Late 19th Century Landscape Drawings and Watercolors

Medium: Ink, Graphite, and Watercolor on Paper Mounted Signature: Signed Lower Right circa 1881 Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.

This 19th-century watercolour by British artist Joseph Josiah Dodd (1809-1880) depicts Milan Cathedral in Italy. Rising like a Gothic behemoth, the majestic facade of Milan Cathedra...

Signed watercolour on paper landscape circa 1870 by French impressionist painter Eugene Boudin. The work depicts figures on a golden-sanded beach at low tide with sailing boats in t...

Benjamin D. Sigmund (English, 1857 - 1947) Signed: B. D. Sigmund (Lower, Left)" " Girl in the Garden ", c. 1890s Watercolor on Paper 10 1/2" x 14 1/2" Housed in its original 2" ...

Landscape is a modern artwork realized by Camille Adrien Paris. Pencil drawing. Includes frame. Camille Adrien Paris (1834-1901) Born in Paris, died in Barbizon. Student of Ary S...

Signed and dated to the lower right. Presented in a gilt frame and double card mount. Exhibition label verso with artist name and title inscribed. Submitted to the Fine Art Society 1...

Pompei is a modern artwork realized by an Anonymous artist in 1893. Pencil on paper. Dated on the lower Good conditions with slight foxing and folding.

Alphonse REY Avignon 1864 - Nice 1938 View of the Admiralty of the port of Algiers Triptych of watercolors Signed lower right (each) 35 x 124 cm Very good condition. Painter, water...

With ink details. Signed and dated to the lower right. Presented in a gilt frame a double card mount. On paper.

This beautiful late 19th-century watercolour by British artist James Herbert Snell (1861-1935) depicts a shepherd herding sheep in the evening. Snell was an interesting painter as h...

A delightful view of Richmond Castle in Yorkshire, England. The artist captures the vast landscape with the winding river and village to the foreground and the imposing castle sittin...

Leopold Rivers (1852-1905)- original watercolour. Signed to the lower left. Presented in an elegant gilt-effect frame with delicate floral mouldings. On paper.

This charming late 19th-century watercolour by British artist E Wood depicts a beautiful 15th/16th century farmhouse near Godalming in Surrey, England. As chickens rummage for food ...

Inscribed with artist name and title. Presented in a gilt frame and double card mount. On paper.

David Cox Jnr. ARWS (1809-1885)- original watercolour. Mountain landscape with cottages. Signed and inscribed to the lower right. Presented in a glazed oak frame. Labelled to the rev...

Presented in a simple dark frame. Signed with initials. On watercolour paper.

Arthur Gerald Ackerman - rural landscape in watercolours. Signed lower right. Well-presented in a modern gilt-effect frame with a later inscription verso. On paper.

Thomas Cooper Moore. English ( b.1827 - d.1901 ). Prospect of Nottingham Castle from The Park. Watercolor. Signed. Image size 12 inches x 17.3 inches ( 30.5cm x 44cm ). Frame size 1...

Looking towards Dinham and Ludlow Castle, Shropshire - a Landscape view Watercolour on Paper, mounted on board and housed within its original gilt frame, glazed. A beautiful and u...

Xanthus Russell Smith (American, 1839-1929) Army Transport "Neptune" Ink on bristol board, 9 x 14 1/4 inches Framed: 16 x 22 (aprox.) Signed at lower left: "X.S.” Inscribed: (on pap...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

A charming watercolour study depicting a herd of deer grazing by a highland lake before a dramatic mountain skyline. Signed and dated to the lower right. On paper.

Attributed to William Collingwood Smith - A fine 19th century English School watercolour. Presented in a gilt-effect frame. Unsigned. On watercolour paper.

Henri Harpignies (1819-1916) A Landscape in winter, 1888 Signed and dated "88" lower left Watercolor on paper 19 x 27 cm Framed : 33.5 x 43 cm In good and fresh condition, slighlt...

This small watercolor painting by Anna Palm de Rosa, titled "Coach and horses at full speed, Boulogne-sur-Seine," is a vibrant and dynamic piece that captures a moment of speed and e...

Landscape with Ciociaria shepherd, the bridge over the Tiber river and the ancient ruins by Paul Pascal (1839-1905).   Around 1880. Gouache on paper. Dimensions with frame: cm 69 x...

A fine watercolor by an unknown English artist with a view overlooking the Buckingham Palace garden and its lake, towards the West facade of the Buckingham Palace. In the distance on...

Charles Gregory. English ( b.1849 - d.1920 ). Summers Day at Steyning Bowl, West Sussex, South Downs Way. Watercolor. Signed. Image size 17 inches x 25.2 inches ( 43cm x 64cm ). Fr...

