary inhabitants of sometimes inhospitable environments. When there is no human element, he transfers these qualities to the architecture or even to the landscape itself, using intense light to infuse human emotion.
Find original Edward Hopper paintings and prints on 1stDibs.
(Biography provided by Lincoln Glenn)
- ShippingRetrieving quote...Ships From: Union City, NJ
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Young Lady in Yellow DressBy Ernest CrichlowLocated in New York, NYColor etching and aquatint on wove paper. Signed, titled and numbered 56/100 in pencil. This etching is made after the painting of the same subject "Woman in Yellow Dress...Category
1970s Realist Abstract Prints
MaterialsColor, Etching, Aquatint
- La PenitenciariaBy David SiqueirosLocated in New York, NYA very good impression of this early woodcut. Signed, titled, dated and numbered 145/300 in pencil by Siqueiros.Category
1930s Realist Abstract Prints
MaterialsWoodcut
- Demonio IIBy Jose Clemente OrozcoLocated in New York, NYA superb, richly-inked impression of this very scarce aquatint. Edition of approximately 80. Signed in pencil by Orozco.Category
1940s Expressionist Abstract Prints
MaterialsAquatint
- TriptychBy Francis BaconLocated in New York, NYVery good, well-inked impressions of these three color aquatints with etching on one sheet of Guarro paper. Signed and numbered 58/99 in pencil by Bacon. Printed and published by Pol...Category
1980s Surrealist Abstract Prints
MaterialsColor, Etching, Aquatint
- Junger Fürst und TänzerinnenBy Emil NoldeLocated in New York, NYA superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil. This etch...Category
1910s Expressionist Abstract Prints
MaterialsEtching, Aquatint
- Morceaux choisis d'après Ingres, IBy Marcel DuchampLocated in New York, NYA very good impression of this etching and aquatint on Japon nacré. Schwarz's state a (of c). The deluxe edition of 30 on Japon nacré, aside from the edition of 150. Signed and numbe...Category
1960s Dada Abstract Prints
MaterialsEtching, Aquatint
- TulipsBy Donald SultanLocated in New York, NYDonald Sultan Tulips, 1990 Silkscreen on wove paper 23 × 22 inches Pencil signed, titled and dated and numbered 22/125 on the front margins Unframed Richly colored silkscreen of tuli...Category
1990s Realist Figurative Prints
MaterialsScreen
- Thou Shalt Not Kill (The Sixth Commandment)By Nancy SperoLocated in New York, NYNancy Spero Thou Shalt Not Kill (The Sixth Commandment), 1987 9 Color lithograph and letterpress on Dieu Donne handmade paper 24 × 18 inches Edition AP 2/15 Signed and numbered AP 2/15, aside from the regular edition of 84 Printed by Peter Kruty, Dan Stack and Judy Solodkin Unframed with deckled edges This nine color lithograph and letterpress on Dieu Donne handmade paper is a signed, dated and numbered Artist's Proof, numbered AP 2/15, aside from the regular edition of 84. It was created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal...Category
1980s Realist Abstract Prints
MaterialsLithograph
- Olivetti (Fully Automatic Printing Calculator)By Giovanni PintoriLocated in New York, NYGiovanni Pintori Olivetti (Fully Automatic Printing Calculator), 1951 Offset lithograph Framed Evocative mid century modern (1951) poster for Olive...Category
Mid-20th Century Realist Figurative Prints
MaterialsOffset
- Guggenheim Museum BilbaoBy Richard HaasLocated in New York, NYIncised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get ...Category
Early 2000s Realist Figurative Prints
MaterialsMetal
- 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers)By April GreimanLocated in New York, NYApril Greiman 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...Category
1980s Realist Figurative Prints
MaterialsLithograph, Offset, Pencil
- Untitled, 2016. Line etching, toner transfer and soft ground. Edition of 30Located in Tuscany, PisaKon Trubkovich is a Russian-American painter living between New York and Berlin. Trubkovich's source imagery includes historical moments of rebellion, o...Category
2010s Contemporary Figurative Prints
MaterialsEtching