Items Similar to Abstract Non Objective Work on Paper Guggenheim Woman Artist Drawing 1940s w/c
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Hilla Rebay von EhrenwiesenAbstract Non Objective Work on Paper Guggenheim Woman Artist Drawing 1940s w/c
About the Item
Abstract Non Objective Work on Paper Guggenheim Woman Artist 1940s Drawing w/c
HILLA REBAY (1890 - 1967, GERMAN/AMERICAN)
Abstract
Watercolor on paper, c. 1945. 8x9 inches.
Provenance: Estate of Hilla Rebay; Gary Snyder Fine Art, NY.
In March of 1996, Snyder Fine Art opened its exhibition, Museum of Non-Objective Painting: American Abstract Art. Gary Snyder acquired a large body of works from the Hilla Rebay Estate, many of the works on paper spent decades archivaly stored in flat files with fresh colors and immaculate paper.
BIO
A woman credited largely for the existence of the Solomon R. Guggenheim Museum in New York City, Hilla Rebay also was an accomplished artist in modernist styles that included collage and biogmorphic-linear oil paintings. She is remembered primarily for being the key person in first exposing the American public to avant-garde art and creating revolutionary museum environments for that art. To remind the public that Rebay was an artist in her own right, curators at the Guggenheim Museum held a retrospective of her work in the spring and summer of 2005.
Hilla Rebay (pronounced reh-bye) was born to minor nobility in Strasbourg, Alsace and had the full name of Baroness Hildegard Anna Augusta Elisabeth Rebay von Ehrenwiesen. Her father, a career army officer from Bavaria, and her mother encouraged her obvious childhood art talent. She studied locally and then enrolled in 1909 at the Academie Julian in Paris.
There she was much influenced by avant-garde movements especially theosophist artists and writers led by Wassily Kandinsky "who helped formulate her lifelong belief in the power of intuition in art-making and other areas of life" (Glueck). In 1910, she spent time in Munich where she was further exposed to modern art, and she returned to Paris in 1913, having exhibited work in Cologne and Munich. In Paris she studied at the Academie Julian.
By 1914, she was exhibiting with the Secession Group in Munich, the Salon des Independants in Paris, and the November Gruppe in Berlin--all rebelling against prevalent realism and traditional teaching methods. In Berlin, she associated with many modernist artists including Vasily Kandinsky, Paul Klee, and Marc Chagall. In 1917, she med Rudolph Bauer, a German painter in non-objective styles who became her long-time lover and in the future the cause of controversy because she was accused of devoting disproportionate exhibition space to him at the Guggenheim Museum. It was said that her enthusiasm for him and his work was "unbounded" (Glueck) and that he inspired her paintings "alive with restless, jostling, organic forms" (Glueck).
Hilla Rebay first visited the United States in 1927 and stayed for an extended time period, which included giving painting lessons to Louise Nevelson, seeking portrait commissions, designing posters and exhibiting her own work at venues including the Worcester Art Mluseum and a Manhattan gallery. Among her portrait commission subjects was Solomon Guggenheim, whose wealthy family had extensive western mining interests. Rebay had met Solomon and his wife Irene when they purchased two of her paintings at the Manhattan show. To that time, the couple were collectors of conventional art, but during the sittings, Hilla talked to him of what was going on in avant-garde art circles. She brought painters of leading-edge styles to meet Guggenheim and encouraged him to collect their art, which he did--filling his Plaza Hotel apartment.
Rebay supervised the collection, and in 1937, she led the establishment of a Guggenheim foundation to build "The Museum of Non-Objective Art," achieved in 1939 in rented gallery space on 54th Street. The main focus of the collection was works of the Dutch De Stijl Group that included Piet Mondrian and Theo van Doesburg, and of Bauhaus artists from Germany such as Paul Klee, Vasily Kandinsky, and Laszlo Moholy-Nagy.
Although she was committed to purely non-objective works, she added to the collection abstract works by George Seurat, Henri Matisse, Henri Rousseau, Pablo Picasso, and others in France who were experimenting with Cubism, Futurism, etc.
