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Francis Luis MoraFlamenco Dancer, Sevilla, Spain1909
1909
About the Item
Francis Mora is often considered to be the American artist who most depicted Hispanic culture in American and abroad. He made a trip to Spain in the early 1900's and created mostly small works on panel that he could bring home to America. Mora was himself Catalonian but had emigrated to America at a young age.
This Flamenco dancer scene would have been sketched from life by Mora and than put into oil. His style is fashioned after the influence of both Velasquez and the American William M. Chase. Mora also met the famous Spanish Impressionist Sorolla on this trip and the brushwork is that of an Impressionist and yet he harkens with his lush use of blacks and rich color to the Masters. Each face of the sitters is defined as is the detailing in the clothes.
This painting was purchased while Mora was in Spain by Rafael Guastavino III and he had them shipped to America from Barcelona. He is the famed architect/builder for St. John the Divine in NYC. He also did the Oyster Bar, Ellis Island and the Wolfgang Puck restaurant as well as the Biltmore Residence in Asheville, NC.
The frame which is a period frame was chosen at a famous framers in NY. It has the original patination. This is a marvelous treasure of a work that while small in size looms large in history and prominence.
There is a fine book on this artist.
The size of the panel inside the frame is 9 1/2 x 7 1/2 inches.
- Creator:Francis Luis Mora (1874 - 1940, American)
- Creation Year:1909
- Dimensions:Height: 18.75 in (47.63 cm)Width: 16.5 in (41.91 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Fine condition - all original. Condition appropriate to age. Patina to the frame.
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU1413214110902
Francis Luis Mora
Francis Luis Mora was one of the great American artists of late 19th and early 20th centuries. His illustrations were found in numerous magazines and periodicals including Harper's Weekly, Scribner's, and Century Magazine. In 1903, alongside Robert Henri, Mora taught a class at Bayport on the South Shore of New York's Long Island and another class at Good Ground in 1904, both identified as continuations of Chase's Shinnecock School. Mora also taught and exhibited extensively at the Art Students League of New York. Born in Uruguay in 1874, his family moved to America when he was a child. His father, Domingo Mora, was a well-known Spanish artist who gave his son his early artistic training. Mora also attended the Boston Museum of Fine Arts School where he studied drawing and painting under Frank Benson and Edmund Tarbell. Later he studied under H. Siddens Mowbray at the Art Students League in New York City. Following the tradition of his contemporaries and mentors, Mora traveled to Europe to study the great paintings of the Old Masters. The influence of the Spanish Masters, especially Velazquez, is evident in Mora's choice of subject matter and style throughout his career. "Perhaps it is these very conflicting conditions in the life of Mr. Luis Mora that have evolved the unusual quality of his art, an art essentially Spanish in subject and feeling and wholly modern and American in expression…(Craftsm, 17:402)." Over two hundred of Mora's sketchbooks are conserved at the Archives of American Art. Mora was also commissioned to paint the portraits of Andrew Carnegie and President Warren G. Harding, both of which hang in the White House.
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