Wire Mixed Media

James Rizzi was an American Pop artist best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Born on October 5, 1950 in Brooklyn, NY, the artist drew his inspiration from a diverse range of sources, such as Paul Klee, Keith Haring, Andy Warhol, and Jean Dubuffet. He studied art first at Miami Dade...

James Rizzi was an American Pop artist best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Born on October 5, 1950 in Brooklyn, NY, the artist drew his inspiration from a diverse range of sources, such as Paul Klee, Keith Haring, Andy Warhol, and Jean Dubuffet. He studied art first at Miami Dade...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. With exhibitions spanning the Midwest and T...

Margo Vibes 1.2.3. projects a playful use of color and shapes. Formed with plaster of Paris with spray paint and encrusted with photography art print cuttings, glass bits, mylar, mir...

Burnt lines, rattan & wire, on indigo dyed paper

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

Mixed Media collage by Deborah W. Perlman, made with paper, wood, plastic, wire mesh, and photographs. Influenced by her training, Perlman creates abs...

Mixed Media collage by Deborah W. Perlman, made with paper, wire mesh, photographs, and flat aluminum wire. Influenced by her training, Perlman create...

medium: aluminum (found cans), wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, open edition. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying bicycles...

This piece titled "Noemi Paris" is original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. Thi...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew L...

Veronika Suschnig protect me from what I want, 2021 "Drugtales" Series Lacquer, synthetic resin on blister, metal, wood, imitation leather, wire 100 x 70 cm Unique Healing and the traces of wounds are repeated themes in Veronika Suschnig's work, which encourages more attention in juxtaposition and togetherness. This is evident not only in the "Soft Skills" series, but also in the "Pain Poems" and "Pain Patterns" — notes glued into rose thorns — or in the "Drugtales", set pieces of text fragments drawn on empty tablet cases. “Turn soft and lovely anytime you have the chance”, as Jenny Holzer says. The three-dimensional and expansive thinking that is essential in all of Suschnig's work series also emerged from her preoccupation with architecture. Born in 1989 in Korneuburg near Vienna, Veronika Suschnig not only studied painting at the Academy of Fine Arts Vienna with Daniel Richter, but also completed a degree in architecture. Currently, after a brief apprenticeship with Heimo Zobernig...

Virginia Mahoney’s “Inspecting Metaphors” is a 25 x 32 x 6 inch ceramic and metal wall sculpture in pink, sky blue, black, silver, and brown. Two cutout, silver and black painted met...

The image of a butterfly-a symbol of rebirth, hope and faith for thousands of years is used to great effect in this intriguing composition by Raymond Waters. The Toronto born multime...

The image of a butterfly-a symbol of rebirth, hope and faith for thousands of years is used to great effect in this intriguing composition by Raymond Waters. The Toronto born multime...

Unique. (The price is for one piece. If the works are considered to be purchased together, price negotiation and discounts are possible.) What is the work about: The expressive pow...

Unique. What is the work about: The expressive power of the shadow and the inner landscapes that emphasize the female identity. Suzy Hug Levy brings an imaginary movement to the ra...

Karen Theisen, a digital product designer by day for companies like Uber, Oracle, and Wells Fargo, finds her muse in the rugged landscapes of the America...

Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed media artist graduated from the College of the Arts in Windhoek in 2016. Nghidishange has ta...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

This piece titled "Brushstroke Pyramid Lamp" is an original artwork by Jason Andrew Turner made of glass, wire, and a lightbulb. Stained glass by Flannery...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 57-inch high by 50-inch wide by 8-inch deep metal sculpture is a lightweight form created from aluminum mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary wall art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This circular 60-inch high by 60-inch wide and 4-inch deep metal sculpture is a lightweight form created from aluminum mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 35-inch high by 10-inch wide by 8-inch deep tabletop sculpture created from aluminum mesh, gesso, acrylic paint, metal leafing, rivets, wire, and grommets on a metal stand. Size and price include stand. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 15-inch high by 10-inch wide by 8-inch deep tabletop sculpture is created with copper mesh, gesso, acrylic paint, rivets, and wire on a metal stand. Size and price include stand. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 48-inch high by 44-inch wide and 4-inch deep metal sculpture is a lightweight form. It is created from aluminum and copper mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

Abstract minimalist three-dimensional wall sculpture in black and white "Snakish II", made by Hudson Valley artist, Donise English, in 2022 hand-stitched paper, beeswax (encaustic) and thread 36 x 10 x 3 inches hangs with a small thread notch on back extremely lightweight, weighs no more than 1.5 lbs. Excellent condition and ready to hang This abstract minimalist three-dimensional wall sculpture was made by Hudson Valley artist, Donise English, in 2022. The playful motif of hand-stitched paper, layered with black and white acrylic paint and coated with encaustic, is inspired by the artist's interest in architecture and blueprint drawings. The winding segments of white and black encaustic layered paper are assembled in a curving, snake-like formation, which are then hand-sewn by the artist. The lightweight wall sculpture hangs with a small thread notch, installed by the artist on the back of the piece. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Eric Rhein “Borrowed Time [Paul Monette (1945-1995), Roger Horwitz (1941-1986), from “Leaves, An AIDS Memorial]” 2022 Signed, verso Wire and paper 16 x 19 x 2 inches (40.6 x 48.3...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...