1970s Prints and Multiples

The Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Hand-signed. Numbered on the lower left. Ed. 53/125. The state of preservation is very good....

Complete Portfolio of 18 etchings by Ugo Attardi from 1970s. Original Etching and aquatints. 26 x 19 cm ca. All the etchingsare numbered bottom left with specimen number 30/75 and s...

The Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Numbered on the lower left. Ed. 47/125. The state of preservation is very good. Giacomo Manz...

Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Limited edition series, numbered on the lower left: 31/125. The state of preservation is very goo...

Double Portrait is an original etching realized by Giacomo Manzù in 1970. Hand-signed, Numbered on the lower left. Ed. 31/125. The state of preservation is very good. Giacomo Manzù (...

The Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Numbered on the lower left. Ed. 26/125. The state of preservation is very good. Giacomo Manz...

USE THE FACT THAT is an original contemporary artwork by Shusaku Arakawa in 1973. Mixed colored lithograph. Hand signed and dated on the lower right margin. Numbered on the lower l...

Double Portrait is an original etching realized by Giacomo Manzù in 1970. Limited edition series, numbered on the lower left: 119/125. The state of preservation is very good. Giac...

Patti Smith Devotions to Arthur Rimbaud 1973: A rare early Patti Smith print featuring her poetry and artwork; constructed by Smith as a declaration of her admiration & love for Arth...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Anthropometry)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edi...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: 1920 League of Women Voters Year: 1969 Medium: Screenprint (unsigned) Image Size: 18 x 3...

Victor Vasarely "Vega" from Portfolio de 8 sérigraphies en couleurs. Ed. Griffon Year: 1971 11 x 11 in with frame: 21 x 21 in The other pieces from this edition are available as wel...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of III/XXX.

Icare- Icarus Linocut in colors, 1972 Unsigned Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé Provenance: Arnéra Archive Frederick Mulder, Lt...

Color lithograph on Guarro wove paper , edited in 1973 Limited edition of 75 copies Hand signed by Joan Miró in pencil in the lower right margin , paper size: : 88 x 61 cm framed size: 102,5 x 75,5 cm excellent conditions with strong deep colors Editions Paul Rosenberg, Paris Framed to museu...

Protestator, from Présences fugaces series , screenprint in colors on Hollandais paper , edited in 1973 , signed and dated in pencil by artist in lower right corner, numbered 100/100...

Norman Rockwell (1894-1978) First Airplane Ride/ Old Women Riding Airplane, 1938 Originally created as cover illustration for The Saturday Evening Post. Media print lithography on paper, this twelve-color lithograph was hand proofed and printed at Atelier Ettinger in December 1976. A/P Artist Proof impression on papier d'Arches. Hand signed in pencil by Norman Rockwell. hand editioned and with publishers blindstamp. Norman Percevel Rockwell (1894 – 1978) was an American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine in a modern folk art style over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace, and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout is Reverent and A Guiding Hand, among many others. Rockwell was also commissioned to illustrate more than 40 books, including Tom Sawyer and Huckleberry Finn as well as painting the portraits for Presidents Eisenhower, Kennedy, Johnson, and Nixon, as well as those of foreign figures, including Gamal Abdel Nasser and Jawaharlal Nehru. His portrait subjects included Judy Garland. One of his last portraits was of Colonel Sanders in 1973. His most popular calendar works: the "Four Seasons" illustrations for Brown & Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes since 1964. He painted six images of classic Americana for Coca-Cola advertising. Illustrations for booklets, catalogs, posters (particularly movie promotions...

Frank Stella Line Up, from Jasper's Dilemma (Axsom 85), 1973 Lithograph in colors on J. Green mould-made paper Signed, dated and numbered 56/100 in pencil lower right front 16 × 22 i...

Original B/W etching realized by Enrique Marín in 1972. Hand signed, dated and titled in pencil. Edition of 75 prints. The etching represents a ram in attack position in a square sp...

After Pablo Picasso Imaginary Portraits : Man with Goatee Lithograph Printed signature in the plate From a limited edition of 300 copies On wove paper 74 x 51.5 cm (c. 30 x 20.5 i...

Joan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...

This original serigraph is hand signed, numbered and dated by the artist Costantino Persiani. This original print is from an edition of 290 prints. Very good conditions.

Francis Bacon Triptych, March 1974 (center panel), 1974 offset lithograph, edition of 150 31 1/2 x 23 3/4 in. (80 x 60.3 cm)

Hand Signed. Edition of 90 pieces. Very good conditions.

