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Style: Ashcan School
Man on His Back, Nude
Located in Fairlawn, OH
Man on His Back, Nude Lithograph, c. 1916 Signed by the artist lower right: Geo Bellows (see photo) Annotated bottom left: No. 3 by the artist (see photo) An unredorded trial proof b...
Category

1910s Ashcan School Art

Materials

Lithograph

The Fishmonger 1940's New York Impasto Figurative Cityscape
By Dorothy Rossen Greenberg
Located in Soquel, CA
A vivid mid-century impasto figurative cityscape oil painting of New York during the 1940s by Dorothy Rossen Greenberg (American, 1915-2005). A Fishmonger plies his trade amidst a ha...
Category

1940s Ashcan School Art

Materials

Oil, Linen

Early 20th Century Social Realism Etching by John Sloan -- Bandits Cave
Located in Soquel, CA
1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...
Category

1920s Ashcan School Art

Materials

Laid Paper, Etching

'A Morning in May' — Ashcan School Social Realism, New York City
Located in Myrtle Beach, SC
Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...
Category

1930s Ashcan School Art

Materials

Etching

Flamenco Dancer, Sevilla, Spain
Located in Greenwich, CT
Francis Mora is often considered to be the American artist who most depicted Hispanic culture in American and abroad. He made a trip to Spain in the early 1900's and created mostly ...
Category

Early 1900s Ashcan School Art

Materials

Oil, Board

“Fleet Week”
Located in Southampton, NY
Original oil on masonite painting of Fleet Week with sailors flirting with young women on the dock by the American artist, Sarah Pace Carothers Rhode. ...
Category

1940s Ashcan School Art

Materials

Oil, Masonite

Minna Citron, Heifer
Located in New York, NY
This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority. It is signed, dated, and annotated 'Et...
Category

1930s Ashcan School Art

Materials

Etching

'Locomotives Watering' — Ashcan School Social Realism
Located in Myrtle Beach, SC
Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155. Unsigned as published; numbered '68/100' in pencil. A su...
Category

1930s Ashcan School Art

Materials

Etching

Joseph Webster Golinkin, On the Dock, Banana Boat, New Orleans
Located in New York, NY
Chicago-born Golinkin studied at the Artist Students League with George Luks. After working as an illustrator for New York papers he joined the Navy in 1939 and retired as a Rear Adm...
Category

1930s Ashcan School Art

Materials

Lithograph

Woman in Red
Located in Buffalo, NY
Alexander O. Levy was a painter, illustrator, printmaker and designer who was born in 1881 in Bonn, Germany. He died in 1946 in Buffalo, New York. At age three, he was brought to ...
Category

1920s Ashcan School Art

Materials

Oil, Wood Panel

Don Freeman, (At the Booking Desk)
Located in New York, NY
Don Freeman is best known for his paintings and works on paper of New York City's theatre industry: the signage, the stages and sets, the actors, the costumers and ushers, anything a...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Daniel in the Lions' Den
Located in New York, NY
Ukrainian-born, lower East Side based, Sarah Berman was active on the NYC-WPA and in artists' circles. Daniel in the Lions' Den is an etching, signed and ...
Category

1930s Ashcan School Art

Materials

Etching

“City Snow”
Located in Southampton, NY
Original watercolor and gouache city snowscape attributed to the hand of Hans Peter Nelson. Signed lower left ”H. Nelson”. Condition is excellent. Circa 1940. Under glass. The art...
Category

1940s Ashcan School Art

Materials

Watercolor, Gouache, Archival Paper

“City Snow”
“City Snow”
$396 Sale Price
20% Off
Leonard Pytlak, (Industrial Landscape, New York City)
Located in New York, NY
This lithograph is signed and number in pencil. It is numbered 18/18 indicating there were 18 impressions of this subject printed.
Category

1930s Ashcan School Art

Materials

Lithograph

"Beach at Atlantic City, New Jersey" Amy Londoner, Ashcan School, Figurative
Located in New York, NY
Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...
Category

1920s Ashcan School Art

Materials

Paper, Pastel

Ann Michalov, A View of the Park
Located in New York, NY
Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...
Category

1930s Ashcan School Art

Materials

Lithograph

Leonard Pytlak, Side Street (New York City)
Located in New York, NY
This lithograph is signed in pencil. Leonard Pytlak lived on the East Side of Manhattan and this image recalls the 59th Street Bridge (also known as the Queensboro Bridge and the Ed Koch Queensboro Bridge), completed in 1909. It goes from Manhattan to Queens and passes over Roosevelt Island...
Category

