1990s Figurative Prints

Escape is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition 91/150. Original title: Fuga. This contemporary original print represents a nude woman lying down in a moment of rest. Good conditions. Stefania Guidi (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Artist: After Pablo Picasso (1881-1973) Title: Femme Songeuse et Inquiète dans L'atelier de Sculpture (after Bloch 188) Year: 1992 Medium: Reproduced from the original edition using ...

Robert Stackhouse Inner Soundless Lithograph on grey Rives BFK Year: 1992 Size: 20.25 x 26 in Edition: 75 Signed and dated in pencil R Stackhouse 92, lower middle Blind stamp and Veda Ozelle's blind stamp, lower right Printer: Tamarind Institute Ref.#: #92-315 Internal Ref.#: 924802-912 ------------------------------------- Robert Stackhouse (born 1942 in Bronxville, New York, United States) is an American artist and sculptor Stackhouse graduated with a bachelor's degree from the University of South Florida in 1965. He later earned a master's degree at the University of Maryland, College Park in studio art. USF's Contemporary Art Museum contains an archive of his work, with copies of all of his prints over the course of his career. A-frames are a frequent theme in the artist's paintings and sculpture. Ruby's Heart, in the collection of the Honolulu Museum of Art, is an example of this recurring minimalist subject. Stackhouse's work has been featured in one-man exhibitions in museums such as the Corcoran Gallery of Art in Washington, D.C., and his work has been compared to that of Harriet Feigenbaum. The artist Mary Beth Edelson...

Screen print in colors on Rives BFK wove paper. Hand signed, dated and numbered by the artist. Artwork size 29.2 x 21 inches. Custom framed as pictured. Frame size approx 34.5 x 2...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Beautiful Bath, No. 23, 1996 - Etching - Sheet ca. 44.5 x 32.3 cm - Plate ca. 30.1 x 19.9 cm Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. This pack is said to be Karl’s declaration of love to his chosen city of Bath. Each card narrates a part of Bath’s rich history. The court cards depict portraits of personalities – real and legendary – who shaped the city of Bath as it is today. Unfinished, proof print with depictions of the court cards of hearts and spades, but an empty cartouche where the title card will appear at a later state. On one of the documenting photos you can see a photo copy of what the title card would look like. Sheet is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...

Marie by Isaac Maimon, Israeli/French (1951) Date: circa 1994 Screenprint, signed and numbered in pencil Edition of 201/ 275 Image Size: 28 x 20.5 inches Size: 31.5 in. x 23.5 in. (8...

Lithograph in colors, on Arches wove paper. Sheet size 11 x 8.5 inches. Frame size approx 19 x 17 inches. Littmann p. 168. Estate stamped, hand signed by Julia Gruen, Executor of...

Les Coquettes II by Isaac Maimon, Israeli/French (1951) Date: 1994 Screenprint, signed and numbered in pencil Edition of 202/275 Image Size: 27 x 20 inches Size: 31.5 in. x 23.5 in. ...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Rona Pondick NO NO, 1995 Printed letterpress on Somerset 6 × 6 inches Edition 81/100 Pencil signed and numbered verso. Also bears unique inventory number Unframed

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Igor Vishnyakof limited edition (3/10) individually framed hand gold glazed sepia photographs. All pieces are hand signed and numbered by the artist. This installation was featured...

Gesine Janzen From the Porch / Dock 2 Woodcut Year: 1998 Size: 6.5 x 8 inches Framed: 16 x 17 inches - Natural wood, light Signed, dated and titled by hand Comes with original papers COA provided Ref.: 924802-1023 Janzen is Associate Professor of Art and Head of Printmaking at Montana State University (MSU). She grew up in Lawrence, KS, and studied at Bethel College, the University of Kansas, and Studio Art Centers International in Florence, before receiving an MFA from the University of Iowa. Prior to coming to MSU, she taught at the University of Missouri and the Kansas City Art Institute. Janzen’s work is held in numerous collections, including the Nelson-Atkins Museum of Art; the Beach Museum of Art; Artist/Printmaker/Photographer Research Collection at the Museum of Texas Tech...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Artist: Dan May (American, 1955-) Title: "Angel" *Signed and numbered by May in pencil lower left Year: 1992 Medium: Original Screenprint on unbranded white wove paper Limited editio...

