Neo-Expressionist Sculptures

Hand formed and welded aluminum

This unique cyanotype on limestone was created by Alexandre Onimus during a art residency in Versaille, France. The artist: Alexandre Onimus is a contemporary artist and photograph...

Duquesa de Alba. Bronze. sculpture measures with base 20x20x38 cm Lluís Llongueras represents the disagreement that corresponds directly to the personality of the artist, always vers...

Rafael's studio practice engages with oil painting and drawing, plaster combined with pigments, bronze casting and utilizing industrial materials. Rafael's figure work uses simple b...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 12 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

"Epoxy Glued Ming Dynasty" is an original acrylic-painted clay sculpture by Reginald K. Gee. The artist signed the piece on the bottom. This sculpture depicts two Asian men without a...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 10.25 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Tom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Margaret Reventlow, American born London, 1915 - 2014, "Ten Fathoms Deep", (swimming fish) bronze with green and red slag glass, unsigned, with artist n...

Artist: Sandro Chia (Italian, b. 1946) Title: Il Palio di Siena Year: circa 1980 Edition: 4/6 Medium: Bronze, signature and numbering inscribed Size:...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Tom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Valentin Abad est un artiste français. Son travail repose sur la volonté de créé un support visuel, une forme tangible aux conflits de la conditions humaine. Il propose de faire exis...

Valentin Abad est un artiste français. Son travail repose sur la volonté de créé un support visuel, une forme tangible aux conflits de la conditions humaine. Il propose de faire exis...

Sculpture murale par l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du passé,...

Sculpture en bronze sur socle par l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souv...

Sculpture murale de l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du passé,...

Sculpture en bronze de l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du pas...

Sculpture en bronze de l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du pass...

Sculpture murale par l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du passé,...

Made with recycling metal items by Dani Broglio artist from Granada Spain

Artist: Sandro Chia (Italian, b. 1946) Title: Angel with Heart Year: circa 1980 Medium: Bronze sculpture with patina, signature and numbering inscribe...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Ever expansive in his Animalia quest, renowned artist Hunt Slonem continues to boldly pursue his unique vision. Divining new forms for his aesthetic muses in hand-blown glass, neon and other illuminating raw materials, the artist’s impressive career spanning almost five decades enters a new phase. Bunnies. This piece depicts a gestural figure of purple iridescent bunny. This is a one of a kind piece. Illuminating and awe inspiring, Hunts new Glass Blown Sculptures...

Roughly hewn and painted, carved wooden sculpture. Hand signed and dated. Provenance Richard Gray Gallery, Chicago, Illinois, (accompanied with copy of original invoice dated 1986.) This was from his show Out of Africa. Expressionist paintings and carved reliefs at the Richard Gray Gallery, Chicago His first one-man exhibition in the United States, the show featured multidimensional and multi-media work with influences from Africa and nature. Philippe Cognée...

Translated title: "The narrator". Enamel, wood, charcoal and gauze.

The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. The present vase is among the top tier of his works from the 1980s, showing multiple playful figures in relief around the vessel. In his Neo-Expressionist style, hearkening to the works of Keith Haring and Jean-Michel Basquiat, the figures are colored in painterly polychrome. Also, not unlike the painted narrative vessels of Ancient Greece, though much more subversive, many of the figures and stories are identified with text: 'King of Fart,' 'Dance Little Sister,' 'Girls for Every Boy,' and 'Beach Boy.' 22 x 13 x 12 inches overall Signed 'Gross' near base Dated 1986 near upper rim SELECTED COLLECTIONS INCLUDING WORKS BY GROSS: Smithsonian American Art Museum, Washington, D.C.; Sharon Lynne Wilson...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

