Unknown

Foliage Abstract 2

1970

Bright and colorful ink and watercolor abstract by French artist Jaquel, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat...

Black and white French pen and ink with ink wash of weaving lines defining abstract complex alignments, circa 1970. Original artwork on paper displayed on a white mat with a gold b...

Pen and ink abstract by French artist Jaquel, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

Pen and ink abstract by French artist Jaquel, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

Mid-century French modern abstract painting of green and blue eye, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame....

Whimsical and enchanting French abstract drawing of tree, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arch...

Felice Grodin 'Untitled (02),' 2023 Ink on Mylar 18 x 24 inches ━━━ (This piece is part of the exhibition titled 'Work' on LADIES' ROOM) In encountering the discursive history of “work” in artmaking, all of the objects assembled in WORK variously venerate labor as an essential element. WORK features 10 artists whose laborious methodologies demonstrate an indisputable meticulousness and care for their media. Selected for their quasi-obsessive dedication to their practice, each of the artists in WORK assiduously and repeatedly cut, draw, carve, sculpt, stitch, and weave their materials into complex configurations. - BIOGRAPHY - Felice Grodin is a visual artist based in Miami Beach, FL. She holds a Bachelor of Architecture from Tulane University, and a Master of Architecture with Distinction from Harvard University. Her solo and duo exhibitions include Diana Lowenstein Gallery, Pérez Art Museum Miami (PAMM), Museum of Contemporary Art Miami, ArtCenter South Florida, Locust Projects, RED-EYE Magazine...

Felice Grodin 'Doily,' 2005 Ink on Mylar 24 x 36 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LADIES' ROOM) In encountering the discursive history of “work” in artmaking, all of the objects assembled in WORK variously venerate labor as an essential element. WORK features 10 artists whose laborious methodologies demonstrate an indisputable meticulousness and care for their media. Selected for their quasi-obsessive dedication to their practice, each of the artists in WORK assiduously and repeatedly cut, draw, carve, sculpt, stitch, and weave their materials into complex configurations. - BIOGRAPHY - Felice Grodin is a visual artist based in Miami Beach, FL. She holds a Bachelor of Architecture from Tulane University, and a Master of Architecture with Distinction from Harvard University. Her solo and duo exhibitions include Diana Lowenstein Gallery, Pérez Art Museum Miami (PAMM), Museum of Contemporary Art Miami, ArtCenter South Florida, Locust Projects, RED-EYE Magazine...

Junction Disjunction IV Ink on polypropylene 150 x 450 cm Eleanna Martinou was born in Athens (1981). Studied at the Athens School of Fine Arts (2006) and graduated with a MA in the...

"Wigwam rouge et jaune" is a gouache on paper by Alexander Calder. The unique work is signed in the lower right, “Calder 65”. Although renowned for his innovative and groundbreaking...

A painting by Suh Se Ok (서세옥). An Untitled, abstract ink wash on paper painting by South Korean artist Suh Se Ok (서세옥), executed in a palette of pink and bla...

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...