1970s Animal Prints

Lithograph on paper realized by Alberto Mastroianni in 1970s. Hand signed and numbered in pencil. Edition of 150. Good condition.

This striking etching by Andre Masson from circa 1970 depicts the mythological Pegasus through the lens of Surrealist Figurative art and classical symbolism. Masson’s interpretation ...

Calder’s use of curvilinear forms and asymmetrical balance mimics the natural, evolving movement of a snail, underscoring his fascination with motion and transformation. ‘Escargot’ e...

BIG HEAD RED LAVENDER is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper...

An original hand-signed and numbered Dali lithograph entitled "Chevalier Surrealiste". A rare example that it accompanied with the original fo...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Libellule de Castille (Dragonfly of Castile), from Geographie animale (Animal Geography), originates from the January ...

Noel Daggett, American (1925 - 2005) - Mustangs on the Run, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23.5 inches...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio Silkscreen in colors on Arches paper Pencil signed, titled and numbered 65/75 on the front Printed by Fine...

Artist: Jack Beal, American (1931 - 2013) Title: Blue Crab Year: circa 1975 Medium: Screenprint, Signed and numbered in pencil Edition: 52 Image Size: 9 x 12...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Pieuvre Persique (Persian Octopus), from Geographie animale (Animal Geography), originates from the January 22, 1975 issue published by Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris, and printed by Edito-Service S.A., Italy, 1975. This visionary composition reflects Lurcats mastery of the lithographic medium, embodying his poetic imagination through fluid line, expressive form, and a luminous sense of movement. The work conveys the artists unique ability to merge symbolism, nature, and emotion into a cohesive visual language, transforming even the simplest subject into a deeply evocative and dreamlike image. Infused with lyricism and spiritual resonance, the composition exemplifies Lurcats enduring exploration of mythology, cosmic order, and the transcendent power of art. The piece forms part of Geographie animale (Animal Geography), a landmark publication that documents and celebrates one of the most significant aspects of his graphic oeuvre. Executed as a lithograph on bouffant des Papeteries de Hauteville paper, this work measures 12.4 x 9.37 inches (31.5 x 23.8 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Edito-Service atelier, renowned for its refined European printing collaborations. Artwork Details: Artist: After Jean Lurcat (1892–1966) Title: Pieuvre Persique (Persian Octopus), from Geographie animale (Animal Geography), January 22, 1975 Medium: Lithograph on bouffant des Papeteries de Hauteville paper Dimensions: 12.4 x 9.37 inches (31.5 x 23.8 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris Printer: Edito-Service S.A., Italy Condition: Well preserved, consistent with age and medium Provenance: From Geographie animale (Animal Geography), published by Production Edito-Service S.A., Geneve, 1975 Notes: Excerpted from the folio (translated from French), This edition of the Animal Geography by Jean Lurcat was established by publisher Andre Gonin in Lausanne, with the collaboration of Mr. Jean Graven. The lithographs were taken in the workshops of the Graphic Arts J.- E. Wolfensberger in Zurich, under the personal direction of the artist. The stones were sanded after the draw. The text, in Caslon character, body twenty, was composed and printed in Geneva, on velin pur fil a la forme des papeteries du Marais, by the master printer Andre Kundig with the help of Marc Barraud and Auguste Griess. The final to shot was given the iron June 1948. This second edition, 23.8 x 31.5 cm, was drawn with the authorization of Andre Gonin on Velin bouffant des Papeteries de Hauteville. About the Publication: Geographie animale (Animal Geography) stands as one of the most imaginative printed projects associated with Jean Lurcat, uniting visual invention, literary wit, and refined European craftsmanship in a richly conceived publication devoted to the symbolic world of animals. Originally conceived under the guidance of publisher Andre Gonin and later issued in this authorized 1975 edition by Production Edito-Service S.A. of Geneve in collaboration with partners in Lausanne and Paris, the publication reflects the enduring appeal of Lurcats bestiary imagery and philosophical approach to nature. The lithographs were prepared in the workshops of J.- E. Wolfensberger in Zurich under the artists personal supervision, demonstrating the close relationship between artist and printer that characterized the finest twentieth century illustrated editions. More than a portfolio of images, Geographie animale (Animal Geography) is a meditation on the animal kingdom as metaphor, presenting creatures as emblems of instinct, wisdom, humor, vigilance, and cosmic order. Through its union of image, typography, and material elegance, the publication remains an important testament to the vitality of postwar European graphic art and to Lurcats singular ability to merge intellect, decoration, and poetic symbolism. About the Artist: Jean Lurcat (1892–1966) was a pioneering French painter, ceramicist, and tapestry master who transformed the ancient art of tapestry into a modern, intellectual, and spiritual medium, establishing himself as one of the most original and influential artists of the 20th century. Born in Bruyeres, France, Lurcat studied in Nancy and Paris, where he became part of the avant-garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His early paintings reflected the influence of Post-Impressionism, Cubism, and Symbolism, but his true innovation came when he reimagined tapestry as a form of monumental art rather than decorative craft. Profoundly inspired by the medieval Apocalypse of Angers tapestry, he sought to revive the grandeur of weaving by fusing ancient techniques with modernist abstraction and symbolism. In the 1930s, working with the Aubusson and Gobelins workshops, Lurcat revolutionized the process of tapestry-making by introducing a precise color notation system and standardizing thread palettes, allowing artists to maintain creative control from conception to completion. His bold compositions radiant with color, geometric rhythm, and allegorical imagery embodied a philosophy of cosmic balance and human resilience. After World War II, Lurcats work deepened in moral and spiritual scope, culminating in his monumental cycle Le Chant du Monde (The Song of the World, 1957–1965), a humanist response to the destruction of war and one of the greatest artistic achievements of the postwar era. His art, characterized by suns, moons, mythic creatures, and symbolic geometry, reflected his belief that art should harmonize intellect, craft, and emotion while reconnecting humanity to the natural and divine order. A contemporary and peer of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Lurcat shared their passion for abstraction and innovation while extending it into the tactile, enduring world of textile art. His influence resonated with later artists and designers such as Fernand Leger, Sonia Delaunay, Le Corbusier, and Victor Vasarely, whose integration of color and geometry echoed his ideas. His work is preserved in major collections including the Musee Jean Lurcat et de la Tapisserie Contemporaine in Angers, the Musee d’Art Moderne de Paris, and the Centre Pompidou. The highest auction record for Jean Lurcat was achieved by Apocalypse Tapestry, which sold for $290,500 USD at Sotheby’s, Paris, on May 29, 2014, underscoring his enduring legacy as the visionary who redefined tapestry as a cornerstone of modern art. Jean Lurcat Pieuvre Persique, Lurcat Geographie animale, Jean Lurcat lithograph...