Points of Departure II: Nijinsky Variations Robert E. Townsend, 1996 Resist-ground etching and engraving on BFK-Rives paper, 24 x 38 inches (618 x 965 mm), full margins. Signed, ti...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Tunisian Life is a contemporary artwork realized by Bettino Craxi in the 1990s. Black and white photolitograph. Hand signed and numbered on the lower margin. Edition of 75/120 In...

Views of Bath No. 33, 1990 - Etching - Sheet ca. 39.5 x 26.2 cm - Plate ca. 32.7 x 23.7 cm Worldwide shipping for this object is complimentary - There are no additional charges fo...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Arab Game is a photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditions. In th...

Screen print in colors on Coventry rag paper. Titled and numbered on the front. On the reverse, estate stamped and hand numbered. Also hand signed by Julia Gruen, executor of the Keith Haring Foundation, Anthony Shriver, founder of the Best Buddies...

Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...

Wonderful woodblock print titled "Weaver" by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004), circa 1990. Presented in a rustic black wo...

Large scale reproduction poster of Leonardo Da Vinci's "Mona Lisa"

In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR features a depiction of community townspeople gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Tunisian Camels is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi after A. Lumière. Hand-signed. Artist's proof. Very good conditions.

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Francesco Clemente Francesco Clemente Watercolors (Hand Signed), 1992 Offset Lithograph exhibition announcement (Hand Signed) 23 × 18 inches Hand signed in...

Embossing on arches cover paper. Published by Tony Shafrazi Editions. Printed by Studio Heinrici, LTD. NYC. Littmann pp. 172-173. Each hand signed, dated and numbered on verso by ...

Conversation in the style of Roy Lichtenstein by David Mar (20th Century). Two people are discussing a psychological topic. The man on the right is wearing a red sportscoat, a green bowtie, and smoking a pipe. The woman on the left is wearing a green vest with a white shirt, and has a red headband...

Bastille Day Paris is an original hand drawn lithograph by the French artist Urbain Huchet depicting a lively French street celebration on Bastille Day, the July 14th French national...

HOCKNEY, David Albert Clark, 1979, 1995 Color Lithograph, edition of 16 27 x 24 inches

Portrait is an original screen print realized by Bettino Craxi in 1992. The artwork is from the portfolio "The World", Ed. Serigraph, 1992. Signed and numbered in the bottom by the...

Staircase is an Original Litograph realized by Georges Laporte in 1990s. Limited edition of 20 copies numbered and signed by the artist. Good condition on a white paper, numbered (...

Tunisian Camels is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi after A. Lumière. Hand-signed. Artist's proof. Very good conditions.

Signed, titled and numbered by the artist. Image Size: 24" x 34 1/2" Paper size: 28" x 38 1/4" Edition size: 66 Date: 1991 From the right to the left there are: a muscular woman, a...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Beautiful Boy after John Lennon, British (1940–1980) Date: circa 1990 Lithograph, signed and numbered by Yoko Ono in pencil Edition: 96/300 Image Size: 1...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

SAJIPPE KRAKA JOUJESH Year: 1998 Medium: Silkscreen Size: 39 x 46 inches (99 x 117 cm) Edition: 150 Price: $4,000 Kenny Scharf was born in 1958, in Hollywood, California. The artis...

Hand embellished giclee on canvas. Hand signed and numbered by the artist. Edition of 100. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticit...

David Hockney Bill and James I, 1980, 1995 Color Lithograph, edition of 12 32 x 39 1/2 inches

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

In this original poster, visionary artist Peter Max portrays runners in the New York City Marathon in technicolor hues. This piece is signed and...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

Screenprint in colors on wove paper. Hand signed and numbered by the artist. HC Edition 6 of 12, the total edition was 90. Published by International Images, Putney, Vermont. Sheet...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Pulcinella is a colorful artwork realized by Mauro Capitani in the 1990s. Colored lithograph on paper. The print is hand-signed in pencil on the low...

Donald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...