1980s More Art

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA10606 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Br...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10" PRODUCTION: Looney Tunes SKU: IFA9977 ABOUT THE IMAGE: Looney Tunes is a series of animated short fi...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5 x 10.5" PRODUCTION: Looney Tunes, Carrotblanca SIGNED: Darrell Van Citters SKU: IFA8092 ABOUT THE IMAGE: Loo...

MEDIUM: ​Original Production Cel PRODUCTION: Looney Tunes IMAGE SIZE: 11.5 x 9 SKU: IFA8040 SIGNED: Darrel Van Citters ABOUT THE IMAGE: Looney Tunes is a series of animated short fi...

BOWERY BUGS Signed by Art Davis MEDIUM: Limited Edition Cel SIZE: 17" x 11" EDITION SIZE: 500 ARTIST: Art Davis SKU: WB1034 ABOUT THE IMAGE: This limited edition was inspired by ...

PORTRAIT SERIES TWEETY & SYLVESTER CANVAS Alan Bodner and Harry Sabin MEDIUM: Giclée on Canvas Edition SIZE: 22" x 16" EDITION SIZE: 100 ARTIST: Alan Bodner and Harry Sabin SIGN...

MEDIUM: Original Production Cel on Original Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes, Daffy Duck's Quackbusters SKU: IFA9514 SIGNED: Darrel Van Citters ABOUT T...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 16.5" x 13.5" PRODUCTION: Looney Tunes, Carrotblanca SIGNED: Darrell Van Citters SKU: IFA6938 ABOUT THE IMAGE: Lo...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA5024 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. It ...

MEDIUM: Sericel SIZE: 10.5" x 12.5" EDITION SIZE: 1250 SKU: SC1058 ABOUT THE IMAGE: There’s no doubt golf can be frustrating. But leave it to Bugs to make it all the more frustrat...

MEDIUM: ​Original Production Cel IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Bugs Bunny's Overtures to Disaster SKU: IFA8866 ABOUT THE IMAGE: Looney Tunes is a series of animat...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Looney Tunes SKU: IFA9864 ABOUT THE IMAGE: Looney Tunes is a series of animated short fil...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA2414 ABOUT THE IMAGE: Daffy Duck is usually has been depicted as a riva...

MEDIUM: ​Original Production Cel with Matching Drawing IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA1269 ABOUT THE IMAGE: Looney Tunes is a series of animated short fi...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Quackbuster SIGNED: Darrell Van Citters SKU: IFA6771 ABOUT THE IMAGE: Looney T...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Quackbuster SIGNED: Darrell Van Citters SKU: IFA7102 ABOUT THE IMAGE: Looney T...

Keith Haring, Montreux Jazz Festival posters (set of 3) Keith Haring was invited to design the posters for the 17th Montreux Jazz Festival in 198...

- extraordinary rug, woven from sheep's wool and linen with 4 warp threads - company label verso with inscribtion, date and signature by Theo Riedl - knotted by Alejandro Garin G. & ...

KG Subramanyan Untitled ( Flowers ), Water Colour on Paper 11 x 10 inches 27.9 x 25.4 cm 1982 ( Framed & Delivered ) Style : K G Subramanyan was one of the leading artists who wa...

A collection of 4 LPs with individual cover art designed by Andy Warhol. Featuring the following recording artists & albums: - Aretha by Aretha Franklin - Silk Electric by Diana Ross...

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and copyright 2 in d...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses on the waterfront lives of everyday peopl...

John W. Long Untitled, 1984 Wood 11 3/4 x 24 1/4 x 2 in. Signed verso: John W. Long 84 Artist label verso "Since developing my art in 1970, my work has evolved from smaller, framed ...

​Interesting Pop Art tile Sculpture plaque by Guillermo Wagner Granizo (American, 1923-1995). A colorful woman with a beehive hairdo is surround by a few birds, a modernistic detail ...

Offset lithograph printed in colours on wove paper 30 3/4 × 26 in 78.1 × 66 cm

Erte Love's Enchantment, ca. 1980 Sterling silver brooch with 14K gold, onyx background and mother of pearl woman's head set with (4) full cut round brilliant diamonds 1 1/2 in diam...

Debbie Harry Rockbird, 1986 Vinyl, LP, Album Cover art designed by Andy Warhol and Stephen Sprouse Set of 4 individual albums (Pink, Yellow, Orange, & Green text) 12 x 12 Inches / 3...

