Nude in Boudoir, Stepping Up (Study)
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Everett ShinnNude in Boudoir, Stepping Up (Study)
About the Item
- Creator:Everett Shinn (1876-1953, American)
- Dimensions:Height: 15 in (38.1 cm)Width: 17.25 in (43.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU747310870662
Everett Shinn
Everett Shinn, a future member of the Eight and remarkable, rather theatrical personality was born at Woodstown, New Jersey in 1873. Even more recent sources give 1876 as the year of Everett Shinn's birth (Zurier, Snyder, and Mecklenburg, 1995, p. 224) but the artist usually lied about his age to appear younger than he actually was. Edith DeShazo (1974, errata sheet) claimed that information from family members established the date of November 6, 1876 as Shinn's birthday. But if this is true, he would have enrolled at the Spring Garden Institute in Philadelphia to study industrial art at the age of twelve. Born to a Quaker named Isaiah Conklin Shinn and Josephine Ransley Shinn, Everett was their third child. He enjoyed a happy childhood as an undisciplined boy fond of sweets, acrobatics, and the circus (DeShazo, 1974, pp. 15-17). Shinn opted for the Pennsylvania Academy of the Fine Arts for instruction in the fall of 1893, and began as a staff artist for the Philadelphia Press. At that time William Glackens was working there as well, while John Sloan was at the Inquirer. A year later, Glackens was at the Press, and also, in 1894, George Luks joined the staff there. As DeShazo explained (1974, p. 29), "the Press art department became a meeting place for men both on the staff and off with similar artistic and literary interests." Members of the same group also met at Robert Henri's studio. By 1897, Shinn was in New York, working for the New York World where Luks had been for about a year. The rest of the "Philadelphia Four" (artist-reporters) would follow them before long. Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metropolitan Opera House in a snowstorm. The pastel appeared about a year later in the February 17th issue of Harper's Weekly, in 1900. Meanwhile, Shinn kept busy with decorative work (murals, screens, and door panels) at private residences and even in Trenton, New Jersey's City Hall. In 1899, the Boussod-Valadon Galleries gave Shinn his first one-man show. He continued to carry out commissions for illustrations (see Bullard, 1968). Shinn began exhibiting at the Pennsylvania Academy (1899-1908) and at the Art Institute of Chicago (1903-43).
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1970
1stDibs seller since 2017
142 sales on 1stDibs
Typical response time: 21 hours
More From This SellerView All
- Two Horses with Female NudeBy Rudy AutioLocated in Missouri, MOTwo Horses with Female Nude, 1981 By Rudy Autio (1926-2007) Without Frame: 25" x 39" With Frame: 33.25" x 47.25" Signed and Dated Bottom Right Rudy Autio is a ceramist who was born in Butte, Montana, in 1926, and has lived in his native state throughout most of his career. He headed the ceramics department at the University of Montana for twenty-eight years and is now retired as Professor Emeritus of the School of Fine Arts. Prior to his appointment at the University of Montana, Autio was a founding resident artist at the Archie Bray Ceramics Foundation in Helena, Montana. Autio received a Tiffany Award...Category
Late 20th Century Abstract Nude Drawings and Watercolors
MaterialsGouache, Watercolor
Price Upon Request - Lady with Snake HorseBy Rudy AutioLocated in Missouri, MOLady with Snake Horse, 1981 By Rudy Autio (1926-2007) Unframed: 29" x 22.5" Framed: 35.75" x 29.25" Signed and Dated Bottom Right Rudy Autio is a ceramist who was born in Butte, Montana, in 1926, and has lived in his native state throughout most of his career. He headed the ceramics department at the University of Montana for twenty-eight years and is now retired as Professor Emeritus of the School of Fine Arts. Prior to his appointment at the University of Montana, Autio was a founding resident artist at the Archie Bray Ceramics Foundation in Helena, Montana. Autio received a Tiffany Award...Category
