1990s Figurative Prints

KEITH HARING - Untitled Limited 1990s edition by the Keith Haring Foundation, Inc. Only 150 copies total (here 47/150). Original lithograph on...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

Hand signed, dated, titled and numbered serigraph in colors on paper. Edition of 50. Sheet size 30 x 22.5 inches. Image size approx 22 x 14.75 inches. Artwork is in excellent con...

Donald Sultan Serious Fun! at Lincoln Center (Hand Signed, dated and inscribed by Donald Sultan), 1993 Lithographic Poster on heavy wove paper. (hand signed, dated & inscribed) 36 × 24 1/4 in 91.4 × 61.6 cm Signed, dated 2016 and inscribed on lower right front. Inscription reads as follows: For Kevin New York 2016 Published by Vera List Program, Lincoln Center This large, striking limited edition lithographic poster on heavy wove (lithographic) paper was printed in 1993 by the Vera List print program to raise funds for Lincoln Center. The edition is typically unsigned; however, this work is, exceptionally, boldly signed and inscribed in black marker by Donald Sultan in 2016 for the present owner. The inscription reads as follows: For Kevin New York 2016 Donald Sultan signed...

"Cheyenne Woman in the Robes of a Secret Society" is an original lithograph by Leonard Baskin. It depicts a Native American woman in pale green robes. The title is written on the lef...

"Magpie Eagle Feathers" is an original lithograph proof for Fox Graphics signed by the artist Leonard Baskin. It depicts a Cheyenne man named Magpie Eagle Feathers in a black hat against a blue background. Artwork Size: 38 1/2" x 26 3/4" Frame Size: 49 3/4" x 37 1/2" Artist Bio: Leonard Baskin (1922-2000) was an american artist born in New Jersey and taught art classes in Massachusetts. He has received many public commissions (including a bas relief for the FDR Memorial), honors, and his work is owned by many major museums around the world. Additionally, Baskin was a teacher at Smith College in Northampton, Massachusetts. As a champion for human rights, Baskin created many pieces celebrating those who were seldom recognized. Baskin’s interest in nineteenth century Native Americans was roused into acute attendance from ignorant indifference, when the National Park Service asked him to provide illustrations for the handbook that described the then called “Custer National Park”, now called “Little Big...

(after) Mary Cassatt In the Fitting Drypoint & aquatint printed in colors, 1991 Signed with the artist's initials in the bottom edge center Note: This is a limited edition reproduct...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

(after) Pablo Picasso Le Repos du Sculpteur, I from La Suite Vollard Bloch 171 Lithograph on Montval laid paper 1990 12.75 x 18 inches Facsimile signature Numbered 167/300 Authorize...

#2 18h12m/40 degree by Thomas Ruff is a 35.13 x 25.5 inch grano-lithograph black and white print of a star filled sky. Frame size: 38 x 28.13 x 1.88 in. Edition 40/40 Varnished, on...

Défiguration-Refiguration-Selfhybridation Précolombienne n°32 is a contemporary artwork realized by the artist Orlan in 1998. Cibachrome print on aluminium. Hand signed and numbere...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...

Cundo Bermudez "Quinteto Matancero" 1994 Lithograph 30 x 43 in Cundo Bermúdez was a Cuban painter known for his colorful depictions of figures and patterns. In works such as The Bal...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Bom boy with workers and traffic  is an original contemporary artwork realized by Jane Alexander in 1999. Black and white pigment print on cotton paper. Hand signed and numbered. E...

Claes Oldenburg Rolling Collar and Tie (AXSOM/PLATZKER 259), 1995 Color lithograph on rice paper Pencil signed and numbered from the limited edition of only 52 on the front Measureme...

Untitled #114 By Cindy Sherman Cindy Sherman is a renowned American photographer and conceptual artist, widely celebrated for her ground breaking work in contemporary art. Best kn...

"Little Crow-Sioux" is an original lithograph created by Leonard Baskin. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and lab...

"Geronimo - Apache" is an original color lithograph by Leonard Baskin. TThis is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and label...

"Helen Goes Ahead- Crow" is an original lithograph proof signed by the artist Leonard Baskin. It depicts a Crow woman named Helen Goes Ahead in front of a red background. 19" x 12 ...