Robert Frier (Scottish, 1855–1912) Scottish Landscape Watercolor on paper, 11 x 18 3/4 inches (sight) Framed: 21 x 28 inches (approx.) Signed at lower left: "Rob Frier" Inscribed on ...

JULES LESSORE (1849-1892) The Bridge of Sighs, Venice Signed l.r.: Jules Lessore Watercolour Framed 24.5 by 17 cm., 9 ¾ by 6 ¾ in. (frame size 44.5 by 36.5 cm., 17 ½ by 14 ½ in.) Provenance: With Duncan Miller Fine Art, London. Jules Lessore was born in Paris and initially studied under his father, the painter, printmaker and ceramic artist, Emile Lessore...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

Lewis George Fry (1860 - 1933) Lewis George Fry was a British painter who was born in 1860 in Clifton, Bristol UK. This piece was created with mixed media and is in a gilt frame un...

John Singer Sargent Study off Newport, Rhode Island, 1876 Signed in pencil "JS265A" lower left Pencil on paper 5 x 10 inches Provenance: Estate of the artist Grand Central Art Galleries, New York, 1959 Mr. William H. Bender Jr Sotheby's New York, September 19, 1987 Private Collection 1987-2000 Mark Borghi Fine Art Inc., circa 2002 Private Collection (acquired from the above), New York Recognized as the leading portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical precocity, he shunned traditional academic precepts in favor of a modern approach towards technique, color and form, thereby making his own special contribution to the history of grand manner portraiture. A true cosmopolite, he was also a painter of plein air landscapes and genre scenes, drawing his subjects from such diverse locales as England, France, Italy and Switzerland. In so doing, Sargent also played a vital role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an old New England family, and Mary Newbold Singer, the daughter of a Philadelphia merchant. His parents were among the many prosperous Americans who adopted an expatriate lifestyle during the later nineteenth century. Indeed, Sargent's family traveled constantly throughout the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in addition to English. Having developed an interest in drawing as a boy, Sargent received his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargent's family moved to Paris, enabling him to continue his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to most French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushwork, a tonal palette and strong chiaroscuro. Although Sargent also spent four years studying drawing under Léon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Duran's approach that would form the aesthetic basis of his style. Upon his teacher's advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velázquez and Frans Hals, both of whom also employed deft, fluid techniques. In 1876, Sargent made his first visit to the United States, claiming his American citizenship and visiting the Philadelphia Centennial Exposition. One year later, he spent the summer in Cancale, in France's Brittany region, where he painted outdoors, applying Carolus-Duran's strategies to portrayals of fishing folk on sunlit beaches. His reputation in Paris was established in 1878 when his Oyster Gatherers of Cancale (1878; Corcoran Gallery of Art, Washington, D.C.) won an Honorable Mention at that year's Salon. During the early 1880s, Sargent began making painting trips abroad, working in Venice in 1880 and 1882, where he painted street scenes and interiors notable for their brilliant play of light and shadow. He also embarked on what would be a lucrative career as a portraitist, producing such well known works as The Daughters of Edward Darley Boit (1882; Museum of Fine Arts, Boston). His early commissions also included an image of Madame Pierre Gautreau. A renowned beauty and member of Parisian society, Madame Gautreau was known for her bold, unorthodox approach towards fashion. In her portrait, entitled "Madame X" (1884; Metropolitan Museum of Art, New York), Sargent effectively captured her distinctive aura. However, his daring realism, coupled with fact that he portrayed a diamond shoulder strap falling off one of her shoulders, caused such an uproar that his career in France was seriously compromised. As a result of the controversy surrounding "Madame X,"Sargent left Paris in 1886, settling permanently in London. He subsequently flourished in the English capital, becoming the leading portrait painter to the upper classes. Those who shared Sargent's sense of refinement and sophistication, as well as his international viewpoint, were especially drawn to his fashionable French style. In addition to patronage from such prominent British families as the Wertheimers and the Marlboroughs, Sargent received an equal number of American commissions, many of them secured by artists and architects he had met during his student days in Paris, among them painters J. Carroll Beckwith and Julian Alden Weir and architect Stanford White. On a painting tour to America during 1887-1888, he portrayed members of notable families from Boston and New York, including Mrs. Jacob Wendell and Elizabeth Allen...

A fine watercolour painting by the artist Howard Gull Stormont (1844-1923). The scene depicts an atmospheric view across a still river with sheep grazing under an autumnal oak. The w...

Ernest Lessieux (1848 - 1925) The sea in calm weather, signed lower left watercolor on paper 16.5 x 24 cm Framed : 35 x 41 cm This rather atypical work is a remarkable addition to...

A fine watercolour study by the British artist Walter Fryer Stocks, depicting the Culham Bridge over the River Thames. Culham Bridge was built of stone between 1416 and 1422 to repla...