VICTOR VASARELY – "ZEBRES 1" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 120 VASARELY’S ICONIC ZEBRAS Created in 1976 and published by the Foundation Vasarely in an edition ...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

CIRCUS is a hand drawn original lithograph by the Argentine born woman artist Ivel Weihmüller printed using traditional hand printmaking techniques on archival paper 100% acid free. ...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett's poem: “The ...

Alice In Wonderland:White Rabbit is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Er...

Original Hog Farm & Friends Poster by Rick Griffin — Psychedelic Counterculture Classic, Limited European Edition. The European Limited Edition poster was printed on lightweight whi...

FANTASTIC ANIMAL is a hand drawn limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. FANTASTIC ANIMA...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...

Color screenprint on wallpaper, 1971. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published for a Warhol exhibition at the Whitney Museum by Factory Additions, New Yor...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Offset lithograph postcard Hand signed in black marker by Frank Stella Provenance: Obtained directly from the artist by the present owner This signed card depicts Frank Stella's 1977...

Chris Forrest, American (1946 - ) - Redtail Landing, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Size: ...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Sphynx Mandchou (Manchurian Sphinx), from Geographie animale (Animal Geography), originates from the January 22, 1975 issue published by Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris, and printed by Edito-Service S.A., Italy, 1975. This visionary composition reflects Lurcats mastery of the lithographic medium, embodying his poetic imagination through fluid line, expressive form, and a luminous sense of movement. The work conveys the artists unique ability to merge symbolism, nature, and emotion into a cohesive visual language, transforming even the simplest subject into a deeply evocative and dreamlike image. Infused with lyricism and spiritual resonance, the composition exemplifies Lurcats enduring exploration of mythology, cosmic order, and the transcendent power of art. The piece forms part of Geographie animale (Animal Geography), a landmark publication that documents and celebrates one of the most significant aspects of his graphic oeuvre. Executed as a lithograph on bouffant des Papeteries de Hauteville paper, this work measures 12.4 x 9.37 inches (31.5 x 23.8 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Edito-Service atelier, renowned for its refined European printing collaborations. Artwork Details: Artist: After Jean Lurcat (1892–1966) Title: Sphynx Mandchou (Manchurian Sphinx), from Geographie animale (Animal Geography), January 22, 1975 Medium: Lithograph on bouffant des Papeteries de Hauteville paper Dimensions: 12.4 x 9.37 inches (31.5 x 23.8 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris Printer: Edito-Service S.A., Italy Condition: Well preserved, consistent with age and medium Provenance: From Geographie animale (Animal Geography), published by Production Edito-Service S.A., Geneve, 1975 Notes: Excerpted from the folio (translated from French), This edition of the Animal Geography by Jean Lurcat was established by publisher Andre Gonin in Lausanne, with the collaboration of Mr. Jean Graven. The lithographs were taken in the workshops of the Graphic Arts J.