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Sir Muirhead BoneSir David Muirhead Bone, A Mediterranean evening on a P & O cruise linercirca 1930
circa 1930
About the Item
A wonderfully evocative scene of a passenger looking out to sea on the deck of an ocean liner - from the golden age of cruising.
Sir David Muirhead Bone
On a P & O, Mediterranean evening
Signed
Watercolour
8½ x 13¾ inches
17½ x 23 inches with the frame
Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.
- Creator:Sir Muirhead Bone (1876 - 1953, Scottish)
- Creation Year:circa 1930
- Dimensions:Height: 8.5 in (21.59 cm)Width: 13.75 in (34.93 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Harkstead, GB
- Reference Number:1stDibs: LU148128384162
Sir Muirhead Bone
Muirhead Bone was born in Partick, a suburb of Glasgow in 1876. As a young man he was apprenticed to a firm of architects and in the evenings attended classes at the Glasgow School of Art. Aware his vocation was art, and not architecture, he devoted his time almost exclusively to drawing. He continually sketched the streets, buildings, and slums of Glasgow imbuing the urban decay with dignity and sentiment he so admired in the work of the Dutch artists whose townscapes he had studied in the Glasgow Corporation Art Galleries. Bone moved to London in 1901, holding his first exhibition at the Carfax Gallery in 1902. His success both critically and financially was rapid. His status as an etcher in the early years of the last century placed him among the world's most celebrated artists. It is not an exaggeration to say that his international reputation among collectors and the curators of the 'Great Print Rooms' of Europe and America was without parallel. He was appointed the first Official War Artist in World War I and was the doyen of War Artists in the Second World War. He was instrumental in the foundation of The Imperial War Museum, and became a Trustee of The Tate and The National Gallery. He was knighted for his services to art in 1937
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