"Red Cloud-Oglala" is an original color lithograph by Leonard Baskin. It is an artists proof, and signed in the lower right under the image. It is a portrait of one of the most well ...

Kenny Scharf Cosmic Tavern: A set of 2 rare 1990s announcement cards designed by Scharf on the occasion(s) of the grand-opening of the Kenny Scharf Cosmic Tavern - a VIP room designe...

Sidney Chafetz Print Catalogue Raisonné. Columbus Museum of Art, Ohio. Medium: Lithograph. Print Image Size: 21 3/4 x 26 1/4 inches. Print Edition: 10. This is not signed or number...

On deckle edged art paper. This is from a large collection of his pieces. This is not pencil signed and numbered. very small edition. Sid Chafetz (1922-) Born in Providence Rhod...

On deckle edged art paper. This is from a large collection of his pieces. This is not pencil signed and numbered. very small edition. Sid Chafetz (1922-) Born in Providence Rhod...

Keith Haring Against all Odds 1990 Four works from the Against All Odds, 20 Drawings series, 1990 Lithographs Ed of 500 28 x 24 in with frame 8 x 10 1...

FATHER & SON is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% acid free. FATHER & SON is a beautifully simple composition depicting a refreshing Lowcountry South Carolina landscape...

Sidney Chafetz Print Catalogue Raisonné. Columbus Museum of Art, Ohio. Variant Date: 1999. Medium: Lithograph. Print Image Size: 28 1/2 x 19 1/2 inches. Print Edition: no edition (with 1 artist's proof). Alternate Medium: Color lithograph. Ink(s): blue, yellow, black. Support: Rives wove paper. Gene and Irma Silverman, embracing on a sunny day in the park. Text at the bottom reads "Goddard Park, R.I., July, 1940. Irma Cohen and Gene Silverman. Married January 1941, parents of 3 children...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 32 x 40 inches. Image size 23.75 x 36 inches. Edition of 275. Artwork is in excellent condition. Certific...

(after) Pablo Picasso Faune dévoilant une Femme from La Suite Vollard Bloch 230 Lithograph on Montval laid paper 1990 12.75 x 18 inches Facsimile signature Numbered 169/300 Authoriz...

Artist Name: Ernesto Cognac Title: Parisian Impressions: Ernesto Cognac's Signed Limited Edition Art Lithograph Medium Type: Lithograph on...

(after) Pablo Picasso Sculpteur et Modèle admirant une Tête sculptée from La Suite Vollard Bloch 154 Lithograph on Montval laid paper 1990 18 x 12.75 inches Facsimile signature Numb...

(after) Pablo Picasso Le Repos du Sculpteur et la Sculpture surréaliste from La Suite Vollard Bloch 169 Lithograph on Montval laid paper 1990 12.75 x 18 inches Facsimile signature N...

(after) Pablo Picasso Sculpteur et son Modèle devant une Fenêtre from La Suite Vollard Bloch 168 Lithograph on Montval laid paper 1990 12.75 x 18 inches Facsimile signature Numbered...

(after) Pablo Picasso Taureau ailé contemplé par Quatre Enfants from La Suite Vollard Bloch 229 Lithograph on Montval laid paper 1990 12.75 x 18 inches Facsimile signature Numbered ...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian p...

(after) Pablo Picasso Minotaure aveugle guidé par une Fillette dans la Nuit from La Suite Vollard Bloch 225 Lithograph on Montval laid paper 1990 18 x 12.75 inches Facsimile signatur...

Artist: Alexandra Nechita (1985) Title: Geometric Look Year: 1999 Edition: 26/99, plus proofs Medium: Lithograph on Arches paper Size: 35.5 x 24 inches Condition: Excellent Inscripti...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Artist: After Francis Bacon (1909-1992) Title: Pope Innocent X, exhibition poster Year: 1999 Medium: Offset Lithograph on premium paper Size: 31.5 x 19.5 inches Condition: Excellent ...

Hand signed, dated, titled and numbered serigraph in colors on paper. AP edition. Sheet size 9.25 x 11.25 inches. Image size approx 5.75 x 8.75 inches. Artwork is in excellent co...