- E. Wolfensberger in Zurich, under the personal direction of the artist. The stones were sanded after the draw. The text, in Caslon character, body twenty, was composed and printed in Geneva, on velin pur fil a la forme des papeteries du Marais, by the master printer Andre Kundig with the help of Marc Barraud and Auguste Griess. The final to shot was given the iron June 1948. This second edition, 23.8 x 31.5 cm, was drawn with the authorization of Andre Gonin on Velin bouffant des Papeteries de Hauteville. About the Publication: Geographie animale (Animal Geography) stands as one of the most imaginative printed projects associated with Jean Lurcat, uniting visual invention, literary wit, and refined European craftsmanship in a richly conceived publication devoted to the symbolic world of animals. Originally conceived under the guidance of publisher Andre Gonin and later issued in this authorized 1975 edition by Production Edito-Service S.A. of Geneve in collaboration with partners in Lausanne and Paris, the publication reflects the enduring appeal of Lurcats bestiary imagery and philosophical approach to nature. The lithographs were prepared in the workshops of J.- E. Wolfensberger in Zurich under the artists personal supervision, demonstrating the close relationship between artist and printer that characterized the finest twentieth century illustrated editions. More than a portfolio of images, Geographie animale (Animal Geography) is a meditation on the animal kingdom as metaphor, presenting creatures as emblems of instinct, wisdom, humor, vigilance, and cosmic order. Through its union of image, typography, and material elegance, the publication remains an important testament to the vitality of postwar European graphic art and to Lurcats singular ability to merge intellect, decoration, and poetic symbolism. About the Artist: Jean Lurcat (1892–1966) was a pioneering French painter, ceramicist, and tapestry master who transformed the ancient art of tapestry into a modern, intellectual, and spiritual medium, establishing himself as one of the most original and influential artists of the 20th century. Born in Bruyeres, France, Lurcat studied in Nancy and Paris, where he became part of the avant-garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His early paintings reflected the influence of Post-Impressionism, Cubism, and Symbolism, but his true innovation came when he reimagined tapestry as a form of monumental art rather than decorative craft. Profoundly inspired by the medieval Apocalypse of Angers tapestry, he sought to revive the grandeur of weaving by fusing ancient techniques with modernist abstraction and symbolism. In the 1930s, working with the Aubusson and Gobelins workshops, Lurcat revolutionized the process of tapestry-making by introducing a precise color notation system and standardizing thread palettes, allowing artists to maintain creative control from conception to completion. His bold compositions radiant with color, geometric rhythm, and allegorical imagery embodied a philosophy of cosmic balance and human resilience. After World War II, Lurcats work deepened in moral and spiritual scope, culminating in his monumental cycle Le Chant du Monde (The Song of the World, 1957–1965), a humanist response to the destruction of war and one of the greatest artistic achievements of the postwar era. His art, characterized by suns, moons, mythic creatures, and symbolic geometry, reflected his belief that art should harmonize intellect, craft, and emotion while reconnecting humanity to the natural and divine order. A contemporary and peer of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Lurcat shared their passion for abstraction and innovation while extending it into the tactile, enduring world of textile art. His influence resonated with later artists and designers such as Fernand Leger, Sonia Delaunay, Le Corbusier, and Victor Vasarely, whose integration of color and geometry echoed his ideas. His work is preserved in major collections including the Musee Jean Lurcat et de la Tapisserie Contemporaine in Angers, the Musee d’Art Moderne de Paris, and the Centre Pompidou. The highest auction record for Jean Lurcat was achieved by Apocalypse Tapestry, which sold for $290,500 USD at Sotheby’s, Paris, on May 29, 2014, underscoring his enduring legacy as the visionary who redefined tapestry as a cornerstone of modern art. Jean Lurcat Sphynx Mandchou, Lurcat Geographie animale, Jean Lurcat lithograph...

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Georges Braque, After, French (1882 - 1963) - Birds in Flight, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 7.25 x ...

