1850s Portrait Drawings and Watercolors
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Period: 1850s
German School 19th Century, Portrait of a boy, drawing
Located in Paris, FR
German School 19th Century,
Portrait of a boy,
pencil on paper
25.7 x 16 cm (view)
Framed : 41.8 x 31.5 cm
The style and execution are v...
Category
Romantic 1850s Portrait Drawings and Watercolors
Materials
Pencil
George Bonavia, Portrait Of A Young Officer
Located in Cheltenham, GB
This charming mid-19th-century pastel by Maltese artist George Bonavia (1818-1901) depicts a young British officer in uniform.
Upstanding with his right...
Category
Victorian 1850s Portrait Drawings and Watercolors
Materials
Paper, Pastel
Portrait Studies
Located in London, GB
Edwin Long
1829 - 1891
Portrait Studies
Graphite on paper
Image size: 4 x 8 inches (10 x 20.5 cm)
Framed
Edwin Longsden Long RA (1829-1891, British) wa...
Category
Pre-Raphaelite 1850s Portrait Drawings and Watercolors
Materials
Graphite
Portrait of Giuseppe Garibaldi - Drawing - 1850
Located in Roma, IT
Portrait of Giuseppe Garibaldi is an original mixed media drawing on ivory-colorated paper by realized in 1850 ca. Anonymous Artist of the 19th Cent...
Category
Modern 1850s Portrait Drawings and Watercolors
Materials
Paper, Mixed Media
Portrait - Original Drawing In Pen - 1850s
Located in Roma, IT
Portrait 1850's is an original drawing in pen on paper, realized by an unwkown artist named Bruant (XIX-XX).
Sheet dimension: 29.4 x 22 cm.
The artwork represents beautiful quick ...
Category
Modern 1850s Portrait Drawings and Watercolors
Materials
Pen
The Girl - Pencil on Paper by Michel Dumas - 1850s
Located in Roma, IT
The Girl is an interesting preparatory sketch in pencil realized by the French artist Michel Dumas in the mid-19th century.
The state of preservation is good, except for some stains and foldings.
stamped by the name of Artist...
Category
1850s Portrait Drawings and Watercolors
Materials
Pencil
Woman Figure - Pencil on Paper - 1853
Located in Roma, IT
"Woman Figure" 1853's is a drawing on paper, signed and dated by Edmond De Beaumont, on the back of the drawing.
In excellent conditions: as good as new...
Category
Modern 1850s Portrait Drawings and Watercolors
Materials
Pencil
Paul Gavarni (1804-1866) La Soubrette (The handmaid), watercolor
Located in Paris, FR
Paul Gavarni (1804-1866)
La Soubrette (The handmaid),
pencil, watercolor and heightenings of gouache on paper
Signed lower right (faded)
20 x 15 cm
In quite good condition, lightly sunstroke and yellowed
Framed 28.5 x 23 cm
Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (13 January 1804 – 24 November 1866), a French illustrator, born in Paris.
The story is told that he took his name from Gavarnie in Luz-Saint-Sauveur where he had taken a journey into the Pyrenees.
He was a very famous illustrator, friend of Felix Nadar...
Category
1850s Portrait Drawings and Watercolors
Materials
Watercolor
Denis Auguste Raffet (1804-1860) Studies of characters, drawing and watercolor
Located in Paris, FR
Denis Auguste Raffet (1804-1860)
Studies of characters
Black pencil and watercolor on paper
18.5 x 25.5 cm
Stamp of the Raffet Estate Sale (1911) on the lower right
In good condition, foxings on the original mount
Framed 34 x 40 cm
Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire.
At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[
Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs.
He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...
Category
Romantic 1850s Portrait Drawings and Watercolors
Materials
Ink, Watercolor
Louis Gallait (1810-1887) Portrait of a Gentleman, watercolor and gouache
By Louis Gallait
Located in Paris, FR
Louis Gallait (1810-1887)
Portrait of a Gentleman,
Watercolor and gouache on paper, square white lines,
24 x 16 cm
Stamp of the Louis Gallait Estate on the mount on the lower righ...
Category
Romantic 1850s Portrait Drawings and Watercolors
Materials
Watercolor, Gouache
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Located in Soquel, CA
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Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator.
Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume.
In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God.
In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others.
Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick.
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In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals.
In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others.
Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick.
In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel.
In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953.
In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.
Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...
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Bozzetto Accademico della Testa di un Cherubino.
Located in Firenze, IT
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Portrait of Rebecca Porter Paddon 1850 – 1915 (nee Somerset)
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Signed with monogram upper left.
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Watercolor and mixed media on paper
Sight: 19 3/4 x 28 1/2 in.
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