Fillipus Sheehama

Nurture (Imbalance), Fillipus Sheehama, Mixed media: makalani nut piths, metal

2021

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Rural Transformation, 2021. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled material...

Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...

Old Monster, 2020. Mixed media: makalani nut piths, animal bone and wire Namibian mixed media artist Fillipus Sheehama often constructs artworks using recycled and found materials which he uses to explore issues relating to social and economic inequality. Sheehama’s work is grounded in observation. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Reclaimed freedom of speech 2, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...

Reclaimed freedom of speech 1, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...

Mixed media and epoxy on wood 114.3 x 91.4 cm 45 x 36 in. ------------ Klari Reis uses the tools and techniques of science in her creative process, constant...

Mixed media and epoxy on wood 81.3 x 43.2 cm (approx) 32 x 17 in. (approx) ----- Klari Reis uses the tools and techniques of science in her creative process...

Burnt lines, rattan & wire, on indigo dyed paper

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...