Genevieve Gallibert

Grazing Horses in the Camargue

circa 1930s

'The Final Stretch', pastel on weighted art paper, by Maurice Empi (circa 1980s). One can almost feel the excitement of the horse race from this exuberant and colourful work of art. ...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

'Saintes-Maries-de-la-Mer', pen and ink on paper, by Genevieve Gallibert (circa 1930s). Like her famous French counterpart, Yves Brayer, Gallibert was also known for her artworks depicting the landscapes, wildlife and people of the Camargue region of the South of France, near Arles. She painted this tranquil scene from the capital of the Camargue, Saintes-Maries-de-la-Mer. Les Saintes-Maries-de-la-Mer is particularly lively in summer with its visitors, beaches, cafés, restaurants and shops. In winter, another atmosphere prevails with its long and deserted sandy beaches, the sea air, and the gentle breaking of the waves. Every May, Romanies, Manouches, Tziganes and Gitans come from the four corners...

'Horses at the Edge of the Pond', pencil, ink and watercolour on art paper, by Yves Brayer (1980). Brayer loved the Camargue region of France and painted it widely. The Camargue is a vast, swampy delta near Arles, very exotic, with tall marsh grasses where pink flamingos, black bulls and white horses roam freely. This image depicts three horses in the Camargue near pond's edge. Although there are many horses that still run free in the area, there are cowboys — called gardians — who ride the white horses on the beaches...

'The Racing Horses', gouache on art paper (circa 1970s), by Pierre Gaillardot. France has produced some of the world’s greatest horses and riders, wi...

'The French Rooster', gouache on art paper, by Raymond Debiève (circa 1960s). A Mid-Century modern depiction of the French coq, or rooster. The origin o...

Bird is an original modern artwork realized by Artist of the mid-20th Century. Mixed colored tempera on board. Includes frame: 33 x 40 cm

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Garth Bayley Heart of the Race Original Figurative Pen and ink on watercolour paper Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Garth Bayley Heart of the Race Original pen and ink painting on watercolour paper Pen and ink on paper Image size: H24 cm x W32 cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Heart of the Race is an original painting by Garth Bayley. Pen and ink horse racing painting. When you stuck in the middle you have to jostle for space. Horse racing art...

Garth Bayley Thunder Original Art Pen and ink on paper Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.1cm Sold Unf...

This is an original India ink, graphite, chalk, and pen on paper drawing by Hunter Stabler measuring 14.25”h x 20.25”w framed. The piece ships in the pictured frame. Hunter Stable...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...