John Gould Art

Medium: Charcoal on Paper Signature: Signed Lower Right Illustration from The Saturday Evening Post

Signed Lower Right Saturday Evening Post Illustration

Tetrao urogallus (Western capercaillie) also known as the Eurasian capercaillie, wood grouse, heather cock, cock-of-the-woods, or simply capercaillie is a heavy member of the grouse family and the largest of all extant grouse species. John Gould lithograph with hand-coloured size 54 cm X 37 cm Good Condition This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s "Birds of Great Britain...

Original hand-watercoloured lithograph also signed in plate by publisher C. Hallmandel; C. E. Jackson, "Dictionary of Bird artists of the world", Woodbridge, Suffolk 1999, pp. 259-26...

Gould, John and Richard Bowdler Sharpe. A Monograph of the Trochilidae, or Family of Hummingbirds. London, 1849-61. This plate: Orthorhynchus Ornatus. Original lithographs hand-co...

Trichoglossus goldiei  - John Gould lithograph with hand-colored size 54 cm X 37 cm This remarkable ornithology lithograph with hand-finished col...

Naga Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Himalayan Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Pteruthius Erythropterus - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Plate 223) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn/Taylor and Francis, London, UK Publisher: John Gould, London, UK Framing: Recently beautifully framed in a gold Neo-Classical moulding with gold filet and 100% cotton rag matting from Holland. All archival Framed size: 23.5" x 30" Sheet size: 14.75" x 21.5" Image size: 12.5" x 19.5" Condition: One small tear upper right in margin which has been skillfully repaired from verso. Light mat stain in margins and one small area of discoloration upper left center. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Williamsburg, VA. Lithography and hand-coloring by John Gould and Henry Constantine Richter (1820-1899). Comes from Gould's famous five volume portfolio "The Birds of Great Britain" (1862-1873), which consists of 367 hand-colored prints, made from lithographed plates. Other contributing lithographers were Joseph Wolf...

Silvery-throated Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Chestnut-breasted Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph ...

Exile Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

White-faced Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm Excellent Condition Accompanied by the information page from 'The Birds of Asia' This remarkable o...

Philippine-Islands Thickhead - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia' This rema...

Alca Torda (Razorbill) - John Gould lithograph with hand-coloured size 54 cm X 36 cm Good Condition This remarkable ornithology lithograph with...

MacGregor's Niltava - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Afghan Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

The Hooded Merganser by the famous ornithological artist John Gould ( 1804 – 1881 ) is plate no.36 of volume 5 from his Birds of Great Britain....

Trogon Personatus - John Gould lithograph with hand-colored size 54 cm X 36 cm This remarkable ornithology lithograph with hand-finished color i...

Cinnamon-bellied Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

White-throated Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Ciconia Nigra - John Gould lithograph with hand-coloured size 54 cm X 36 cm This remarkable ornithology lithograph with hand-finished colour is ...

Chestnut-bellied Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph w...

Chestnut-bellied Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition Accompanied by the information page from 'The Birds of Asia...

Elegant Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition This remarkable ornithology lithograph with hand-finis...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

John Gould: 1804-1881. British ornithologist who was the British equivalent of Audobon. He produced these incredible books of The Birds of Great Britain and The Birds of Australia am...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...

A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...

Ardetta Pusilla (Minute Bittern) is a hand colored lithograph  by John Gould and Henry C. Richter. From the Birds of Australia 1849-1883...

Medium: Charcoal Drawing on Paper Signature: Signed Lower Right Story Illustration from The Saturday Evening Post

Signed Lower Left Saturday Evening Post Illustration

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

Signed "J. Gould" Lower Right

JOHN GOULD (1804-1881) Birds of Great Britain Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Richter, W. Hart, Dr. Sharpe, and...