1930s Ashcan School Art

Materials

Lithograph

Woman Pulling on a Slip
Located in Fairlawn, OH
Woman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...
Category

1910s Ashcan School Art

Materials

Conté

Norman Barr, Still Life
Located in New York, NY
Norman Barr made mural on the NYC-WPA; this lithograph was made in the WPA workshop but was not published by the WPA. The next year he was in the Army! Thi...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Untitled (Woman Removing Her Stockings)
Located in Fairlawn, OH
Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...
Category

Early 1900s Ashcan School Art

Materials

Conté

Irving Place Burlesk
Located in Fairlawn, OH
Irving Place Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh...
Category

1930s Ashcan School Art

Materials

Etching

Blanche Grambs, Waterfront, New York City
Located in New York, NY
Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...
Category

1930s Ashcan School Art

Materials

Etching, Aquatint

'The Sixth Avenue Spur, New York City '— American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Category

1920s Ashcan School Art

Materials

Lithograph

1940s New York Interior -- An Evening Scene of Artist and His Wife
Located in Soquel, CA
1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...
Category

1940s Ashcan School Art

Materials

Canvas, Oil, Cardboard

Norman Barr, Delancey Street (NYC)
Located in New York, NY
Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...
Category

Mid-20th Century Ashcan School Art

Materials

Crayon, India Ink

Lawrence Beall Smith, Solitude
Located in New York, NY
Lawrence Beall Smith draws four men in a park, each with his back to a giant, strong tree. The year is 1938 and the country is coming out of the Depression but World War II is alread...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

The Irish Fair
Located in Fairlawn, OH
Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free matting (see photo) Provenance: Estate of the artist, Bellows Family Trust H.V. Allison & Company (label) Private Collection, Columbus References And Exhibitions: Reference: Mason 153 Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth Image: 18 7/8 x 21 3/8" Frame: 29 1/2 x 30 1/2" “Eleven on a hot July morning, and the little town...
Category

1920s Ashcan School Art

Materials

Lithograph

Under the Hollow
Located in Buffalo, NY
An important American modern landscape by Ashcan school artist Alexander O. Levy. This painting was featured in the retrospective for the artist held at the Burchfield Penney Art Ce...
Category

1930s Ashcan School Art

Materials

Canvas, Oil

Owen Weiri (also Wiiri), The Coal Miner
Located in New York, NY
Owen Weiri (also Wiiri, 1916-1974) was a Finnish-American who served in the Spanish Civil War and then, during World War ll, in the American armed forces as a marine. Industrial sub...
Category

1940s Ashcan School Art

Materials

Etching, Aquatint

Fred Nagler, (Cows in a Pasture)
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...
Category

1920s Ashcan School Art

Materials

Etching

D. Sidwell Feigin, Rain, Snow, and Time
Located in New York, NY
This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...
Category

1930s Ashcan School Art

Materials

Lithograph

TWO GIRLS IN SUBWAY
Located in Portland, ME
Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of ...
Category

1920s Ashcan School Art

Materials

Etching

Man, Wife and Child
Located in Fairlawn, OH
Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...
Category

Early 1900s Ashcan School Art

Materials

Etching

Room for One More (New York City Subway)
Located in New York, NY
This Depression-era New York City subway scene says it all. The body language of all five passengers tells us where each of them is in his or her ...
Category

1930s Ashcan School Art

Materials

Etching, Aquatint

Fulton St. Fish Market, Crating (NYC)
Located in New York, NY
Born in Czarist Russia Norman Barr (1908-1994) came to New York as a young boy and except for a few night classes at the school of the National Academy of ...
Category

Mid-20th Century Ashcan School Art

Materials

India Ink

Charles Pont, Splicing
Located in New York, NY
An old sailor is shown at work on a what must be a huge sailing vessel. He's splicing, or joining ropes together -- probably still a useful skill in the mi...
Category

1930s Ashcan School Art

Materials

Woodcut

Norman Barr, Coney Island (large), 1940
Located in New York, NY
Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...
Category

Mid-20th Century Ashcan School Art

Materials

Crayon, India Ink

Ann Nooney, (Carnival Workers Resting, NYC)
Located in New York, NY
The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...
Category

1930s Ashcan School Art

Materials

Lithograph

Norman Barr, Fulton St. Fish Market (NYC)
Located in New York, NY
Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. Although Barr was on the Mural Project of the ...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Portrait of Stylish Woman
Located in Wilton Manors, FL
Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...
Category

Early 1900s Ashcan School Art

Materials

Oil, Board

Lawrence Beall Smith, Seaside Nomads
Located in New York, NY
A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Convalescent
Located in New York, NY
Mathilde de Cordoba was born in New York City and spent her career there. She is known for her studies of women and children. Convalescent is sign...
Category

