Charcoal Abstract Drawings and Watercolors
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Medium: Charcoal
French Contemporary Art by Marc Brousse - Forgotten Babel
Located in Paris, IDF
Ink and charcoal on paper Arches
20 Limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the wor...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
French Contemporary Art by Marc Brousse - Fragments XXVI
Located in Paris, IDF
Ink and charcoal on paper Arches
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the world of the ar...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
French Contemporary Art by Marc Brousse - Fragments XXIV
Located in Paris, IDF
Ink and charcoal on paper Arches
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the world of the ar...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Ink, Paper, Charcoal
French Contemporary Art by Marc Brousse - Dryades
Located in Paris, IDF
Ink and charcoal on paper Arches
20 Limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the wor...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
French Contemporary Art by Marc Brousse - Plan Voisin, Hard Labour, Le Corbusier
Located in Paris, IDF
Ink and charcoal on paper Arches
20 Limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the world of the arts and the world...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
French Contemporary Art by Marc Brousse - Icare
Located in Paris, IDF
Ink and charcoal on paper Arches
20 Limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the wor...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
French Contemporary Art by Marc Brousse - Above the Clouds
Located in Paris, IDF
Ink and charcoal on paper Arches
20 limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the wor...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Charcoal, Ink, Paper
French Contemporary Art by Marc Brousse - Babylone, Berceau des Impudiques
Located in Paris, IDF
Ink and charcoal on paper Arches
20 Limited
Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the world of the arts and the world...
Category
2010s Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
Untitled
By Jean Chauvin
Located in Paris, FR
Charcoal
32.00 cm. x 24.50 cm. 12.6 in. x 9.65 in. (paper)
40.00 cm. x 32.00 cm. 15.75 in. x 12.6 in. (frame)
LCD5893
Category
1970s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
"Fernando's Sleeve" Black and White Abstract Organic Shape Charcoal Drawing
Located in Houston, TX
Black and white abstract charcoal drawing by Houston artist Paul Forsythe. The work features a large, abstract, organic shape in the upper right corner of the composition. Currently ...
Category
1990s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Pencil
Modern Black and Yellow Abstract Organic Botanical Charcoal Drawing
Located in Houston, TX
Black and yellow abstract charcoal drawing by Houston artist Paul Forsythe. The piece features an abstract, organic shape floating against a white background. Currently hung in a lig...
Category
1990s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Pencil, Charcoal
1950s Abstract Charcoal Drawing, Mid Century Modern Design, Black Off White
Located in Denver, CO
Circa 1955 abstract charcoal drawing on paper signed by artist Ludwig R. Sander (1906-1975). Presented in a custom frame measuring 32 x 42 x 1 1⁄4 inches. Original drawing measures 21 x 31 1⁄2 inches.
Drawing is in very good condition - please contact us for a detailed condition report.
About the Artist:
Born 1906 Staten Island, New York – Died 1975 New York City
The son of a musician, Ludwig Sander was exposed to art as a youngster through visits to the Metropolitan Museum and reproductions of Art Nouveau and the Jugendstil in the Manchester Guardian and in German magazines to which his parents subscribed. Having studied architecture and architectural drawing in high school, he entered New York University in 1924, but left two years later to become a painter. In 1927 he took a four-month trip to Europe, returning to New York for independent study with Alexander Archipenko before entering the Art Students League in 1928 where he studied until 1930 with George Elmer Brown...
Category
1950s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Archival Paper, Charcoal
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
The Rooster, Charcoal Drawing by Etienne Poirier
Located in Atlanta, GA
French artist Etienne Poirier (1919-2002) designed this stunning modernist drawing. This work is a charcoal-on-paper composition depicting a proud roos...
Category
1950s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
Brutalist Op Art Abstract Charcoal Drawing by Dordevic Miodrag
Located in Atlanta, GA
Serbian artist Dordevic (or Djordjevic) Miodrag (1936 -), known as "Miodrag," designed this stunning abstract drawing. This work is a charcoal on paper depicting a brutalist abstract...
Category
1960s Op Art Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
Untitled Abstract Expressionist drawing by sculptor, signed, 1970s
Located in New York, NY
Anthony Padovano
Untitled Abstract Expressionist drawing, 1971
Ink Wash on Paper Drawing
Signed and dated by the artist
Original vintage frame included
Original (unique) signed Abstr...