1880s Antique Frame Antique Painting Gold Frame Frame Size: Width: 33″ X Height: 49″ Thickness: 6″ Picture Size: Width: 21.60″ X Height: 37.60″ Bin Code 550

A collection of record covers designed by Andy Warhol during the years 1977 to 1986. Sold as a set of 4. Records included with their covers. Offset lithograph on four individual reco...

Majorca. Original unique ceramic piece Painter born in the town of Estellencs on the island of Mallorca, since his youth he dedicated himself to drawing and watercolor, later enterin...

Keith Haring Jean-Michel Basquiat Luna Luna Karussell. A Poetic Extravaganza!: The rare original 1987 Luna Luna by Andre Heller catalog, beautifully illustrated with detailed photos of each artist’s contribution. Features text by founder Andre Heller and photos of Basquiat, Keith Haring, Kenny Scharf and most participating artists. 300+ pages. Luna Luna "was organized by Andre Heller for “A Fair with Modern Art,” Hamburg in 1987 and recently reintroduced to the world, after nearly 40 years in storage, by Drake in Los Angeles. Haring was one of about thirty major artists, including Salvador Dali, Jean-Michel Basquiat, Roy Lichtenstein & Kenny Scharf who participated in creating objects for the fair. Medium: exhibition catalog. Softcover; 300+ pages. 1st edition 1987. Dimensions: 12x8.5 inches. Good to very good overall vintage condition. Unsigned from an edition of unknown. The rare 1st edition - not to be confused with the recent reissue. Text in German. More on Luna Luna: Luna Luna: Forgotten Fantasy is a rescued art carnival that was staged in Germany in 1987 by Andre Heller and resurrected on a soundstage in L.A., just next to the Sixth Street Viaduct in Boyle Heights this year. The restored swings, carousels and Ferris wheel (you can look but can’t touch) come from a jaw-dropping array of artists: Jean-Michel Basquiat, Salvador Dalí, Keith Harjng, David Hockney, Roy Lichtenstein, Kenny Scharf, to name a few. The revival project was spearheaded by owner, inventor Drake. Related Categories Keith Haring Luna Luna...

Manantial II. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós ex...

Invitation Card to Andy Warhol Memorial Lunch, from the Estate of Tim Hunt, 1987 Offset lithograph card 6 1/2 × 3 3/5 inches Unframed This invitation to the private memorial lunch for Andy Warhol is an historic collectors item. Few people in the world own this card other than those who were invited to the event and/or their heirs, though it has occasionally appeared at public auction now that another generation has passed. This offset lithograph invitation card to Andy Warhol's Memorial Lunch at the Diamond Horseshoe in the Paramount Hotel bears an image of Andy Warhol's iconic 1967 Marilyn on one side, and on the other side is an announcement that reads as follows: ANDY WARHOL A Memorial Lunch Wednesday, April 1, 1987 The Diamond Horseshoe 235 West 46th Street New York City Special thanks to: Carillon Importers Caffe Condotti Glorious Food All leftover food and flowers will be donated to the homeless program at Church of the Heavenly Rest. Marilyn - Andy Warhol 1967...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

A collection of 4 LPs with individual cover art designed by Andy Warhol. Featuring the following recording artists & albums: - Querelle (Original Motion Picture Soundtrack) by Peer R...

Beautiful and rare Book of Francisco Zuñiga Artist Monograph, 1st Misrachi Art Gallery Edition, 1980 Text in Spanish and English. 317 pages with 355 plates. Hardcover with slipcase. ...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: The Smurfs, circa 1980s SKU: CCV2931 ABOUT THE MEDIUM: Original Production Cels are one...

Two fabulous quality aquatint etchings Shahid Kabir, (Bangladesh, 1949- ) Untitled (Circus), c1980’s 2 x aquatint etchings, each sheet size, 53cm x 5...

Ed. 28/300 pcs 1988 Resin coated with blue pigment 36 x 21.5 x 19.5 cm Provenance : Yves Klein Archives, Paris Literature : Yves Klein : Catalogue des editions et des sculptures,...

