Marilyn Invitation - 12" Edition

1981

LOT:20220218M01 Ayako Rokkaku [Untitled] Signed, dated and numbered Edition of 75 Provenance: Museum of Contemporary Art, Karuizawa (Japan)

LOT:20220115M08 Atsushi Kaga [ELVIS COSTELLO] Lithograph on Somerset paper Signed by the artist Edition of 20 COA will accompany this work

LOT:20221130S02 Each: by the artist, dated '92 and numbered Each: Edition 48 of 50 Each: 150.0 × 90.0 cm Printer and publisher: Grafica Uno, Girgio Upiglio in Milano Catalogue Raisonné: LEE UFAN...

LOT:20221130S01 Signed by the artist and dated '84 Edition of 50 + AP Edition 10 63 x 86 / 53 x 68 cm (Sheet/Image) Printer: Masashi Ozaki Publisher: Shirota Gallery Catalogue Raisonné: LEE UFAN...

LOT:20230708N03 Artist signed and numbered Edition 46/75 Catalogue Raisonné: Maeght 1200, p.26 of the catalog Provenance: Mallet Japan, Tokyo in September 2019

LOT:20191114M08 Signed, dated '05 and numbered on the bottom Edition 90 of 100 Printer: Edition Copenhagen Catalogue Raisonné: Nara EC-2005-001

La Tentation de St. Antoine is an original modern rare book illustrated by Odilon Redon (Bordeaux, 1840 - Paris, France) and written by various authors...

Die Traumende Knaben is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1908 . Original First Edition. Published by Wiener Werkstä...

Bruni, Bruno, "Delle Primavera", "In Spring": Color offset lithograph, signed by hand. Tender allegory in pastel nuances. Fantastic Realism, Surrealism: Bruni processes subjective im...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Italian edition from 1972. Catalogue of works: Cramer 160. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...