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Alexander CalderAlexander Calder Yin Yang and Pinwheel 1969 Gouache on Canson Paper Signed1969
1969
About the Item
1969
Gouache and ink on paper, signed « Calder » and dated « 69 » lower right
This artwork is recorded with the Calder Foundation as number A03085
75 x 110 cm 29⅜ × 43 in
96 x 131 cm framed
Alexander Calder was an American sculptor and painter born in 1898 in Lawnton, Pennsylvania. In 1919, he received an engineering degree from Stevens Institute of Technology, Hoboken, New Jersey and from 1923 to 1925, he attended the Art Students League, New York. He lived and worked mostly in the United States and in France. He died in 1976 in New York City.
Calder is one of the most captivating artists of the twentieth century. Best known for his original kinetic sculptures automated by air currents, the “mobiles” and his bright-colored, fanciful abstract tremendous sculptures, or “stabile”, Calder was a great artist with an inexorable inventive mind. Informed by a unique hand going against any endeavour at cataloging, his diverse practice also comprised painting, mainly gouache, printmaking, miniatures (including his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design and more. His distinct abstract language, brimming with energy and vitality is formed on the instictive use of pure color, gesture, and line, which extends between fine biomorphic shapes and geometric forms, with a palpable sense of animation like the motion in his sculptures. Particularly considered for their immediacy and freshness of color, line and form, the gouaches are an complete part of Calder’s body of work, mirroring and stimulating the sculptural practice for which he is universally recognized.
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1969
- Dimensions:Height: 29.53 in (75 cm)Width: 43.31 in (110 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU1569211784792
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
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