In 1960 photographer and designer Herbert Matter made his first visit to Alberto Giacometti's Paris studio and began to create a body of photographs of the renowned artist's work and milieu that both men hoped to see published in book form. Giacometti was astounded by the photographs and told Matter that they enabled him to see his own work in a new light, that they illuminated aspects of his sculptures that he himself had never recognized. In a letter to the photographer, he described the photographs as "each one...a creation in itself, one more beautiful than another." Making these photographs occupied Matter for the next five years; the design of the book and preparations for its publication continued until his death in 1984. Now, more than twenty years after he began, the results of Matter's efforts are finally gathered in this volume. Reproduced here are many of Giacometti's finest works—from the monumental Standing Woman of 1984, to numerous busts of his brother Diego of the 1950s, to the powerful late busts of the 1960s—all sensitively interpreted through Matter's lens. Giacometti's painted portraits of many of the same subjects as the sculptures—his wife, Annette; Diego; the professor Isaku Yanaihara—are an instructive addition to the book. And images of the artist's homeland, the mountainous landscape around Stampa, Switzerland, and his cluttered studio in Paris, filled with objects in various states of completion, add yet another dimension to this study of his art. Complementing the photographs are a preface by Matter himself; brief perceptive texts by art critics Andrew Forge...

This vintage wooden Writing Box with drawer features beautiful original metal fittings, exuding a charming appeal. Its intricate handing and lid at the top layer add to its beauty, ...

1983 Keith Haring Montreux Jazz Festival Green Original Poster 5 colour neon screenprint on heavy stock paper Open edition, signed and dated by the artist in plate 70 x 100 cm ...

"Egyptian Prayer Rug" is a wool tapestry by Joan Ward Summers. It was created in an edition of three and depicts a camel standing atop a column. With a geyser erupting in blue and br...

Autumn mood. Oil on cardboard, 38x48,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. S...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Liza Minnelli Live at Carnegie Hall Vinyl, LP Recorded in September 1979 Released in August 1981 Altel Sound Systems Cover art credit: Andy Warhol Rare Sought After Andy Warhol Liz...

Winnie the Pooh, Kanga, and Eeyore MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2928 ...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2927 ABOUT THE IMAGE: This is a productio...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2929 ABOUT THE IMAGE: This is a productio...

Underglaze glazed ceramic tile in white, black and red depicting a cat.. years 1980/90 - Fornasetti Milan

Original Title: Fruits de la passion. Trente-deux variations sur un thème de Leonor Fini. Texte de Jean-Claude Dedieu . Splendid, suggestive an...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. General Idea was both prolific and multi-disciplinary long before it became de rigueur. Together, they worked across photography, sculpture, painting, mail art, video, installation, multiples, and performance. The group also made a significant number of unconventional editioned works and was inspired by the idea of the anti-art object. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. They were particularly interested in (European) crests used for centuries to represent a city, district, or even a creative or professional guild. General Idea both appropriated and reinterpreted existing crests (often by replacing a lion with a poodle) as well as creating crests that were entirely of their own imagination. Between 1988 and 1989, General Idea created 8 chenille crests with some of their most iconic motifs. These crests recalled their traditional European antecedents and the aesthetics of high-school sports teams and varsity jackets. "Ouroboros" features General Idea's most famous mascot, the poodle, who mimics the lion's pose often seen in traditional European iconography. Entangled in the twists and curls of its tail, the poodle appears to be consuming the tip of it, embodying the full 'ouroboros' or circle of life. Completed in a menacing palette of black, forest green, and electric red, this design is a classic General Idea; subversive, zany, and mischievous. While these crests were intended to be an unlimited edition, according to the General Idea Editions catalog raisonné, less than 100...

1983 Keith Haring Montreux Jazz Festival Green Original Poster Keith Haring was invited to design the posters for the 17th Montreux Jazz Festival in 1983 after the organiser, Pierre...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. General Idea was both prolific and multi-disciplinary long before it became de rigueur. Together, they worked across photography, sculpture, painting, mail art, video, installation, multiples, and performance. The group also made a significant number of unconventional editioned works and were inspired by the idea of the anti-art object. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. They were particularly interested in (European) crests used for centuries to represent a city, district, or even a creative or professional guild. General Idea both appropriated and reinterpreted existing crests (often by replacing a lion with a poodle) as well as creating crests that were entirely of their own imagination. Between 1988 and 1989, General Idea created 8 chenille crests with some of their most iconic motifs. These crests recalled their traditional European antecedents and the aesthetics of high-school sports teams and varsity jackets. "When the Fur Flies" is the most colorful and curious example from the series. A pink poodle, which appears almost as a curly abstraction, mimics the lion's pose often seen in traditional European iconography. Behind the famous General Idea mascot are stylized three yellow mushroom clouds. This design is a classic General Idea; subversive, zany, queer, and mischievous. While these crests were intended to be an unlimited edition, according to the General Idea Editions catalog raisonné, less than 100...

Roy Lichtenstein at CSU, rarely seen exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots 11 × 8 1/2 inches This softcover cata...