Category
1970s Abstract Expressionist Charcoal Abstract Drawings and Watercolors
Materials
Ink, Charcoal, Sumi Ink
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
"Repetition" Chryssa, Greek Female Artist, Abstract, Neon Light Art Study
Located in New York, NY
Chryssa
Repetition
Signed lower right; titled on the reverse
Gouache, watercolor, charcoal, and graphite on paper
15 x 11 inches
Born and educated in Athens, Greece, Vardea Chryssa, known professionally as Chryssa, became a U.S. citizen and earned a reputation for her sculptured assemblages utilizing light from neon, and plexiglas combined with mixed media pieces. One of her pieces, Untitled Light Sculpture (1980) is 22 feet long and is installed in the atrium of a building at 33 Monroe Street in Chicago. It was programmed electronically to create changing patterns of reflected light through 900 feet of neon tubing.
Chryssa's sculptures with precision and definite form were a reaction against the prevalent Abstract Expressionism of the 1950s with its emphasis purely upon the artist's intent. In her work, the focus is on materials and the way they are shaped for specific use by craftsmen.
She got her early education in Athens, and first studied to be a social worker. She was then sent by the Greek Ministry of Social Welfare to the Dodecanese Islands and later to the Ionian Sea island of Zante, whose population had suffered great loss from earthquakes. Disillusioned that monies were being provided to restore monasteries but not to help other earthquake victims, Chryssa changed her life's direction to become a painter. In Athens, she studied art with Anghelos Prokopion.
Then she went to Paris, France, and studied briefly at the Academie Grande Chaumiere and associated with surrealists Andre Breton, Edgard Varese, and Max Ernst. In 1954, she moved to San Francisco, California for a year of study at the California School of Fine Arts, and there she first saw the work of Jackson Pollock, which had a freeing affect on her and inspired her to experiment with pure form. But later she reacted against action painting with her assemblage sculptures of controlled precision.
In 1955, Chryssa settled in New York City, and became the first artist to incorporate neon light tubing and commercial signs into sculpture. It is asserted that her "mature work grew out of the Greek experience, before and after World War II, wedded to the raucous letters, signs, symbols, and lights of Time Square, New York City" (Heller 125). In fact, she was so taken with the lights of Times Square that she unsuccessfully tried to get a job as a sign maker but was prevented by labor union rules. However, one of the members gave her sign-making lessons in his shop.
She first made Pop images such as depictions of automobile tires and cigarettes and in sculptures, utilized letters of the alphabet, ideas that predated similar images by Jasper Johns and Andy Warhol. Her first major work of interwoven light and letters was Times Square Sky of 1962, but she was dissatisfied because she thought the piece was too crowded. To create a sense of breathing, she inserted neon light, and for the first time, this material became an art medium.
From that time, she was prolific and created many variations based on the letters W and A. For her, a primary motivating factor was remaining cool or mentally collected amidst the onslaught of bombarding information and to process it through her creations in new ways so that nothing was repeated. She set up her own work place...
Category
Late 20th Century Abstract Charcoal Abstract Drawings and Watercolors
Materials
Gouache, Graphite, Paper, Charcoal, Watercolor
Untitled
Located in Palm Desert, CA
"Untitled" is a charcoal drawing by Fernand Léger. The drawing is signed lower right, "F.L. 30". The framed piece measures 17 1/4 x 21 1/4 x 7/8 in.
A veteran of the battle of Verdu...
Category
1930s Cubist Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
The Guardians, Drawing, Charcoal on Paper
Located in Yardley, PA
This is a large charcoal on paper drawing inspired by the nature of the spiritual within , an emotive work with strong emotional contrasts. Cre...
Category
2010s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
C memory II, Drawing, Charcoal on Paper
By Gugi Goo
Located in Yardley, PA
Mixed media drawing. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature...
Category
2010s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
Large 80s Vibrant Dynamic Drawing/Painting Memphis Milano Era
Located in Surfside, FL
it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...
Category
1980s 85 New Wave Charcoal Abstract Drawings and Watercolors
Materials
Conté, Charcoal, Gouache, Rag Paper, Graphite
Landscape Black and White - Original Paint - Large Size Made in Italy
Located in Agrigento, AG
Landscape B/W
Mineral oxide on Fabriano Rosaspina Paper
57x76 cm
Original Art
Framing Option Available
Marilina Marchica, born in 1984, was born in Agrigento, where she lives and ...
Category
2010s Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
"Landscape B/W" Minimalist Paint on Paper Large size Made in Italy
Located in Agrigento, AG
Landscape BW
Mineral Oxide on Paper ( Canson Paper 300gr)
55x75 cm
2022
one of a kind
the painting can be shipped with the frame ready to hang,
or on a rigid support with passpartou...
Category
2010s Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Fractal Dance VIII
By Mark Pomilio
Located in Phoenix, AZ
charcoal on paper
Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent developments in the life sciences. It is not his intent ...
Category
2010s Abstract Geometric Charcoal Abstract Drawings and Watercolors
Materials
Charcoal, Archival Paper
C memo te, Drawing, Charcoal on Paper
By Gugi Goo
Located in Yardley, PA
Mixed media drawing. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Loc...