The Foundation directors bought land between 88th and 89th Streets on Fifth Avenue and commissioned Frank Lloyd Wright to design a museum building. The collection was temporarily housed in a mansion on the grounds, and Hilla, who had a strong interest in mysticism, "created an unforgettable, hushed, other worldly atmosphere . . . People coming in from the noise and bustle of the streets found themselves transported into a seemingly higher spiritual dimension" (Rubinstein). There was gray fabric on the walls, plain, minimal frames on the paintings, and Bach music in the background---all creating a sense of quiet refinement and revolutionary for a museum setting.
During this time, Rebay was reaching out to many young non-objective American artists including Jackson Pollock and Rudolf Bauer who had emigrated from Germany, by giving them money and exhibiting their work.
She was also at the center of controversy from a a variety of sources. Left-wing activists made fun of her mysticism; reactionaries found her much too liberal; and most of her critics thought she was way too autocratic. Of that era, she has been described as "a complicated dynamic woman, take-charge and bossy, who aroused jealousy in the art world by her closeness (though it was probably not romantic) to Guggenheim." (Glueck). In addition, she was disdained during World War II because she was German and was accused of being a German spy, rumors that were promoted by Rudolf Bauer, whom she and others thought was jealous of her position with Guggenheim.
In 1951, two years after Guggenheim's death, Hilla Rebay resigned as Director but remained a trustee of the collection, and lived in Greens Farms, Connecticut. During her career as an administrator, she had continued as a painter and created canvases of geometric shapes and ones that expressed pure color and rhythm. She also authored several books including one titled "Wassily Kandinsky", and wrote articles for the "Carnegie Institute Magazine" and "Southern Literary Digest. " However, her enduring reputation is for her influence in bringing non-objective art to America.
- Creator:Hilla Rebay von Ehrenwiesen (1890-1967, American)
- Dimensions:Height: 14 in (35.56 cm)Width: 15 in (38.1 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1156211697962
Hilla Rebay von Ehrenwiesen
A woman credited largely for the existence of the Solomon R. Guggenheim Museum in New York City, Hilla Rebay also was an accomplished artist in modernist styles that included collage and biogmorphic-linear oil paintings. She is remembered primarily for being the key person in first exposing the American public to avant-garde art and creating revolutionary museum environments for that art. To remind the public that Rebay was an artist in her own right, curators at the Guggenheim Museum held a retrospective of her work in the spring and summer of 2005. Hilla Rebay was born to minor nobility in Strasbourg, Alsace. Her father, a career army officer from Bavaria, and her mother encouraged her obvious childhood art talent. She studied locally and then enrolled in 1909 at the Academie Julian in Paris. There she was much influenced by avant-garde movements especially theosophist artists and writers led by Wassily Kandinsky. In 1910, she spent time in Munich where she was further exposed to modern art, and she returned to Paris in 1913, having exhibited work in Cologne and Munich. In Paris she studied at the Academie Julian. By 1914, she was exhibiting with the Secession Group in Munich, the Salon des Independants in Paris, and the November Gruppe in Berlin--all rebelling against prevalent realism and traditional teaching methods. In Berlin, she associated with many modernist artists including Vasily Kandinsky, Paul Klee, and Marc Chagall. In 1917, she med Rudolph Bauer, a German painter in non-objective styles who became her long-time lover and in the future the cause of controversy because she was accused of devoting disproportionate exhibition space to him at the Guggenheim Museum. Hilla Rebay first visited the United States in 1927 and stayed for an extended time period, which included giving painting lessons to Louise Nevelson, seeking portrait commissions, designing posters and exhibiting her own work at venues including the Worcester Art Museum and a Manhattan gallery. Among her portrait commission subjects was Solomon Guggenheim, whose wealthy family had extensive western mining interests. Rebay had met Solomon and his wife Irene when they purchased two of her paintings at the Manhattan show. To that time, the couple were collectors of conventional art, but during the sittings, Hilla talked to him of what was going on in avant-garde art circles. She brought painters of leading-edge styles to meet Guggenheim and encouraged him to collect their art, which he did--filling his Plaza Hotel apartment. Rebay supervised the collection, and in 1937, she led the establishment of a Guggenheim foundation to build "The Museum of Non-Objective Art," in 1939. The main focus of the collection was works of the Dutch De Stijl Group that included Piet Mondrian and Theo van Doesburg, and of Bauhaus artists from Germany such as Paul Klee, Vasily Kandinsky, and Laszlo Moholy-Nagy. During this time, Rebay was reaching out to many young non-objective American artists including Jackson Pollock and Rudolf Bauer.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2008
