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Artist: Sara Eichner
Artist: Cheolyu Kim
Medium: Pen
Infinity #54 (op art curvy monochrome red pen drawing wood detailed oriental)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
keywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #28 (monochrome red pen drawing wood detailed oriental dansaekhwa korea)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, drawing on paper, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Paper, Pen
Infinity #53 (monochrome red pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Pen Abstract Drawings and Watercolors
Materials
Pen, Birch, Wood Panel
Journey #27 (monochrome red pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, drawing on paper, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Paper, Pen
Journey #54 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #53 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Walking table #47 (monochrome grey pen drawing wood detailed oriental dansaekhwa
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Op Art Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #40 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #36 (monochrome grey black pen drawing wood detailed oriental biomorphic
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Paper, Acrylic, Pen
Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Journey #35 (monochrome grey noir pen drawing wood detailed oriental dansaekhwa
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Paper, Pen
Journey #38 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
By Cheolyu Kim
Located in Quebec, Quebec
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
Category
2010s Contemporary Pen Abstract Drawings and Watercolors
Materials
Birch, Wood Panel, Pen
Sara Eichner, 32 Layers of Rectangles, 2016, Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means.
To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering.
These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process.
Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...
Category
2010s Minimalist Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers Pink and Orange, 2016, , Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means.
To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering.
These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process.
Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...
Category
2010s Minimalist Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers, 4 Colors, 2017, Minimalist Abstraction, Ink
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Minimalist Pen Abstract Drawings and Watercolors
Materials
Ink, Pen
Sara Eichner, 32 Layers, 4 Colors, 2017, Minimalist Op-Art, Ink, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Minimalist Pen Abstract Drawings and Watercolors
Materials
Ink, Pen
Sara Eichner, 16 Layers, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, Orange_16 Layers, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers, 4 Colors, 2017, Ink, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Pen
Sara Eichner, 32 Layers, 4 Colors, 2017, Ink, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Pen
Sara Eichner, 32 Layers Pink and Orange, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means.
To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering.
These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process.
Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 32 Layers of Rectangles, 2016, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 16 Layers Blue, 2015, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
Sara Eichner, 16 Layers, Red and Pink Square, 2015, Ink, Rag Paper, Pen
By Sara Eichner
Located in Darien, CT
Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tool...
Category
2010s Abstract Geometric Pen Abstract Drawings and Watercolors
Materials
Ink, Rag Paper, Pen
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My 80's Heart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange
Located in Jersey City, NJ
My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange
Category
2010s Contemporary Pen Abstract Drawings and Watercolors
Materials
Acrylic, Gouache, Panel, Wood Panel, Graphite
Confrontation - line drawing women figures with white dandelions
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...
Category
2010s Abstract Pen Abstract Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor, Felt Pen
Surrealist Painting Royal College of Art LGBTQ+ artist Blue Fountain Pink Poodle
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination.
In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024.
Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and you decide to follow.
Artwork Details:
Isabel Rock , 'Just another Day in Paradise', mixed media on best archival paper, 85cm x 140cm, unframed, 2022
In Rock's own words,
'It was just another day in Paradise for the Pink Poodle People of the Everlasting Fountain of Eternal Joy.
Since every day was Paradise it was just another normal day filled with love, ecstasy and wonder.
It started slowly at first, things began to appear in paradise, strange objects that the Pink Poodle People did not know what to do with. Some had sharp edges, others were so and smelt strange, bad strange. Some things glittered and shone. Every day more of these objects would arrive in Paradise.
' If this happens every day then soon Paradise will be full of these strange objects. Some of them are nice but many are bad and smelly. One day there will be no Paradise, only bad, sharp and smelly things.'
But the Pink Poodle People did not know what to do with the objects and every day more arrived.'
Artwork Provenance: from the Artist Studio
A certificate of authentication comes from Gallery Art 1821
photo credits, Isabel working, black and white shots, James Brown
About Isabel Rock and her work:
Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations.
Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...
Category
2010s Surrealist Pen Abstract Drawings and Watercolors
Materials
Paint, Mixed Media, Archival Paper, Pen
Unique, original hand Signed, dated Antiquity Drawing held in monograph Pop Art
By Jeff Koons
Located in New York, NY
Jeff Koons
Untitled (Antiquity Drawing), 2009
Unique original drawing done in silver marker on the first front end page of Koons iconic monograph "Hulk Elvis". (Hand signed and dated...
Category
Early 2000s Pop Art Pen Abstract Drawings and Watercolors
Materials
Paper, Mixed Media, Permanent Marker, Lithograph, Offset, Board
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