1930s Ashcan School Art

Materials

Lithograph

Joseph Hirsch, (Cutting the Beard)
Located in New York, NY
A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Modernist Oil Painting the Shop Window NYC 1940s WPA era
Located in Surfside, FL
the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...
Category

Early 20th Century Ashcan School Art

Materials

Oil, Board

“Headed to Market, 1916”
Located in Southampton, NY
Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...
Category

1910s Ashcan School Art

Materials

Charcoal, Pastel, Gouache

Alexander Kachinsky, Graphite Factory
Located in New York, NY
Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...
Category

Mid-20th Century Ashcan School Art

Materials

Etching

"Portland Harbor, Maine, " Alexander Bower, Snowy River Scene in Winter
Located in New York, NY
Alexander Bower (1875 - 1952) Portland Harbor, Maine, 1910 Oil on canvas 27 x 33 inches Signed and dated lower right An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...
Category

1910s Ashcan School Art

Materials

Canvas, Oil

New York scene done by John Grabach Artist "Trinity Church - Wall Street"
Located in Rockport, MA
Great Wall Street piece by John R. Grabach (March 2, 1886 – March 17, 1981) with expressive colors and figures. Grabach was a renowned American painter, best known for his evocative...
Category

1920s Ashcan School Art

Materials

Oil

"Night Stroll" Amy Londoner, Ashcan School, Figurative Nocturne
Located in New York, NY
Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...
Category

1910s Ashcan School Art

Materials

Paper, Pastel

"After the Storm"
Located in Lambertville, NJ
Signed LL John Grabach was a highly regarded New Jersey artist, teacher and author of a classic text, How to Draw the Human Figure. He was born in Massachusetts, and with his widow...
Category

20th Century Ashcan School Art

Materials

Oil, Panel

John W. Gregory, North End Street Scene (Boston)
Located in New York, NY
Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...
Category

1930s Ashcan School Art

Materials

Lithograph

William Gropper, (Choral Group)
Located in New York, NY
An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...
Category

1930s Ashcan School Art

Materials

Screen

Norman Barr, Farm, North Bronx (NYC)
Located in New York, NY
Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...
Category

Mid-20th Century Ashcan School Art

Materials

Crayon, India Ink

“The Rabbi’s”
Located in Southampton, NY
Original oil on canvas painting by the well known Russian/American artist, Nahum Tschacbasov.. The painting depicts a group of rabbi’s in conversation in an interior setting. Circa 1...
Category

1930s Ashcan School Art

Materials

Canvas, Oil

Early 20th Century Ashcan Portrait of Woman Illuminated by Moonlight
Located in Soquel, CA
Early 20th Century Portrait of Woman Illuminated by Moonlight by Everett Shinn This is a pastel on canvas portrait by Everett Shinn ((1876 - 1953), circa early 20th Century. A softl...
Category

Early 20th Century Ashcan School Art

Materials

Canvas, Pastel

'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category

1920s Ashcan School Art

Materials

Lithograph

Millard Sheets, Family Flats, 1935 (Los Angeles, CA, Depression-era tenements
Located in New York, NY
Signed, titled, and numbered, in pencil. The proposed edition was 100 although it is very unlikely that these were printed. This large and intensely urban lithograph, Family Flats, by Millard Sheets, portrays the Bunker Hill neighborhood of Los Angeles. Now drastically changed, it's still home to the Angels Flight funicular railway built in 1901. Sheets (1907-1989) was a painter, watercolorist, printmaker, mosaic artist, and teacher, who worked in Southern California. He attended the Chouinard Art institute and studied with F. Tolles Chamberlin and Clarence Hinkle...
Category

Mid-20th Century Ashcan School Art

Materials

Lithograph

Fred Nagler, Harlem River (New York City)
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...
Category

1920s Ashcan School Art

Materials

Etching

"Jazz Club"
By Jane Gibbs
Located in Lambertville, NJ
Signed Lower Left
Category

20th Century Ashcan School Art

Materials

Canvas, Oil

New Year’s Eve and Adam
Located in Myrtle Beach, SC
John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...
Category

1910s Ashcan School Art

Materials

Etching

Ashcan School art for sale on 1stDibs.

Find a wide variety of authentic Ashcan School art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John Sloan, James Penney, George Wesley Bellows, and Reginald Marsh. Frequently made by artists working with Lithograph, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Ashcan School art, so small editions measuring 2.75 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $250 and tops out at $112,000, while the average work sells for $1,480.

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