Wax Crayon Mixed Media

The Sleep, 2022 collage, colour wax, acrylic, tempera on paper 50 H x 70 W cm Signed on reverse Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, ...

Capricorn, 2022 collage, colour wax on paper 46 H x 37.5 W cm Signed on right side down Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populate...

Oil and wax pastel on paper. The grey line is silkscreen printed, artist's fingerprints lightly smudge the white areas of the work.

Acrylic paint, wax pastel, and oil pastel on paper.

Oil pastel drawing from the series "On the Issues of Democracy and Bananas". The drawing is not framed.

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE The Gates (Project for Central Park, New York City) by Christo (1935-2020) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 x 56 cm (14 x 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance Private collection, Germany This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff. The Gates, Project For Central Park is probably one of the most iconic and most recognizable of Christo's projects and the works around it are amongst the most sought after by international collectors. Artisti biography Christo Javacheff was born in 1935 in Gabrova, in Communist Bulgaria. Dropping his surname, Christo studied at the Fine Arts Academy in Sofia (1953–56) before defecting to the West, via Prague, in 1957. That year, he spent one semester at the Akademie der Bildenden Künste in Vienna and moved to Paris in 1958 where he met his future wife and artistic collaborator, Moroccan-born Jeanne-Claude de Guillebon (d. 2009). Indebted to Vladimir Tatlin's Constructivist edict "real materials in real space," Christo's first artworks, dating from 1958, consist of appropriated everyday objects such as bottles, cans...

Bright white and radiating heat, and somehow contentedness, Helio shines like the sun on a blissfully hot summer afternoon. Teichert's painterly line, like the smooth, continuous, os...

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...

The energy of the oblong orb is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as it reaches the top. Housed in a rich cerulean blue the mass of energy is ever-so-slightly tethered to the bottom through the suggestive grounding of the green line...

The palette of Wave exudes a soothing, earthly, elegance. Working with a new medium and a new palette, Teichert is communicating with us more subtly than ever before: her line, while...

This colourfield, awash with peony pink, suspends a grey wave that appears as though it is passing through. Working with a new medium and a new palette, Teichert is communicating wit...

The grand scale of Metamorphosis Duo has a magnified cellular quality - as though they are strands of DNA recombining and bringing forth new life. The primary colours used here reinf...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

Soft rays of white pigment filter out from the pulsing line and lead our eyes into fields of colour that are so fresh and so deep that you may have gotten lost in them were it not fo...

Omnipresent immerses the viewer in fields of soft blue and mango orange. These fields are divided and joined by a tonal grey undulating mass that takes one through the painting like ...

Like a moment of inspired creativity when the juices are flowing and everything starts coming together, this painting is on fire. The field of orange metamorphizes into hot salmon pi...

An eye-catching acidic green transforms into a deep blue beneath the turbulent gray and black energy field. Through the centre of the field are interwoven lyrical lines that come fro...