Birch Abstract Drawings and Watercolors
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Medium: Birch
Infinity #54 (op art curvy monochrome red pen drawing wood detailed oriental)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Infinity #53 (monochrome red pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Birch Abstract Drawings and Watercolors
Materials
Pen, Birch, Wood Panel
Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
keywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Starbirth III, Halsey Chait, Abstract Drawing, Circle, Black, White
By Halsey Chait
Located in New York, NY
"Starbirth III" by Halsey Chait
Acrylic on Birch Panel
Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes of life forms and mole...
Category
21st Century and Contemporary Abstract Birch Abstract Drawings and Watercolors
Materials
Wood, Birch, Acrylic, Wood Panel
Journey #54 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #53 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Surrealist Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #38 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Contemporary Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
"Up North Birch Bark Series: Tree Spirit Chief, " Mixed Media by David Barnett
Located in Milwaukee, WI
"Up North Birchbark Series: Tree Spirit Chief" is an original oil pencil and watercolor on birch bark piece by David Barnett, signed in the lower center. U...
Category
Early 2000s Contemporary Birch Abstract Drawings and Watercolors
Materials
Birch, Ink, Watercolor
Walking table #47 (monochrome grey pen drawing wood detailed oriental dansaekhwa
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #40 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Birch Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
"Up North Birch Bark Series: Beaver Lake, " Watercolor signed by David Barnett
Located in Milwaukee, WI
"Up North Birch Bark Series: Beaver Lake" is an original watercolor and ink painting on birch bark by David Barnett, signed in the lower right. The artist only collects birch bark th...
Category
2010s Contemporary Birch Abstract Drawings and Watercolors
Materials
Birch, Ink, Watercolor
"Up North Series: Enter My Tee-pee Tatooa, " Watercolor on Birch by David Barnet
Located in Milwaukee, WI
"Up North Series: Enter My Tee-pee Tatooa" is an original mixed media work by David Barnett, signed in the lower left. It is watercolor on birch bark. The artist only collects birch ...
Category
Early 2000s Contemporary Birch Abstract Drawings and Watercolors
Materials
Birch, Watercolor
"Up North - Campfire Logger Spirit, " Mixed Media signed by David Barnett
Located in Milwaukee, WI
"Up North - Campfire Logger Spirit" is an original mixed media piece on a piece of birch bark, signed along the lower left edge. The artist only collects birch bark that he finds on ...
Category
Early 2000s Contemporary Birch Abstract Drawings and Watercolors
Materials
Birch, Oil Crayon, Pencil
Rainsun III, Halsey Chait, Large Abstract Ink Drawing, Circle, Black, White
By Halsey Chait
Located in New York, NY
"Rainsun III: The Birth of a Photon" by Halsey Chait
India Ink on Birch Panel
Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes...
Category
21st Century and Contemporary Abstract Birch Abstract Drawings and Watercolors
Materials
Wood, Birch, Wood Panel, India Ink, Rag Paper
Gravitational Sapath Waves III, Halsey Chait, Large Abstract Drawing, Circle
By Halsey Chait
Located in New York, NY
"Gravitational Sapath Waves III" by Halsey Chait
Acrylic on Birch Wood Panel
Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes ...
Category
21st Century and Contemporary Abstract Birch Abstract Drawings and Watercolors
Materials
Wood, Birch, Acrylic, Wood Panel
Synaptic Roots II, Halsey Chait, Large Abstract Drawing, Black, White, Network
By Halsey Chait
Located in New York, NY
"Synaptic Roots II" by Halsey Chait
Acrylic on Birch Panel
Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes of life forms and ...
Category
21st Century and Contemporary Abstract Birch Abstract Drawings and Watercolors
Materials
Wood, Birch, Acrylic, Wood Panel
Synaptic Roots I, Halsey Chait, Large Abstract Drawing, Black, White, Network
By Halsey Chait
Located in New York, NY
"Synaptic Roots I" by Halsey Chait
Acrylic on Birch Panel
Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes of life forms and m...
Category
21st Century and Contemporary Abstract Birch Abstract Drawings and Watercolors
Materials
Wood, Birch, Acrylic, Wood Panel
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Birch abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Birch abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Cheolyu Kim, Halsey Chait, and David Barnett. Frequently made by artists working in the Surrealist, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Birch abstract drawings and watercolors, so small editions measuring 16 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,024 and tops out at $14,400, while the average work can sell for $3,200.
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