Artist Name: Ernesto Amsterdam Title: Capturing the Essence of Amsterdam: Medium Type: Lithograph on Arches Archival Pape Size-Width | Size-Height: 46½'' x 28¾'' inches Signed | Ed...

Artist: Urbain Huchet (1930) Title: Voiliers a Saint-Tropaz Year: Circa 1990 Medium: Lithograph on Arches paper Edition: 15/25, plus proofs Size: 29.5 x 21.25 inches Condition: Good ...

Artist: Alexandra Nechita (1985) Title: Miss Switzerland Year: 1998 Edition: 50/65 A.P. Medium: Lithograph on Arches paper Size: 35.5 x 23 inches Condition: Excellent Inscription: Si...

Additional Information: Provenance: Galerie Perrotin, Paris, France | Diego Cortez Arte, Ltd., acquired 2003. Chiho Aoshima is a Japanese pop artist and member of Takashi Murakami’s ...

TIMELINE DEGA MAN is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival paper, 100% acid free. TIMELINE DEGA MAN is a dr...

Molotov Cocktail, 1991 Screenprint 37x44 inches Edition of 95 Alexander Kosolapov (Russian: Александр Семёнович Косолапов) (born January 1, 1943, in Moscow, Russia) is an American sculptor and painter. He immigrated to the United States in 1975 and has since lived and worked in New York. In the late 1950's Kosolapov attended the Art School of the Surikov Moscow Art Institute. Amongst his classmates were Leonid Sokov...

Passages - A Suite of 16 Prints by Patricia Pearce and other artists A set of lithographs by College of San Mateo class of 1992, instructed by Patricia A. Pearce (American, b 1948). Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece. Each piece is numbered, titled, and signed by the artist. Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto. Other artists in the collection include: Tom Attix Donna Catalini I. Colon Nancy Conner Judith Gaulke (American, b. 1946) is originally from Hood River, Oregon. Gaulke has been working in oils on canvas most of her life, painting seriously since 1988 when she had her first showing, then her first gallery representation in 1990. She is attracted to lone objects and scenes not yet populated — table settings, chairs, boats — all interpreted to give the viewer a sense of calm. Gaulke now resides in Atherton, California with her husband Michael. Together they created the Michael and Judith Gaulke Chair of Electrical Engineering and Computer Science at Oregon State University, an endowment for the College of Engineering. Exhibitions: “Varied Visions” - Main House at Holbrook-Palmer Park, Atherton, CA - 1998 Solo Show - Wente Vineyards, Livermore, CA - 1998 Atherton Arts Foundation Show - Jennings Pavilion, Holbrook-Palmer Park, Atherton, CA - 2006, 2009-2011 Pacific Art League 95th Anniversary Exhibition - Palo Alto, CA - 2016 Betty Gong M. A. Gothan Gretel Hadland Tokuko Ikeda Michelle P. Kern (American, 20th C) has lived and worked in Northern California all her life. Educated in art in the Bay Area, she has worked in art and arts education for several decades. She has a BFA and MFA in Ceramics from California College of the Arts. Kern has taught ceramics for the College of San Mateo since 2006. She has also taught for the Summer Enrichment Program for California College of the Arts, the Richmond Art Center, the California State Summer School for the arts, and for the summer program for the Crystal Springs Uplands School. Kern was the recipient of the Ernie Kim...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Artist: Urbain Huchet (1930) Title: Dimanche a Deauville Year: Circa 1990 Medium: Lithograph on Arches paper Edition: 110/300, plus proofs Size: 15.5 x 25 inches Condition: Good Insc...

This lithograph Tree from the portfolio " Egon Schiele " is after the original artwork (oil on canvas) realized by Egon Schiele . The portfolio, which includes 10 lithographs on Jap...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Le Legende (Marilyn Monroe) Year: 1990 Medium: Silkscreen on wove paper Edition: 12/100, plus proofs Size: 31 x 23.5 inches C...

Tracey Emin Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997 Monotype on paper. Created expressly for Willow, the d...

Artist: Robin Shepherd (English-American, Active Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on deckle edge Stonehenge paper Limited edition: 150, (the number may differ from what is shown in the photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

Serigraph in colors on paper. Hand signed and numbered by the artist. Edition of 295. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...