John Gould

"Plain Black and White, " Saturday Evening Post, October 13, 1923

1923

Medium: Charcoal and Wash on Paper Dimensions: 19.50" x 12.25" Signature: Signed Lower Right Book illustration: Under the Lilacs, by Louisa May Alcott...

Date: 1939 Medium: Ink, Charcoal and Watercolor on Paper Dimensions: 20.00" x 30.00" "Miss America" Possible cover for "American Girl" Magazine

Medium: Pencil, Charcoal and Orange Wash on Paper Signature: Signed "O'Neill" Upper Left Sight Size 24.00" x 19.50", Framed 35.00" x 29.00" Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910. ​​​​​​​The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154. Exhibited: Brandywine River...

Medium: Ink, Charcoal and Watercolor on Paper Dimensions: 20.00" x 30.00"

Medium: Charcoal on Paper Dimensions: 23.25" x 14.25" Signature: Signed Lower Right

Medium: Ink, Charcoal and Watercolor on Paper Dimensions: 20.00" x 30.00" The Masque of Halloween, Trick or Treaters with Micky Mouse

Gouache and charcoal on paper, 53cm x 37cm (74cm x 55cm framed). Provenance: the Artist’s estate (stamped verso). Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines...

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

Charcoal on paper, 56cm x 38cm, (79cm x 60cm framed). Provenance: The Artist’s sister. From the mid-1940s to the early 1950s Colquhoun was considered one of the leading artists of his generation. Along with that of Robert MacBryde, another artist and Colquhoun’s partner, his work was regularly shown at the Lefevre Gallery in London. This early work is likely to be a drawing from when Colquhoun was at the Glasgow School of Art in the 1930s. Known as the ‘Two Roberts’, Colquhoun and MacBryde met at the Glasgow School of Art in 1932 and lived together until Colquhoun’s death in 1962. The pair also exhibited in several group shows at the Lefevre Gallery, including one in February 1946, alongside Ben Nicholson, Graham Sutherland, Bacon and Freud. Works were bought by the Arts Council, the British Council, the Contemporary Art Society and the Imperial War Museum. Major art patrons added their work to their collections, including Sir Kenneth Clark...

Charcoal on paper, signed (verso), and signed and dated ‘20th July 1878’, by R.A invigilator, E.B. Stephen A.R.A. (bottom left), 73cm x 46cm, (88cm x 60cm framed). The work is framed...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

ADOLPHE BORIE (American, 1877-1934) Standing Female Nude Wash & charcoal on gray laid paper, 12 x 9 inches Framed: 16 x 13 inches Estate stamp lower right Born in Philadelphia, Adol...