Alexander Calder Nid d'oiseau (Bird's Nest), 1968 Hand-signed Lithograph in colors 29.5 x 43 inches

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Lithograph, 1973 Handsigned by the artist in pencil and numbered 33/75 Printer : Pierre Badey (Paris) Catalog : Mason Putman 120 LCD5023

RENJISHI is a hand drawn, limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed by hand using traditional lithography techniques on archival Arches printmaking paper. RENISHI depicts the white haired shishi, mythological lion-like animal who is the father character in this Kabuki dance drama. Hirschfeld masterfully expresses dramatic movement with the character's sweeping white hair, bold black and white dotted robe and fierce theatrical face makeup. Subtle textured strokes within the olive green background mirror the white maned lion dancer...

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Sigle unique variant, hand colored by the Artist, of the edition of 50 prints by Giacomo Porzano. Hand signed and dated by artist with pencil.

Original Lithograph V is a really beautiful color lithograph on paper, realized in 1974 by Joan Miro for his catalog "Mirò Lithographe". This artwork is from a series composed by an...

Hand signed and numbered. Edition of 150 prints. Very good conditions.

Artist: (after) Robert Indiana (American, 1928-2018) Title: "Louisiana Museum of Modern Art (LOVE)" Year: 1972 (First edition) Medium: Original Screenprint, Exhibition Poster on heav...

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Medium: lithograph (after the drawing). Printed in 1974 for the art revue Derriere le Miroir (issue number 207). Size: 15 x 11 inches (380 x 275 mm). There is a different composition...

Hand Signed. Edition of 150 prints.

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Litógrafo I. Published by Ediciones Poligrafa, ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

DRAG QUEEN is a superbly executed hand drawn, original lithograph printed from a lithographic stone using traditional hand printmaking techniques on archival paper 100% acid free. DRAG QUEEN portrays a pencil drawing of a seated man wearing a scallop edge black slip dress, dark stockings, pom pom mules/slides, holding a small black purse. He looks straight out toward the viewer with one eye open, one closed as he pokes the eye of a mysterious man looking up from the bottom of the composition. Very intriguing, Cabaret-Berlin style, surreal portrait that was hand printed in Paris France during the early 1970's. Artist is unknown.... Paper size: 12.75 x 9.5 inches, unframed, unsigned Printers Proof, hand torn edges, fine impression, excellent condition. From Wikipedia, the free encyclopedia- A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. In modern times, drag queens are associated with gay men and gay culture, but people of other genders and sexual identities...

Artist: Alexander Calder (American, 1898-1976) Title: "Flying Colors '76 (Stars and Stripes)" Portfolio: Flying Colors *Issued unsigned, though signed by Calder in the plate (printed...

David Hockney, Munich Olympics Poster - Olympische Spiele Munchen, 1972 Lithographic Poster 101 x 64 cm (39.76 x 25.2 in) An original vintage poster featuring Hockney's iconic poo...

SEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Original off set lithograph (poster) in colors on paper. Image size approx 19 x 25 inches. Sheet size 24 x 30 inches. Artist signature printed in the plate. Not hand signed. Printe...

The 1970 original exhibition poster "Divine Kingship in Africa" for the Museum of Mankind, part of the Ethnography Department of the British Museum in London, stands as a significant...

The 1973 original lithography "Compression de Bugatti" by César Baldaccini, more commonly known as César, is a striking piece of modern art that reflects the artist's unique approach...

Pink Girl is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Artist proof hand signed, numbered and da...

Hand Signed. Edition of 75 prints, numbered and hand signed. Screen print and embossing realized by Takahashi in 1973. Very good conditions.

White Origin is a lovely silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this specimen...

New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró III Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition:...

Fernand LÉGER (1881 - 1955) Music : The Orchestra Lithograph after a watercolor (printed in Atelier Mourlot) Signature printed in the plate On paper 66 ...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Joan Miro (Spanish, 1893-1983) Le Lezard aux Plumes d'Or, from Suite, 1971 Hand-Signed Lithograph in colors Image: 13 1/8 in x 38 1/2 in (33.3 cm x 97.8 cm) Sheet: 13 3/4 in x 39 3/8...

A set of botanical, abstract colorful etchings by English artist William Tillyer, whose works are in the collection of the Arts Council of Great Britain, the Brooklyn Art Museum, the...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Li...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...