Items Similar to Rural Transformation, Fillipus Sheehama, Mixed media: makalani nut piths, metal
Want more images or videos?
Request additional images or videos from the seller
Fillipus SheehamaRural Transformation, Fillipus Sheehama, Mixed media: makalani nut piths, metal2021
2021
About the Item
Rural Transformation, 2021. Mixed Media: Makalani nut piths and wire
Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society.
Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks- are quotidian and suggest a large group of people or a community. Despite these large communities, life remains precarious in Namibia. From his vantage point as an educator living and working in Katutura, Sheehama is constantly confronted with the fragility produced by radical economic inequality. This is reflected most intensely in the materials he chooses to work with. Sheehama draws formally from traditional Nama and Herero patchwork patterning that derives from the colonial era.
Sheehama graduated from the University of Namibia with a Bachelor of Art (Fine Art) Honours degree in 2010 and has taught Visual Arts at the John Muafangejo Arts Centre and currently lectures at the College of the Arts. Sheehama has participated in many group exhibitions locally and internationally. The artist has also had several solo exhibitions in Namibia.
- Creator:Fillipus Sheehama (1974)
- Creation Year:2021
- Dimensions:Height: 58.08 in (147.5 cm)Width: 47.25 in (120 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Windhoek, NA
- Reference Number:1stDibs: LU150628692302
Fillipus Sheehama
Namibian mixed media artist Fillipus Sheehama (b. 1974) often constructs artworks using recycled and found materials which he uses to explore issues relating to social and economic inequality. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks, makalani- are quotidian and are often related to ideas around knowledge and its preservation. Life remains precarious in Namibia. From his vantage point as an educator living and working in Katutura, Sheehama is constantly confronted with the fragility produced by radical economic inequality. This is reflected most intensely in the materials he chooses to work with. Recently Sheehama has started drawing formally from traditional Nama and Herero patchwork patterning that derives from the colonial era, to create large scale installations and wall hangings. Sheehama graduated from the University of Namibia with a Bachelor of Art (Fine Art) Honours degree in 2010 and has taught Visual Arts at the John Muafangejo Arts Centre and currently lectures at the College of the Arts. Sheehama has participated in many group exhibitions locally and internationally. The artist has also had several solo exhibitions in Namibia. Collections: National Art Gallery of Namibia, Museum Würth (Germany), NARIC (Namibia), University of Namibia Collection, Development Bank of Namibia, Collection of the government of the Republic of Namibia, Private Collections: UK, USA, Namibia, the Netherlands
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2017
1stDibs seller since 2021
23 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Windhoek, Namibia
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Dominance, Fillipus Sheehama, Mixed media: makalani nut piths, metal, plasticBy Fillipus SheehamaLocated in Windhoek, NADominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...Category
2010s Abstract Mixed Media
MaterialsWire
- Elephant in the Room, Fillipus Sheehama, Mixed media: makalani nut piths, metalBy Fillipus SheehamaLocated in Windhoek, NAElephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...Category
2010s Abstract Mixed Media
MaterialsWire
- Nurture (Imbalance), Fillipus Sheehama, Mixed media: makalani nut piths, metalBy Fillipus SheehamaLocated in Windhoek, NANurture (Imbalance), 2021. Mixed media: makalani nut piths, plastic, bottle caps, metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...Category
2010s Abstract Mixed Media
MaterialsWire
- Old Monster, Fillipus Sheehama, mixed media, organic materials, bone, makalaniBy Fillipus SheehamaLocated in Windhoek, NAOld Monster, 2020. Mixed media: makalani nut piths, animal bone and wire Namibian mixed media artist Fillipus Sheehama often constructs artworks using recycled and found materials which he uses to explore issues relating to social and economic inequality. Sheehama’s work is grounded in observation. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...Category
2010s Contemporary Mixed Media
MaterialsWire, Metal
- Reclaimed freedom of speech 2, Elisia Nghidishange, wire, plaster, fabricBy Elisia NghidishangeLocated in Windhoek, NAReclaimed freedom of speech 2, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...Category
21st Century and Contemporary Contemporary More Art
MaterialsWire
- Reclaimed freedom of speech 1, Elisia Nghidishange, plaster, fabric, wireBy Elisia NghidishangeLocated in Windhoek, NAReclaimed freedom of speech 1, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...Category
21st Century and Contemporary More Art
MaterialsWire
You May Also Like
- Snakish (Curvy Abstract Minimalist Encaustic Wall Sculpture in Black and White)By Donise EnglishLocated in Hudson, NYAbstract minimalist three-dimensional wall sculpture in black and white "Snakish II", made by Hudson Valley artist, Donise English, in 2022 hand-stitched paper, beeswax (encaustic) and thread 36 x 10 x 3 inches hangs with a small thread notch on back extremely lightweight, weighs no more than 1.5 lbs. Excellent condition and ready to hang This abstract minimalist three-dimensional wall sculpture was made by Hudson Valley artist, Donise English, in 2022. The playful motif of hand-stitched paper, layered with black and white acrylic paint and coated with encaustic, is inspired by the artist's interest in architecture and blueprint drawings. The winding segments of white and black encaustic layered paper are assembled in a curving, snake-like formation, which are then hand-sewn by the artist. The lightweight wall sculpture hangs with a small thread notch, installed by the artist on the back of the piece. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...Category
2010s Abstract Abstract Sculptures
MaterialsWire
- Untitled 02 - Contemporary, Abstract, Organic, Black, Metal, 21st CenturyBy Zsolt BerszánLocated in Berlin, DEUntitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...Category
2010s Abstract Mixed Media
MaterialsMetal, Wire
- Walking Home - Mixed Media Sculptural ArtworkLocated in Los Angeles, CAKristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. With exhibitions spanning the Midwest and T...Category
2010s Abstract Mixed Media
MaterialsSteel, Wire
- Crossing Lines #2, abstract mixed media painting on aluminum panel, greenBy Francie HesterLocated in New York, NYCrossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and figurati...Category
2010s Contemporary Abstract Paintings
MaterialsMetal, Wire
- Crossing Lines #3, abstract mixed media painting on aluminum panel, blue tonesBy Francie HesterLocated in New York, NYCrossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and figurati...Category
2010s Contemporary Abstract Paintings
MaterialsMetal, Wire
- Crossing Lines #11, abstract mixed media painting on aluminum, red and whiteBy Francie HesterLocated in New York, NYCrossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on...Category
2010s Contemporary Abstract Paintings
MaterialsMetal, Wire
Recently Viewed
View AllMore Ways To Browse
Food Mixed Media
Metal Patchwork
Organic Patchwork
Colonial Artwork
Old Alcohol
John Muafangejo
Alcohol Bottles
City Prints
Photo Print
Lithograph Vintage Art Prints Vintage Art Prints
Lithograph Vintage Art Prints
Hand Signed Print
Photography Series
Numbering Stamper
The Used Poster
The Used Posters
Ballerina and Ballet Photography
Used Etching