Category
2010s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
C memory Yu, Drawing, Charcoal on Paper
By Gugi Goo
Located in Yardley, PA
Mixed media drawing. :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Loc...
Category
2010s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Charcoal
Dancing Symmetries VI
By Mark Pomilio
Located in New York, NY
Mark Pomilio is a visual artist using the traditional mediums of charcoal and oil paint on a variety of traditional and non-traditional supports. His MFA is from the University of Mi...
Category
2010s Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Immaculate Conception
Located in Cazadero, CA
Paper Piece only. No frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paint, Paper, Glue, Charcoal, Pastel
Post Street
Located in Burlingame, CA
'Midtown' 2012, is by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, past...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Abstract Drawings and Watercolors
Materials
Graphite, Charcoal, Pastel, India Ink
Responsible Elements
Located in Cazadero, CA
Paper Piece only No frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paint, Paper, Charcoal, Pastel
Chrysler Building No 2
Located in Burlingame, CA
Chrysler Building No 2 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Abstract Drawings and Watercolors
Materials
Charcoal, Pastel, India Ink, Graphite
Hear, Here
Located in Cazadero, CA
Paper Piece only No frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Chalk, Charcoal, Pigment
Is No One Home?
Located in Cazadero, CA
Paper only no frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Those Were Wind Blown Days
Located in Cazadero, CA
Paper piece only no frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
It Was All Rough And Tumble
Located in Cazadero, CA
Paper Piece only No Frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Some Things Were Overlooked
Located in Cazadero, CA
Paper piece only no frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina
By Dan Namingha
Located in Santa Fe, NM
Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina
Category
1970s Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Charcoal, Watercolor
On Edge
Located in Cazadero, CA
Paper Piece only Nomframe
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Blind Faith Was So Good
Located in Cazadero, CA
Paper Piece only No Frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Sometimes We Were Afraid
Located in Cazadero, CA
Paper Piece only, No frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
We Are Going To Live It Up
Located in Cazadero, CA
Paper Piece only no frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
They Showed Up For Treats
Located in Cazadero, CA
Paper Piece only no frame
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Clay, Paper, Charcoal, Pigment
Untitled 1 - Expressive Charcoal On Paper Painting, Black White Drawing
Located in Salzburg, AT
The paper of the work is not yellowed, there is a applied yellowed primer under the drawing
Krzysztof Gliszczyński is Professor for painting o...
Category
Early 2000s Conceptual Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Ash Drawing #5
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Chalk, Paper, Charcoal
Ash Drawing #4
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Pastel, Paper, Charcoal
Ash Drawing #6
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Ink, Paper, Charcoal
Ash Drawing #3
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
Ash Drawing #2
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
Ash Painting #4
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Oil, Ink
Ash Painting #1
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Ink, Paper, Charcoal
Floating Ash #2
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Acrylic
Floating Ash #1
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Acrylic
Plato's Cave, Fig. 1
Located in New York, NY
Charcoal on paper stretched to canvas and archivable spray fixed
Signed en verso
Category
21st Century and Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Lightbulb Moment Abstract - "Bright Idea"
Located in Soquel, CA
Lightbulb Moment Abstract - "Bright Idea"
A vibrant abstract painting of a lightbulb in reds accented in yellow and white chalk, by California-based artist, Ricardo de Silva...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Watercolor, Gouache
Korean Contemporary Art by Shin Seung-Hun - Fantase Jeju Island-Blossom Chunja
Located in Paris, IDF
Acrylic on canvas
Category
2010s Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Charcoal, Acrylic, Canvas
Korean Contemporary Art by Shin Seung-Hun - Fantase Jeju Island - Blossom Chunja
Located in Paris, IDF
Acrylic on canvas
Category
2010s Contemporary Charcoal Abstract Drawings and Watercolors
Materials
Acrylic, Canvas, Charcoal
The Thinker
Located in Miami, FL
A large charcoal-on-paper rendering by arguably one of America's most influential artists. It comes from the pioneering Allan Stone Galleries, who ...
Category
1960s Abstract Expressionist Charcoal Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Charcoal abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Charcoal abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, pink, blue, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Margaret Neill, Marilina Marchica, Adrienn Krahl, and Pamela Holmes. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Charcoal abstract drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.
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Green Japanese Screen
French Green Picture Frame
Slonem White Bunny
Contemporary Media Cabinet
Victorian Cat
Antique Oil Painting Of Dog
Pair Horse Paintings
Native Buffalo
Horse India Painting
Hunt Slonem White Bunny
Hunt Slonem White Bunnies
Lying Down Sculpture
Colorful Glass Window
Circus Animals
Large Wildlife Paintings