Timoleon Marie Lobrichon

The Petit Thinker

c. 1865

Sophie is an expressive and highly individualistic Post Impressionist work reminiscent of Chaim Soutine. Cottavoz isn known and celebrated for using incredibly thick paint that is a...

An impressive and masterful depiction of a young woman with a fan. An American artist who studied and traveled in Europe and painted this painting before his return. It has its original frame which is magnificent. The frame has been regilded in th past 10 years. Vinton was abroad in the 1880s. The sitter gazes coyly over her fan in a gesture that ladies and gentleman of fin-de-siècle Europe would have understood to mean “wait for me,” and perhaps indicating her interest in a potential suitor. Vinton embarked on several trips to Europe—to Spain in 1882 with William Merritt Chase and Robert Blum, and to several different countries in 1888 following his marriage—which provided inspiration for a renewed style and subject matter. While in Spain with Chase and Blum, the three artists visited Madrid and Toledo; there, Vinton studied the masterfully tenebrous portraits of Velázquez, an influence that can be seen in Portrait with Yellow Shawl...

Born in 1924 Donald Purdy in the 1960s did a series of works on clay-coated paper. He loved working in this medium and he would apply oil paint and then rub it away with a cloth to ...

Balloon Man is done in the tradition of a “blue period” Picasso, which had an influence on Vidito’s work in the 1950s. She did a number of works that all h...

Miralles is one of Spain's most lauded academic coming towards impressionism painters. He was technically superlative and had a way with lush brushwork that made his work highly sou...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Introducing a stunning portrait by renowned French artist Léon Richet (1847-1907), depicting a young girl adorned with a beautiful floral wreath and a hat perched atop her head. This...

Oil on canvas attributed to Ernest Hébert, painter born in Grenoble painter of scenes of the genre in 1840. He arrives in Italy which will become his ado...

"Paysanne dans un bois", oil painting on wooden panel, signed in the bottom left corner, 48.9x32.4cm. Origin: -Christie's New York, sale on May 29th 1981, lot no. 24 -Rindoko Museum, in Tochigi, Japan -Private collection in 2020, after sale Museum collection As a young man, Richet followed painting classes from Détrez, an old student of Léon Cogniet's. In Paris, he built a friendship with Teinturier (painter from Valencia) and became a student of Jules Lefebvre's but most importantly the disciple of Narcisse Diaz de La Pena, with whom he collaborated ( some canvas bare both their signatures). They both share a remarkable audacity in their enameled way of treating reflections of light on water as well as the the effects of the sun on the clouds. At the Salon de Paris...

Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian University and the Fort Worth Museum of Science and History, whe...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 - Excideuil 2005) Self-portrait with apple Oil on canvas H. 100 cm ; L. 73 cm Sig...

Nino Giuffrida (Sicilian, 1924, active in France) Un Garçon avec des Fruits • Oil on canvas, ca. 41 x 33 cm • Frame, made by the renowned framer Knöll from Zürich, ca. 54 x 46 cm • Signed top left Born in 1924 in Sicily, Nino already attended the artistic high school in Catania at the age of 17, where he befriended fellow painters including Pippo Aleo and Giovanni Calogero. At that time, he painted with passion everything he saw, landscapes, seascapes, still lifes. After a first attempt to come to France with his friend Giovanni in 1948, aborted for lack of a visa. Nino finally arrived at the Gare de Lyon on December 8, 1949 and settled at number 30 rue Gabrielle in Montmartre. Nino began to paint Paris. Like many Montmartre artists of this period, while he painted all day long, he moved about in the evening on the terraces of the cafés of Montmartre and Saint-Germain-des-Prés to transform himself into a portrait painter and randomly sketch the customers in restaurants. Nino then devoted himself more and more to the painting of children, which became his favorite theme of inspiration. Pierre Imbourg, journalist and art critic, wrote of him: "Montmartre, the land of little ‘Poulbots’, inspiring Nino to record in his mind all these childrens faces whose intense facial expression he would endevour to reproduce". It was also at this time that his career as a Montmartre painter influenced by cubism began. With the disappearance of the art galleries in Montmartre, Nino decides to settle on the French Riviera, in Cannes then in Vallauris. From 1952 his personal exhibitions follow one another and Nino becomes an international painter: Rome, Brussels, Chicago, Copenhagen, Helsingborg and Aüs in Sweden, in Geneva, in Kourou in Guyana... In Paris, he manages the Galerie de la Colonne...