Foil Mixed Media

- Gold foil on sintra panel - This piece is exceptionally textural and reflective - The three-quarter-inch edge is foiled in gold (See photo) - M. Clark uses an innovative technique ...

Frank Stella Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996 52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...

Based on her breathtaking golden faces chandelier made for the Tel Aviv 2020 Biennale, Dana Bloom is now offering a limited edition of framed figures. Just ...

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

Step into a world where color, form, and movement converge in harmonious splendor with "Simulations," a mesmerizing 4-piece artwork by the Austrian contemporary artist, Nikolaus Koli...

Kapil Anant - Incredible India Ink and Gold Foil on Paper (Mixed Media) 8.3 x 11.8 inches ( Set of 15 works ) , 2023 Kapil Anant was born in 1998. Completed B.F.A from College Of Arts Delhi India Previous Attend Group Exibition : Previous Gallery's. 2017 - Aifacs Art Gallery(Delhi), Minarva Art Gallery ( Dehradun),Tansen Art Gallery Rang of Vision (Gwalior),Znnual Art Gallery (Punjab ),Jawahar Kala Kendra (Jaipur), Shree Ganesh Art 20 Gallery 2018-(mountabu),Gandhi Art Gallery (Delhi),Hudko Art Gallery (Delhi) 2021- Champatree Art Gallery (Delhi) Kalakriti Art Gallery (Haydrabad), Morden contemporary Gallery Kolkata...

Jerusalem City of Gold, three panel triptych, pencil signed 186/190, brushed bronze framing. The City of Religion Beautifully captured in this m...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Sunil Das - Collage Series IX - 23 x 16 inches (unframed size) Collage Series, Mixed Media, Paper, Foil, Acrylic. Will be shipped, ready to hang with frame . Sunil Das (1939-2015) ...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha An example of this rare Artist Book was exhibited prominently at the Museum of Modern Art in New York for the 2023-4 Ed Ruscha retrospective. Keep scrolling right of header image to see installation photographs of that exhibit to show how MoMA displayed this accordion style book with slipcase. (the last images) This is the 1966 true 1st Edition of Ed Ruscha's groundbreaking self-published artist book "Every Building on Sunset Strip." The book itself was published in an unsigned edition of 1000. However, in 1980, exceptionally, Ruscha hand signed and beautifully inscribed this book in red ink to football legend Joe Fields. (Joseph Charles Fields Jr. is an American former professional football player who was a center and guard in the National Football League for the New York Jets and the New York Giants.) This book is also in the original slipcase. Dimensions slip case: 7 5/16 x 5 13/16 x 9/16" (18.5 x 14.7 x 1.5 cm) This historic limited edition Artists Book is in the permanent collection of the Getty Museum in California which explains its importance as follows: In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 25-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the city’s landmark thoroughfare. Among many other institutions, it also in the permanent collection of MOMA, which describes "Every Building on the Sunset Strip" thus: Ruscha's photography books are antithetical to the traditional limited-edition livre d'artiste, or artist's book. Their banal subject matter and documentary style are indebted to the remarkable pictures of signs and vernacular architecture that American photographer Walker Evans made in the 1930s, but their deadpan, cool aesthetic is radically different. While each book chronicles an aspect of Los Angeles or the artist's round-trip drives between LA and Oklahoma, their use of photography as a form of map-making or topographical study signals a conceptual, rather than documentary, thrust. Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, Engberg, vol. 1, ppg. 84-85 and vol. 2, pg. 124, no. B4 Publisher: Dick de Ruscha...

Lobby Arc, Abstract Mixed Media Collage on Paper, 2020 7" x 6" (HxW), hand-signed in the lower right-hand corner This small format mixed media collage combines hand cut paper and fo...

Artist: Hirst, Damien Title: The Dawn of Golden Time Date: 2013 Medium: Foil block collage on Arches 88 paper with hand embellishment Unframed Dimensi...