Charles Dixon was born in England in December 1872 died 1934. Extremely well known for his nautical watercolours. Exhibited several time at the Royal Academy in London as well as the...

Beautifully executed original watercolor by the Italian born artist, Cesare Tiratelli. Signed bottom right. Strong, rich vibrant colors. Condition ...

Julian Alden Weir River Landscape Signed lower left Watercolor on paper 9 x 11 1/2 inches Provenance: Kraushaar Galleries, New York Sotheby's Parke Bernet, New York, 1965, Lot 27 E....

A realistic study of a mountain stream by the British artist John Syer RI (1815-1885). Painted in fine detail, the artist has captured the tranquil atmosphere of the land in ever cha...

This charming watercolour captures a carriage horse trotting along the estate paths of Escrick Park. Cattle can be seen out to pasture in this vast parkland landscape, contently graz...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.

Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...

William Mellor. English ( b.1851 - d.1931 ). Waterfall on the River Llugwy near Betws-y-Coed, Wales. Watercolor. Signed. Image size 18.5 inches x 16 inches ( 47cm x 40.5cm ). Frame ...

William Mellor. English ( b.1851 - d.1931 ). Waterfall and Stone Bridge on the River Llugwy, near Capel Curig, Wales. Watercolor. Signed. Image size 18.3 inches x 16 inches ( 46.5cm...

Watercolour on paper, signed bottom left Image size: 13 3/4 x 9 1/2 inches (35 x 24 cm) Mounted and framed The Generalife was a summer palace and country estate of the Nasrid rulers...

Signed lower left, 'R. Gallon' for Robert Gallon (English, 1845-1925) and painted circa 1880. This well-listed landscape and seascape painter maintained a studio in St John's Wood, ...

Figurative landscape of four infantrymen in formation with their long arquebus guns by Adolphe Ancker (Dutch, 19th Century), after Marchetti. Signed and dated "Adolph Ancker 1888" lo...

The Sower by Camille Pissarro (1830-1903) Ink on paper 23 x 16 cm (9 x 6 ⁵/₈ inches) Stamped lower right, C.P. This work is accompanied by a letter of authenticity from Dr. Joachim...

Charles William Adderton. English ( b.1866 - d.1944 ). Norwegian barques at anchor, Lyme Bay, English Channel. Watercolor. Signed. Image size 10.6 inches x 14.4 inches ( 27cm x 36.5cm ). Frame size 16.6 inches x 20.1 inches ( 42cm x 51cm ). Available for sale; this original painting is by Charles Adderton and dates from around the turn of the 19th and 20th centuries. The watercolor is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind glass. The watercolor is signed lower left. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is ready to hang and display. Charles Adderton was an accomplished landscape painter in watercolour. He was born in Nottingham in 1866, but spent periods of his life living in Nottinghamshire, Derbyshire and Yorkshire. He studied at the Scarborough School of Art under Albert Strange and had a studio in Scarborough in 1894, later living in Robin Hood’s Bay. In 1920 he was again in Nottingham where he exhibited a total of 226 paintings in the Nottingham City Art Gallery. Adderton had a reputation far beyond the Midlands however and he also exhibited in the leading London galleries from 1890, including 7 paintings at the Royal Academy, and others at the Royal Society of British Artists British Academy and the Royal Institute. He was a keen yachtsman and his landscapes included many coastal scenes. This original watercolor is a study in blues! It depicts two Norwegian sailing vessels, or barques, at anchor a short distance from the Lyme Bay coastline. The nearest vessel is flying the Norwegian flag...

An original watercolour scene by Francis George Coleridge (1838-1923). Signed to the lower edge. Well-presented in a crisp white mount and contemporary gilt frame. On paper.

A wonderful watercolour depiction of sheep resting in the rolling countryside. Painted in the manner of British landscape artist William Sidney Cooper (1854-1927). Well-presented in ...

A delightful watercolour depiction of a Scottish loch. Presented in a gilt-effect frame with delicate running patterns. Unsigned. On watercolour paper.

A charming watercolour scene by the listed Dutch artist Louis Van Staaten. The scene shows an idyllic river landscape with a drawbridge in the background, parting ways for two oncomi...

This late 19th-century watercolour by British artist Martha Fowler (b.1843) depicts a view on the Cornish coast. Fisherfolk carry nets amid a haze of dense fog. Meandering between pools of water left by the retreating...

An accomplished landscape in watercolours, attributed to listed British artist David Cox Junior ARWS (1809-1885). Here Cox depicts a view of Dolwyddelan in the valley of the Afon Lle...

Well presented in a gilt effect frame with gilt slip. Signed and dated. On paper.

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...