1stDibs seller since 2019
165 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Pawling, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th CenturyBy Konrad CramerLocated in New York, NYAbstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...Category
1930s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- Abstract Non Objective Work on Paper Guggenheim Woman Artist Drawing 1940s w/cBy Hilla Rebay von EhrenwiesenLocated in New York, NYAbstract Non Objective Work on Paper Guggenheim Woman Artist 1940s Drawing w/c HILLA REBAY (1890 - 1967, GERMAN/AMERICAN) Abstract watercolor and graphite on paper 14 x 16 1/2 inche...Category
1940s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Watercolor
- ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern DrawingBy Irene Rice PereiraLocated in New York, NYABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black pap...Category
1950s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Watercolor, Gouache
- ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern DrawingBy Irene Rice PereiraLocated in New York, NYABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 12 x 6 1/2 inches Watercolor, gouache, and ink on black paper ...Category
1950s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Watercolor, Gouache
- 1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds FairBy Ilya BolotowskyLocated in New York, NY1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair. Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...Category
1930s Abstract Geometric Abstract Drawings and Watercolors
MaterialsPaper, Gouache, Canvas, Plaster, Oil
- Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing ArielBy Clarence Holbrook CarterLocated in New York, NYAbstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel 11 x 4 1/2 inches. Framed by Heydenryk. Provenance: Gary Snyder Fine Art B...Category
1950s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Gouache
You May Also Like
- A Pembrokeshire LandscapeBy John Piper CHLocated in Belgravia, London, LondonMixed media Paper size: 14 x 21 inches Framed size: 28.25 x 35 inches Signed lower rightCategory
20th Century Abstract Abstract Drawings and Watercolors
MaterialsPaper, Mixed Media, Watercolor
- Cathedral of Saint Gatianys of ToursBy John Piper CHLocated in Belgravia, London, LondonMixed media Paper size: 21.75 x 14.5 inches Framed size: 36.25 x 29 inches Signed lower leftCategory
20th Century Abstract Abstract Drawings and Watercolors
MaterialsPaper, Mixed Media, Watercolor
- Linda Turner, Art Meditation 7, Collage, Pattern and Decoration, AutomatismLocated in Darien, CTLinda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...Category
2010s Abstract Geometric Mixed Media
MaterialsArchival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
- Linda Turner, Art Meditation 18, Collage, Pattern and Decoration, AutomatismLocated in Darien, CTLinda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...Category
2010s Abstract Geometric Mixed Media
MaterialsArchival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
- Linda Turner, Meditation Is Play, Collage, Pattern and Decoration, AutomatismLocated in Darien, CTLinda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...Category
2010s Abstract Geometric Mixed Media
MaterialsWatercolor, Pencil, Archival Ink, Gouache, Archival Paper, Color Pencil
- Linda Turner, Art Meditation 5, Collage, Pattern and Decoration, AutomatismLocated in Darien, CTLinda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...Category
2010s Abstract Geometric Mixed Media
MaterialsArchival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Recently Viewed
View AllMore Ways To Browse
Large Abstract Drawing
French Woman Artist
French Abstract Work On Paper
Guggenheim Modern Art
Western Art Drawings
1940 Abstract Artist
Vintage Building Drawing
Vintage Building Drawings
Large Abstract Watercolor
Guggenheim Paper
Objective Gallery
Vintage Western Paper
Fabric Designs On Paper
Objective Collection
Artist Activist
Southern Watercolor
Paper Money
Non Objective