Statimque Tobias visum recepit ("And immediately Tobit revovered his sight") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediola...

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Summer Gold Medium: Lithograph on Arches, signed and numbered in pencil Edition: 250, 5 HC Image Size: 20 x 30 inches Size:...

Artist: Alexander Calder (1898-1976) Title: Beastie, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inches...

This captivating vintage lithograph by Mary Chenoweth presents a dynamic abstract interpretation of birds in flight, rendered with rhythmic movement and bold color transitions that e...

Original 1975 Rick Griffin Concert Poster – Hot Tuna, John Mayall, & Honk at Anaheim. Grade A. This is a premier original vintage 1975 concert poster created by the legendary p...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Ecrevisse de Guam (Crayfish of Guam), from Geographie animale (Animal Geography), originates from the January 22, 1975...

Alice In Wonderland:Hookah Smoking Caterpillar is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, where Alice first meets the Catepillar while he is sitting on a mushroom smoking a hookah. He helps her by advising her to eat from the mushroom if she wants to change her size. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

Savage Beasts in the Desert  or Little Animal Kingdom ( Les Betes Sauvages sans Le Desert ) is an original signed lithograph (+ original etched remarque)  by Salvador Dali . L...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Hippomoustique de l'Amazone (Hippo-Mosquito of the Amazon), from Geographie animale (Animal Geography), originates fro...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Chouette de Bonne Esperance (Owl of Good Hope), from Geographie animale (Animal Geography), originates from the Januar...

Girl with Unicorn Gina ’Jennie’ Tomao Stephanopoulos, American (1934–2011) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300 Image...

WALKING WITH MY BIRD is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. WALKING WITH...

Vincent HADDELSEY (1934-2010) Horse : Canadian Rodeo, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Artist: Denis Paul Noyer (1940-) Title: La Closerie des Lilas Year: 1979 Medium: Lithograph on Arches paper Edition: E.A.;220, plus proofs Size: 29.75 x 22 inches Condition: Good Ins...

Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Screen print on paper, realized in the early 1970s. Hand signed and numbered in pencil. Edition of 30, in roman numbers. Excellent condition.

Lithograph on wove paper, after drypoint etching. Image dimension 36.5x49.5. Edition of 163/275. Hand signed and numbered in pencil. Browned. Ref. Michler-Lopsinger 450.

Etching and drypoint realized by Sergio Barletta. Hand signed and numbered. Edition of 30 in roman numbers. Very good condition.

A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...

Monkey is an original artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Edition of 150 pieces.

Pigeons is a contemporary artwork realized by Marcello Pirro in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Edition of 5/75. Good conditions.

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. The artwork represents an interestin...

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over thi...

Robert Rauschenberg (1925 - 2008) Artwork title: Goat Chow (Chow Bags) Date: 1977 Medium: Color screenprint, stitching with collage and hand sewing on paper. Hand signed lower right ...

Vincent HADDELSEY (1934-2010) Horse : Towpath, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

