Want more images or videos?
Request additional images or videos from the seller
1 of 5
Katrine HildebrandtBlooming Portals2024
2024
About the Item
Burnt lines, indigo dyed fabric on indigo dyed paper
- Creator:Katrine Hildebrandt (American)
- Creation Year:2024
- Dimensions:Height: 42 in (106.68 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2609214310762
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2017
1stDibs seller since 2023
Typical response time: 10 hours
- ShippingRetrieving quote...Ships From: Roslindale, MA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Dependent RingsLocated in Dallas, TXBurnt lines on paperCategory
2010s Abstract Mixed Media
MaterialsPaper, Engraving
- Compressed TogetherLocated in Dallas, TXBurnt lines on paperCategory
2010s Abstract Mixed Media
MaterialsPaper, Engraving
- Reflected VisionLocated in Dallas, TXBurnt lines on paperCategory
2010s Abstract Mixed Media
MaterialsPaper, Engraving
- Undulating AlignmentLocated in Dallas, TXburnt lines, logwood dyed fabric on indigo & madder dyed paperCategory
2010s Abstract Mixed Media
MaterialsPaper, Engraving
- Ramified AlignmentLocated in Dallas, TXBurnt lines on indigo dyed paperCategory
2010s Abstract Mixed Media
MaterialsPaper, Engraving
- Concentric AlignmentLocated in Dallas, TXBurnt lines, rattan & wire, on indigo dyed paperCategory
2010s Abstract Mixed Media
MaterialsWire
You May Also Like
- TV Re-Run B Unique mixed media monotype and colored embossing geometric abstractLocated in New York, NYAlan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...Category
1970s Abstract Mixed Media
MaterialsPaper, Mixed Media, Drypoint, Mezzotint, Linocut, Pencil
- UntitledLocated in Barcelona, ESThe painting is being offered with a work and authenticity certificateCategory
1980s Abstract Mixed Media
MaterialsEngraving
- I Won’t Eat You with Drypoint Print by Kate BoxerLocated in Deddington, GBI Won’t Eat You [2021] I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by ...Category
2010s Abstract Animal Prints
MaterialsDrypoint, Acrylic
- Sons of BorrLocated in Detroit, MIInspiration for this triptych work is derived from a photograph made in Iceland and Norse origin mythology. Borr was the husband of Bestia and they had three sons Odin, Vili, and Ve. According to the legend, these three sons made heaven and earth. The Schinkel's work has underpinnings from a photograph they made at sunset from behind Icelandic waterfall Seljalandsfoss. The artists use of color fields gives rise to new beginnings and sparks timeless majestic feelings. The artists use their original artists process to achieve the illusion of three dimensions on 2D aluminum sheet metal. This mixed media work was made with the original artist process known known as Metalagram®. It was developed at the intersection of art + science, and old world skills + 21st century technology. The artists create sculpturally in layers rendering the dimensional interactive appearance viewers experience. The Metalagram® works appear differently from 180 degree vantage points and at varying angles of incidence as photons dance across the work. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...Category
21st Century and Contemporary Abstract Impressionist Mixed Media
MaterialsMetal
- Circadian SonsBy Linda K Schinkel and Theodore M SchinkelLocated in Detroit, MICircadian rhythms dictate and regulate. This work, inspired by Alexander Calder’s architectural sculptures that embrace chance in their aesthetic, envelops the Kinetic art movement f...Category
21st Century and Contemporary Abstract Mixed Media
MaterialsMetal
- Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief printBy Sam GilliamLocated in New York, NYSam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen