Ashcan School Prints and Multiples

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. Although Barr was on the Mural Project of the ...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. This lithograph of male laborers, Street Pavers, remi...

Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Works Progress...

Chicago-born Golinkin studied at the Artist Students League with George Luks. After working as an illustrator for New York papers he joined the Navy in 1939 and retired as a Rear Adm...

Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...

George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...

Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free matting (see photo) Provenance: Estate of the artist, Bellows Family Trust H.V. Allison & Company (label) Private Collection, Columbus References And Exhibitions: Reference: Mason 153 Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth Image: 18 7/8 x 21 3/8" Frame: 29 1/2 x 30 1/2" “Eleven on a hot July morning, and the little town...

Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of ...

Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...

Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155. Unsigned as published; numbered '68/100' in pencil. A su...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NY...

George Bellows (1882-1925) Prayer Meeting, Second Stone Lithograph, 1916 Signed in pencil by the artist's widow, Emma S. Bellows (ESB) (see photo) Edition: At least 47 impressions Li...

It's clear to me that that baby carriage is so beautifully drawn that it could be re-constructed from here if necessary. Without really knowing anything about Lucile Haynes I'm sure...

John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...

The ever-quirky Philip Evergood has composed a print that is at once a World War II image (The New York Times on the table has the headline 'Japs Bomb P...

Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...

Ben Messick perfectly captures the world of the 'Ashcan' period: Everyday life, local characters, people we could still meet today. He could draw like a son-of-a-gun! And this is a v...

Boys Sledding Etching, 1920 Signed and titled in pencil by the artist below image (see photos) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower left...

Signed, titled, and numbered, in pencil. The proposed edition was 100 although it is very unlikely that these were printed. This large and intensely urban lithograph, Family Flats, by Millard Sheets, portrays the Bunker Hill neighborhood of Los Angeles. Now drastically changed, it's still home to the Angels Flight funicular railway built in 1901. Sheets (1907-1989) was a painter, watercolorist, printmaker, mosaic artist, and teacher, who worked in Southern California. He attended the Chouinard Art institute and studied with F. Tolles Chamberlin and Clarence Hinkle...

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

An old sailor is shown at work on a what must be a huge sailing vessel. He's splicing, or joining ropes together -- probably still a useful skill in the mi...

Ukrainian-born, lower East Side based, Sarah Berman was active on the NYC-WPA and in artists' circles. Daniel in the Lions' Den is an etching, signed and ...

Raul Anguiano (1915-2006) was an artist associated with the second wave of Mexican Muralists. This lithograph, Lime Kilns, was published in the Mexican Peoples Portfolio in 1947. M...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...

Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...

Saul Raskin's Cry of Union Square, has all my favorite things: a view of Union Square with S. Klein's department store on the right and a Chop Suey restaurant on the left. There's a ...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...

British-born Sid Gotcliffe has made a powerfully poignant image in the lithograph Tompkins Square Park. At the center sit three men dressed in black. Their clothes suggest they bel...

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...

This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

David Feinstein's Negro District, Brooklyn, a lithograph of 1936-39, is a marvel. It's a construction of every detail the artist could think of to show the nature of the locale: The ...

Ben Messick perfectly captures the world of the 'Ashcan' period: Everyday life, local characters, people we could still meet today. He could draw like a son-of-a-gun! The date of 194...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. The New-York Historical Society and the Library of Congress both have collections of his work. Signed, titled, and dated, and annotated 'Test #1' in pencil. Note entirely sure what's going on here...

The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...

Mathilde de Cordoba was born in New York City and spent her career there. She is known for her studies of women and children. Convalescent is sign...

The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...

A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...

Norman Barr made mural on the NYC-WPA; this lithograph was made in the WPA workshop but was not published by the WPA. The next year he was in the Army! Thi...

Fernando Castro Pacheco was a Mexican muralist, painter, and printmaker. This linocut is titled to refer to the indigenous population. It is si...

This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority. It is signed, dated, and annotated 'Et...

Albert Abramovitz was working in New York in the 1930s when he made wood engravings of the construction of the Moscow subway. This image, The Wagonette, is a wrenching testament to t...

Joseph (Joe) Leboit made this extremely intense image of a supposedly happy recipient of a 'Derby Winner.' (Probably refers to the Irish Derby.) In fact the couple and seventeen chil...

Gregory often worked in lithography, probably learned at the Art Students League in New York City. In all likelihood this is a New York scene but he also often drew New England subje...

"The Row at the Picnic" is an original etching by John Sloan. This piece depicts a fight that broke out in a park. There is a mass of people huddled together. 4 7/8" x 3 1/2" art 17...

Irving Place Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

John Sloan's Westminster Abbey portfolio is among the most rare of his printmaking output, and a complete set like this is even more unusual. Etched in dark brown ink in on a sturdy ...

If ever there was an image that fit the description of 'Ashcan,' Harry Rein's Competition, made for the NYC WPA, is clearly it! Some impressions have the WPA sstamp, including the o...

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left. It's in an usually spare drawing style but one that Nagl...