This exquisite lithograph after Jean Lurcat (1892–1966), titled Papillon Monegasque (Monagesque Butterfly), from Geographie animale (Animal Geography), originates from the January 22, 1975 issue published by Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris, and printed by Edito-Service S.A., Italy, 1975. This visionary composition reflects Lurcats mastery of the lithographic medium, embodying his poetic imagination through fluid line, expressive form, and a luminous sense of movement. The work conveys the artists unique ability to merge symbolism, nature, and emotion into a cohesive visual language, transforming even the simplest subject into a deeply evocative and dreamlike image. Infused with lyricism and spiritual resonance, the composition exemplifies Lurcats enduring exploration of mythology, cosmic order, and the transcendent power of art. The piece forms part of Geographie animale (Animal Geography), a landmark publication that documents and celebrates one of the most significant aspects of his graphic oeuvre. Executed as a lithograph on bouffant des Papeteries de Hauteville paper, this work measures 12.4 x 9.37 inches (31.5 x 23.8 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Edito-Service atelier, renowned for its refined European printing collaborations. Artwork Details: Artist: After Jean Lurcat (1892–1966) Title: Papillon Monegasque (Monagesque Butterfly), from Geographie animale (Animal Geography), January 22, 1975 Medium: Lithograph on bouffant des Papeteries de Hauteville paper Dimensions: 12.4 x 9.37 inches (31.5 x 23.8 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris Printer: Edito-Service S.A., Italy Condition: Well preserved, consistent with age and medium Provenance: From Geographie animale (Animal Geography), published by Production Edito-Service S.A., Geneve, 1975 Notes: Excerpted from the folio (translated from French), This edition of the Animal Geography by Jean Lurcat was established by publisher Andre Gonin in Lausanne, with the collaboration of Mr. Jean Graven. The lithographs were taken in the workshops of the Graphic Arts J.- E. Wolfensberger in Zurich, under the personal direction of the artist. The stones were sanded after the draw. The text, in Caslon character, body twenty, was composed and printed in Geneva, on velin pur fil a la forme des papeteries du Marais, by the master printer Andre Kundig with the help of Marc Barraud and Auguste Griess. The final to shot was given the iron June 1948. This second edition, 23.8 x 31.5 cm, was drawn with the authorization of Andre Gonin on Velin bouffant des Papeteries de Hauteville. About the Publication: Geographie animale (Animal Geography) stands as one of the most imaginative printed projects associated with Jean Lurcat, uniting visual invention, literary wit, and refined European craftsmanship in a richly conceived publication devoted to the symbolic world of animals. Originally conceived under the guidance of publisher Andre Gonin and later issued in this authorized 1975 edition by Production Edito-Service S.A. of Geneve in collaboration with partners in Lausanne and Paris, the publication reflects the enduring appeal of Lurcats bestiary imagery and philosophical approach to nature. The lithographs were prepared in the workshops of J.- E. Wolfensberger in Zurich under the artists personal supervision, demonstrating the close relationship between artist and printer that characterized the finest twentieth century illustrated editions. More than a portfolio of images, Geographie animale (Animal Geography) is a meditation on the animal kingdom as metaphor, presenting creatures as emblems of instinct, wisdom, humor, vigilance, and cosmic order. Through its union of image, typography, and material elegance, the publication remains an important testament to the vitality of postwar European graphic art and to Lurcats singular ability to merge intellect, decoration, and poetic symbolism. About the Artist: Jean Lurcat (1892–1966) was a pioneering French painter, ceramicist, and tapestry master who transformed the ancient art of tapestry into a modern, intellectual, and spiritual medium, establishing himself as one of the most original and influential artists of the 20th century. Born in Bruyeres, France, Lurcat studied in Nancy and Paris, where he became part of the avant-garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His early paintings reflected the influence of Post-Impressionism, Cubism, and Symbolism, but his true innovation came when he reimagined tapestry as a form of monumental art rather than decorative craft. Profoundly inspired by the medieval Apocalypse of Angers tapestry, he sought to revive the grandeur of weaving by fusing ancient techniques with modernist abstraction and symbolism. In the 1930s, working with the Aubusson and Gobelins workshops, Lurcat revolutionized the process of tapestry-making by introducing a precise color notation system and standardizing thread palettes, allowing artists to maintain creative control from conception to completion. His bold compositions radiant with color, geometric rhythm, and allegorical imagery embodied a philosophy of cosmic balance and human resilience. After World War II, Lurcats work deepened in moral and spiritual scope, culminating in his monumental cycle Le Chant du Monde (The Song of the World, 1957–1965), a humanist response to the destruction of war and one of the greatest artistic achievements of the postwar era. His art, characterized by suns, moons, mythic creatures, and symbolic geometry, reflected his belief that art should harmonize intellect, craft, and emotion while reconnecting humanity to the natural and divine order. A contemporary and peer of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Lurcat shared their passion for abstraction and innovation while extending it into the tactile, enduring world of textile art. His influence resonated with later artists and designers such as Fernand Leger, Sonia Delaunay, Le Corbusier, and Victor Vasarely, whose integration of color and geometry echoed his ideas. His work is preserved in major collections including the Musee Jean Lurcat et de la Tapisserie Contemporaine in Angers, the Musee d’Art Moderne de Paris, and the Centre Pompidou. The highest auction record for Jean Lurcat was achieved by Apocalypse Tapestry, which sold for $290,500 USD at Sotheby’s, Paris, on May 29, 2014, underscoring his enduring legacy as the visionary who redefined tapestry as a cornerstone of modern art. Jean Lurcat Papillon Monegasque, Lurcat Geographie animale, Jean Lurcat lithograph...

Hand Signed. Edition of 150 pieces.

Alice In Wonderland: CHESHIRE CAT is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmak...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Triplettes du Canada (Triplets of Canada), from Geographie animale (Animal Geography)...

Etching hand colored realized in 1977. Hand signed, titled and numbered in pencil. Edition of 25. Very good condition except for some minor foxing.

Crow on the Branch is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Etching on cardboard. Hand Signed and dated on the lower right marg...