"Cover Jar with 2 Birds" is an original stoneware vase by Ernst Gramatzki. 9" x 5 1/4" art Ernst Gramatzki is a world renowned artist, sculptor, potter, painter and poet. Some of his work is in the Smithsonian Institute in D.C. as well as in art galleries in both the U.S and Europe. Ernst was born in Koenigsverg, Germany, in the Russian sector near the Baltic Sea. The area is also referred to as Kaliningrad and is the birthplace of philosopher Emanuel Kant. His interest in art is the result of two Hungarian art students taken in as borders by his family following the Hungarian revolution. One, who is still well known throughout Europe, was a potter. "I shared half of the garage with him," said Ernst, who attended the School of Art in Hamburg. It was in 1961 that Ernst immigrated to the United States, taking a position with the Milwaukee Public Museum. He has lived in Rochester for nearly 30 years. Each room of his home is dedicated to a different art form. A room at the top of the stairs is filled with oil paints and multi-paneled works that are still in progress. In the basement, wet clay sits ready to be molded by inspired hands. Ernst still does work for museums, which sometimes directs where he focuses his energy each day. "I try to juggle the things I have to do with the things I want to do," he said. "One is always at the expense of the other. "I like to blow things up that people are too busy to look at," he said of his oil paintings. "You have to sit and look at things. You don't need to name things. That limits people in their imagination and what they would like it to be." An entire painting may be devoted to the stains on the bottom of a coffee mug, or a close-up view of a twig. Ernst said his inspiration can come from anything around him. He found a use for a dried-up grapefruit by using it as a mold for a clay stamp. Nothing, including an old corn cob, is overlooked as an artistic tool. "I dream lots of things. It's like turning on the TV as soon as I hit the sack," he said, working the surface of a clay toad he had sculpted the following day, using a walnut to stamp out some eyes. Most of his pottery takes the form of covered jars, each of which has its own number and entry in a journal that includes a sketch and to whom the piece were sold. The covers of the jars have small bronze sculptures for handles. Recently, Ernst has shifted gears and has been creating dozens of clay bird...

"Untitled Vase" is an original ceramic vase by Michael Gross. It features abstracted and grotesque figures on a yellow ground. 11 1/2" x 4 1/2" art The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

"Cow and Ballerina" is an original painted wood sculpture by Schomer Lichtner. It features a high-kicking ballerina standing on the back of a cow. The artist signed the piece. 36" x 61" x 26" art Milwaukee artist, Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Schomer Lichtner was well known for his whimsical cows and ballerinas, such as his "Ballerina Dancing on Cow" sculpture below. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre, " joy of life," and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

"Basket Weave Bacon Bowl" is an original ceramic by Michael Gross. The artist signed and dated the piece on the bottom. It features images of bacon on yellow. 8 1/2" x 9 1/2" x 6" art The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

"Cover Jar w/ Rooster" is an original stoneware vase by Ernst Gramatzki. 11 3/4" x 4 1/2" art Ernst Gramatzki is a world renowned artist, sculptor, potter, painter and poet. Some of his work is in the Smithsonian Institute in D.C. as well as in art galleries in both the U.S and Europe. Ernst was born in Koenigsverg, Germany, in the Russian sector near the Baltic Sea. The area is also referred to as Kaliningrad and is the birthplace of philosopher Emanuel Kant. His interest in art is the result of two Hungarian art students taken in as borders by his family following the Hungarian revolution. One, who is still well known throughout Europe, was a potter. "I shared half of the garage with him," said Ernst, who attended the School of Art in Hamburg. It was in 1961 that Ernst immigrated to the United States, taking a position with the Milwaukee Public Museum. He has lived in Rochester for nearly 30 years. Each room of his home is dedicated to a different art form. A room at the top of the stairs is filled with oil paints and multi-paneled works that are still in progress. In the basement, wet clay sits ready to be molded by inspired hands. Ernst still does work for museums, which sometimes directs where he focuses his energy each day. "I try to juggle the things I have to do with the things I want to do," he said. "One is always at the expense of the other. "I like to blow things up that people are too busy to look at," he said of his oil paintings. "You have to sit and look at things. You don't need to name things. That limits people in their imagination and what they would like it to be." An entire painting may be devoted to the stains on the bottom of a coffee mug, or a close-up view of a twig. Ernst said his inspiration can come from anything around him. He found a use for a dried-up grapefruit by using it as a mold for a clay stamp. Nothing, including an old corn cob, is overlooked as an artistic tool. "I dream lots of things. It's like turning on the TV as soon as I hit the sack," he said, working the surface of a clay toad he had sculpted the following day, using a walnut to stamp out some eyes. Most of his pottery takes the form of covered jars, each of which has its own number and entry in a journal that includes a sketch and to whom the piece were sold. The covers of the jars have small bronze sculptures for handles. Recently, Ernst has shifted gears and has been creating dozens of clay bird...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

Artist: Sandro Chia (Italian, b. 1946) Title: Angel with Heart (large) Year: circa 1980 Edition: 2/6 Medium: Bronze, signature and numbering inscr...