Neo-Expressionist Art

Title: "Portrait of Ebodio" Ebodio was a peasant who worked in the fields while abstract expressionist artist, Alex Lazard lived in Acapulco, México. Lazard was amazed at the number...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

This metallic painting by renowned artist Hunt Slonem features a grouping of rabbits. Slonem is known for his work featuring a variety of creatures, birds, butterflies, and rabbits i...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural figure of an organ and yellow Tulip on a peach orange background with thick use of pai...

Signed AP (Artist's Proof) Michael Druks - painter, sculptor, and conceptual, video, performance and installation artist - was born in Jerusalem September 26, 1940. He has lived in L...

Red, 60x100 cm

This cool-toned work by Hunt Slonem features an often returned to subject for the artist - the butterfly. In this composition, Slonem has created an ethereal and undulating abstract ...

A rabbit outlined in pigmented blue oil paint is the subject of this painting by Hunt Slonem. This work comes framed in an artist-selected vintage style example, adding character and...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with diamond dust and thick use of...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with diamond dust and thick use of...

"Composition in RED" Painting 71" x 59" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of ...

"Rover" is a small-scale rabbit portrait by renowned Neo-Expressionist Hunt Slonem. Slonem often turns to the animal kingdom for inspiration. Rabbits, ...

This gorgeous loose portrait of the bon vivant "Owen" is very much in line with Bailey's instantly recognizable style.

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Mixed media on watercolour paper. by artist Daria Kusto The magic flow reality... Shipped well protected, unframed

We are huge fans of this work at the gallery. "Morgan", while very much a wonderful and recognizable example of Bailey's work, incorporates almost a Cubist structure to his often so...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

"Chinensis Light" sees artist Hunt Slonem return to a favored subject - the rabbit. A gaggle of the long-eared creatures crowds into the frame, rendered in stylized black lines on an...

Translated title: " Towards the sky ". Mixed media on canvas.

"Tamara" is another favorite at the gallery. From the series of diminutive portraits the artist created in 2020, Tamara is an homage to the artist Tamara de Lempicka. While Bailey p...

Here Bailey depicts "Andy", from his series of diminutive portraits created in 2020. Andy is a dandy, beautiful and well dressed. Though Bailey paints him in his loose blocked in st...

Green hummingbirds flit amongst red blossoms in this oil painting by artist Hunt Slonem. The delicate avian creatures are so small they seem to blend in with the surrounding flora, c...

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

Bailey expresses his love for film and popular culture in this representation of a film poster of the cult classic film The Royal Tennenbaums by Wes Anderson. This painting is an abs...

"The American" is certainly not one of Bailey's most flattering portraits, but is is familiar nonetheless. Who hasn't seen this expression in life?

This pastel drawing, 'Abstract Portrait,' demonstrates Reggie K Gee's love of color and love of abstraction. In the image, the form of a head is marked by a black contour; however, a...

Bailey works with the iconic figure of a seated, contemplative Lincoln. Working in broad strokes, Clifford Bailey manages to capture the stoic nature o...

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

Clifford Bailey paints "The General" in the loose yet kinetically charged style he is best known for. One can see The General's visage appear in large...

Buttoned up and serious, "Giancarlo" peers directly into the viewers eyes unflinching. An excellent and instantly recognizable example of Bailey's work.

"Helen" is from an interesting group of diminutive portraits created by Bailey in and around 2020. She appears as a Victorian portrait of an ancestor.

"Wooster" is another from Bailey's series of diminutive portraits created in 2020.

This large scale still life by artist Hunt Slonem features dozens of one of the worlds smallest avian creatures - the hummingbird. Rendered in gestural green oil paint and accompanie...

"The Student", handsome and self possessed. Another beautiful example of Bailey's portraiture.

"Cameo Profile" is exactly that a cameo with the subject in profile. From the series of diminutive portraits Bailey created during 2020.

"Estelle" is an example of the diminutive portraits Bailey created in 2020. Whereas most of his subjects seem tightly pulled together in their dress, "Estelle" is free, a bohemian pe...

"Madame Lee" is the portrait of a beautiful woman from a bygone era. From his series of diminutive portraits created in 2020. Bailey is gifted in that he is able to portray his subj...

This painting from Sax Berlin's studio overlooking the wild Atlantic Ocean captures the essence of ecstasy. It's imbued with the hot sense of the urgency and frenetic energy of New Y...

Again, expressing a love for film and popular culture, Bailey creates a stunning work based on the Columbia Pictures logo.

"Young Foote" is a portrait of one of the artist's professors as a young man. Clearly Bailey has warm feelings for the teacher; the painting is soft and kind to the viewer's eye. As...

Mixed media on watercolour paper. by artist Daria Kusto The magic flow reality... Shipped well protected, unframed

A tribute to the artist's love of film and popular culture. Bailey creates a work based on the Paramount Pictures logo.

Bailey celebrates his love of film and popular culture in this portrait of Glinda the Good Witch from the Wizard of Oz.

I would always seek validation on every little thing. Validation to take the simplest action and most times the response breaks me even more. I realized to be confident in one’s body I had to work on my mind because the mind controls...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

"The Golden Equality" is the first pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The distorted afro hair pattern, the symbol, and the expre...

Mixed media on watercolour paper. by artist Daria Kusto The magic flow reality... Shipped well protected, unframed Curated by Art Reserve & Angel Rivas We can do commissioned work...

Primary, rich red defines this painting, yet the face is so magnetic. Berlin is hugely conscious of the environment and these highly immediate works are his way of trying to draw att...

"The Golden Equality" is the first pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The distorted afro hair pattern, the symbol, and the expre...

A stark and powerful painting, it immediately attracts attention. Berlin has revisited the skull motif in this piece of Neo-Expressionist art to sublime effect. The painting is a mas...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...