William Daniell

William Daniell (British, 1769-1837) Fortification 19th Century Ink Wash Drawing

Léonie Contat (Swiss, * 12.9.1878 Montreux, † 27.7.1969 Köniz) Bou Saada, Algeria • Watercolour on Paper, mounted behind glased frame, ca. 42.5 x 50.5 cm •...

Gustav Melcher (German, 1898-?) Segelschiffe vor Venedig - Sailing ships off Venice • India ink, water colour wash • Visible image ca. 11.5 x 18 cm • Glased Frame ca. 20 x 25 cm • Verso various inscriptions • Signed lower right Gustav Melcher was a German painter and a pioneer in film, film criticism and film theory and created this clever little picture of the skyline of Venice with various vessels. Going by the various inscriptions an the backing paper, this drawing was made in 1918 when Gustav was twenty years old and passed on three years later to Gertrud Melcher on the 1. 2. 1921. I have no reasons to doubt this information. The small drawing is still in its unopened frame, so maybe there is more information to be discovered , however this will be the privilege of the next owner. The picture also has retained its original antique frame – note that it has lost over the years various sections of the gesso decoration. The very precisely executed drawing is most enjoyable to look at and doing so, remember you are looking through the eyes of a young man, who saw this foreign sea cape over a century ago. Thank you for your interest and please note, that I offer free worldwide shipping on all my items. Gustav Melcher began his studies at the Düsseldorfer Kunstakademie under Peter Janssen and Eduard von Gebhardt. Originaly he was interested in figurative and portrait painting, but after time he decided to pursue the depiction of land- and marinescapes. Durin his studies the young artist undertook trips to visit England, Scotland, Belgium and France and he joined the artist society Malkasten. It was in those days he would hold speeches to his colleges about this new invention called ‘Kintopp’ – Melcher was a great advocate of the moving pictures...

Franz Müller - Gossen (German, 1871-1946) Sennen Cove in Cornwall near Landsend, England Bei Flut heraufgezogene Boote (Boats pulled up on to the beach at high tide) Verso inscribed in German: Ein altes Fischerhaus an der äussersten südwestlichen Spitze Englands, ganz in der Nähe vom Cape Landsend am Atlantik (Translation: 'An old fisherman's house on the extreme southwestern tip of England, very close to Cape Landsend on the Atlantic ocean') • Oil on panel 41 x 51 cm • Frame : 51 x 61 cm • Signed lower left • Verso: Noted & titled Impressionist depiction of a quiet spot on the coast. Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Franz Müller-Gossen was born in 1871 in Mönchengladbach, Germany and studied from 1886 to 1889 at Kunstschule in Düsseldorf. He then travelled throughout Europe and settled in 1890 in St. Ives, where he studied under Stanhope Forbes and Julius Olsen...

Rudolf Johann Weiss (Swiss, * 3.9.1846 Basel; † 17.4.1933 Biel/Bienne, Switzerland) Ancient Gateway of Ptolemy III by Thebes in Egypt • 19th century water colour on paper, visible ...

Charles George Nicholls (English, flourished 1792 - 1818) Picturesque Gangetic Landscape in India • Circa 1805 • Watercolour on thick paper, ca. 20 x 49.5 cm • Mounted behind a modern passpartout, visible image ca. 19 x 49 cm • Original Georgian frame (newly glassed) , ca. 39 x 70 cm • Signed lower left corner Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Very detailed watercolor painting - note how light reflecting off the water surface was skillfully created by scratching the paper surface. Charles G(J)eorge Nicholls, originally a merchant seaman, was a contemporary of Thomas and William Daniell, and like them, he made several sketching trips whilst in India, including up the Dohab, which is from where this drawing appears to be of. He worked as draughtsman for the East India Company based in Calcutta and was also employed by the Office of the Surveyor-General, where he was involved in the Survey of Orissa, South Bengal. Unfortunately bad eyesight truncated his career and he returned to England in 1815. Nicholls signed his middle name’George’ using a ‘G’, aswell as a ‘J.’ Nicholl’s work surfaces from time to time and can command high prices at auction – especially for his Indian landscapes. For example, a drawing by Nicholls ( a page of an album) was auctioned by Sotheby's (Valuable Printed Books, June 1997, Lot 407), or a series of water coulours were auctioned by Christie's (Visions of India, June 1998) and in September 2000 two small drawings were auctioned again by Christie's (Exploration & Travel with Visions of India). Also, I know there is a unsigned water colour titled 'Bridge over the River Bama by Benares' in the collection of the Oriental & India Office Collections (OICO) at the British Library. Here is a rare opportunity, to acquire a large format watercolor (double album page), featuring a very impressive view of what India looked like over 200 years ago - seen through the eyes of a skilled artist, in employment by the famous East India Company. I also think that as India opens up more and more rapidly to the world and enjoys increasing prosperity, the interest in cultural heritage, trophy objects like the one I am offering here today, will find their way back to India, into a collection or onto a wall in a chic office or luxurious apartment. The water colour drawing...

Adolf Tièche Switzerland 1877-1957 Stadhuis van Brugge Belgium Watercolor 1930 Adolf Tièche (Swiss, * 12.4.1877 Bern, † 8.11.1957 Bern) Bruges City Hall in Belgium ( Stadhuis van ...

This framed and matted 17" x 20.75" watercolor painting by Hubert John Williams depicts a stone bridge over a river. On the left side of the bridge is green foliage along the river's...

Artist: T. Leslie (British) Title: River Teign, Devon (Circa 1870s) Medium: Watercolour Condition: The painting is in good condition Provenance: Private Collection Sydney About: ...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Watercolour on card circa 1920 by Henri Duhem depicting a cottage in a landscape. Signed lower left. This painting is not currently framed but a suitable frame can be sourced if requ...

Watercolour on card circa 1900. Signed lower left. This painting is not currently framed but a suitable frame can be sourced if required. Descendant of an old Flemish family, Henri ...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...