20th Century Abstract Animal Drawings and Watercolors
MaterialsWatercolor
Price Upon Request - Head Study, 1930By John SloanLocated in Missouri, MOHead Study, 1930 John Sloan (1871-1951) Signed Lower Right 10.5" x 9" Unframed 19" x 16.5" Framed Born in Lock Haven, Pennsylvania, John Sloan became one o...Category
Early 20th Century Ashcan School Portrait Drawings and Watercolors
MaterialsConté, Paper
Price Upon Request - GolfersBy Frederick ConwayLocated in Missouri, MOGolfers, 1928 Fred Conway (American, 1900-1973) Signed and Dated Lower Right 18.5 x 24.5 inches 30.5 x 37 inches with frame A member of the faculty of the Washington University Art ...Category
1920s American Modern Figurative Drawings and Watercolors
MaterialsPaper, Watercolor
Price Upon Request - The FlirtationBy Allesandro BattagliaLocated in Missouri, MOAllesandro Battaglia (1870-1940, Italian) "The Flirtation" 1906 Watercolor on Paper Signed "A. Battaglia, Roma 1906" Site Size: 30 x 20 inches Framed Size: approx 41 x 33 inches Son of Clelia Bompiani and Ercole Battaglia, he was trained by his grandfather Roberto Bompiani...Category
Early 1900s Realist Figurative Drawings and Watercolors
MaterialsArchival Paper, Watercolor
Price Upon Request - Self-PortraitBy Sean KeatingLocated in Missouri, MOSean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...Category
1950s Realist Figurative Drawings and Watercolors
MaterialsArchival Paper, Charcoal
Price Upon Request
You May Also LikeView All
- Woman Pulling on a SlipBy Everett ShinnLocated in Fairlawn, OHWoman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...Category
1910s Ashcan School Nude Drawings and Watercolors
MaterialsConté
- Untitled (Woman Removing Her Stockings)By Everett ShinnLocated in Fairlawn, OHUntitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C....Category
Early 1900s Ashcan School Nude Drawings and Watercolors
MaterialsConté
- Study of an Indian ModelBy Arthur B. DaviesLocated in Fairlawn, OHStudy of an Indian Model Unsigned Pastel and chalk on blue paper, mounted to support Provenance: Estate of the artist (per Graham and Sons, agent f...Category
1920s Ashcan School Nude Drawings and Watercolors
MaterialsPastel, Chalk
- Untitled (Woman in Stockings), Standing Female Nude on reverse, double sidedBy Everett ShinnLocated in Fairlawn, OHConte crayon on paper, c. 1905-1909 Signed lower right Archival frame by Graham Gallery, New York, hand carved frame with silk matting and gold fillet (see photo of corner) Provenanc...Category
Early 1900s Ashcan School Nude Drawings and Watercolors
MaterialsChalk
- Trois personnages nusBy Francis PicabiaLocated in Palm Desert, CA"Trois personnages nus" is a black conté crayon drawing on buff papaer by Francis Picabia. The artwork is signed in crayon, lower left, "Francis Picabia". The framed work measures 27 1/2 x 24 x 1 1/2 in. The Comité Francis Picabia has confirmed the authenticity of this drawing. Francis Picabia was an important French painter who experimented with a wide range of styles throughout his career and whose writings about art were influential in the development of the Dada movement...Category
1920s Figurative Drawings and Watercolors
MaterialsConté, Paper, Crayon
- UntitledBy Mark BeardLocated in New York, NYUntitled 2019 Signed and dated Double-sided drawing in charcoal with red and white conté crayon on Rives BFK paper 30.25 x 20.5 inches $1,600 This work is offered by CLAMP in Ne...Category
2010s Contemporary Nude Drawings and Watercolors
MaterialsPaper, Conté, Charcoal
$1,600
Recently Viewed
View AllMore Ways To Browse
Vintage Steel Mill
Painting Of Young Boy 1900
Circus Dress
Boudoir Painting
Uptown Vintage
Nude Boy Drawing
Quaker Painting
Arthur 1981
Orchestra Drawings
Rococo Vintage Paris
George Washington Bridge
Vintage Circus Dresses
G Harvey Artist
Theophile Steinlen
Circus Panels
Happy Birthday Vintage
Sleeping Boy
George Washington Painting Folk