Bill Low Art

This painted wood assemblage sculpture by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome head portrait bust. This was signed on a brass or bronze plaque but that has gone missing. It is unsigned. I believe there might be a studio stamp on the bottom. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

This orange, figurative wall-hanging sculpture titled "Thorns Are Too Obvious" is an original artwork by Jedediah Morfit made of plaster, paint, and wallpaper. This piece measures 15...

This is an original sculpture collaboration by artists Dennis McNett (also known as Wolfbat) and Alex Yanes from their "Good Medicine" exhibition at Paradigm Gallery + Studio in Philadelphia, PA, USA. This sculpture series marks the first time the two artists have ever worked collaboratively. PRESS RELEASE // Paradigm Gallery is pleased to present "Good Medicine", an exhibition featuring sculptural works in wood by Dennis McNett and Alex Yanes. New individual works by the artists will be displayed alongside pieces that have been created collaboratively between their studios. The show considers the concept of positive energy and how moods, situations, or experiences can be shaped by the presence of a strong force for good, while focusing broadly on the many ways that spirituality is practiced and explored in contemporary culture. Symbols, totems, and signs in a range of sizes are hand-carved and crafted from wood, resin, and acrylic to manifest the uplifting theme behind the works in three dimensions. "Good Medicine" will be on view through July 21, 2018. Both artists have practices that revolve around ideas of tradition, personal and communal narratives, nostalgia, and heritage. They express these themes in a blended style of neo-pop and folk art, drawing on their proximity to the subculture of skateboarding. With bold graphic elements and intricate detailing, the wooden sculptures, carvings, and installations portray a deeply personal and self-reflexive approach to art-making and craft, inviting the viewer to contemplate one’s quest for self-actualization through the assemblages. Dennis McNett is known for his large-scale woodcut sculptures that fuse relief printmaking with traditional wood carving. Steeped in domestic and international mythologies, McNett often receives the seeds of concepts for pieces through meditation and his spiritual practice that he then renders in his wood carvings, wood-cut panels, and prints. Over 15 works will be on display in "Good Medicine"– including "Big Mary’s Resurrection", an example of McNett’s dedication to clearing areas of bad energy left behind by past events. Also on view will be a new Owl Spirit sculpture series and collaged panels. His birds of prey and Norse images exist in high-contrast, with alternating deep and shallow black marks that delineate swaths of colored or natural wood surfaces. Alex Yanes constructs his surreal layered, textural sculptures from wood, epoxy resin, acrylic and spray enamel. The combination of materials gives his work a subtle gloss, with clean colors and polish. All Yanes’s 7 works in "Good Medicine", including a large wall installation, are brand new and showcase his signature pop graphics. The postmodern mashups reference funhouse aesthetics, with a nod to comics, cartoons, and vintage typography...

The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...

Acrylic, oil, paper collage, car side mirror, branches, chimes, rag, clock radio (Instructions: Press “on” button on side of radio to turn on. Tune to suitable station) A pa...

“Fox Hunt“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, wood, acrylic paint, screws and an optical lens...

“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...

Circus bear on bicycle , 2022 Polystyrene, wood, aluminum and industrial paints 35 x 45 x 5 cm 14 x 18 x 2 in As an Industrial designer, I was trained t...

"Mudflow" Wall Sculpture 46" x 39" x 5" inch by Gosha Ostretsov Medium: Wood and Acrylic Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in ...

ULISES JIMENEZ "BAJISTA" METAL, SIGNED COSTA RICA, 2023 32.25 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Plas...

Artist Commentary: Spira Fiore comes from a body of work based on a tying system I created which draws inspiration from sea shells. It is made of three layers of bamboo. One layer u...