Diego Giacometti

La Rencontre, Rug, Diego Giacometti, 1980's, Hand-woven, Design, Interior

1984

Pigeon, by Gustave Miklos, Animals, Drawing, Work on paper, Sculpture study Pigeon Circa 1957 Pencil, watercolor and gouache on paper 26 x 38.5 cm / 60...

Cobra, Unknown, 20th century, Bronze, Animal, Snake, Design, art deco, Cast

Sea View Tapestry, Picasso, Carpet, Design, Wool, 1960's, Interior, Cream, Green Sea View tapisserie 1965 Wool 182 x 240 cm Dated : 6.4.65. ; Signed on the back After a cardboard by...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

Cavalier et cheval, Picasso, 1950's, Pitcher, Ceramic, Design, Earthenware, Clay Cavalier et cheval Ed 231/300 pcs 1952 White earthenware clay, dec...

Lapin bijou, sonnette, circa 1920-1930 Fondry Susse, Ed. 1748 pcs Bronze with a brown patina H. 6.5 cm Signed on the side of the base : Ed.m.Sandoz Sandoz : Sculpteur Figuriste et An...

Broken White Band with Pink, Linen, wool, and cotton, 32" x 32" (2008). This two-tone contemporary abstract woven tapestry and textile wall sculpture is by UK-based textile artist, Sara Brennan...

Pima cotton broadcloth with reactive dyes, silk batting, cotton backing. Raised in the American South, Rodger Blum received a BFA at North Carolina University of the Arts and an MFA...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

ca. Contemporary Hand Knotted Wool Moroccan rugs are a handmade creation, woven by the women of Berber tribes in the Atlas mountains. Each kind of berber rug is characterized by...

"Classic Love" by Robert Indiana is a tapestry of the artist's iconic painting "LOVE", which was created in 1964 as a Christmas card motif for the Museum of Modern Art in New York City and has since become one of the most famous contemporary works. This hand-knotted tapestry...

Zofia Butrymowicz (1904-1987, Warsaw, Poland) was one in a select group of Polish textile artists who were first introduced in Chicago, USA in the 1970s by legendary dealers Anne and Jacques Baruch. Butrymowicz's body of work continues to influence the fiber art world to this day. "New experiments in art have always been of interest to me" Butrymowicz once observed, "whether I agree with them or not, and therefore I never pass by and I am never indignant at any expression in art. I strongly believe that in the wide range of experiments there will also be some elements of the development of culture." During the post-war period, when the countries of Eastern Europe were locked down behind the Iron Curtain, weavers there found materials in short supply. As a result, many of these artists turned to unconventional materials such as metal, paper and reeds. Zofia Butrymowicz, of Poland, recognized for innovative works in 60s and 70s, used heavy, irregular wools, barely spun at all. In 1969, she visited Canadian weaver, Mariette Rousseau-Vermette and her husband, painter and ceramicist, Claude Vermette, outside Montreal where the couple lived and worked. Zofia and Mariette had both been participants in International Tapestry Biennials in Lausane, Switzerland in the 60s and in Wall Hangings at the MoMA in New York in 1969. Butrymowicz stayed with the Vermettes for several months, using Mariette’s looms to create tapestries that were displayed with Claude’s ceramics at a local gallery. Butrymowicz used wool from Mariette’s source. Mariette was particular about the color and intensity of her wool — she worked with technicians to perfect the spinning and dyeing so that the wool had a silky luster and dyed “more beautifully” than mechanically spun wool. The wool was a marked departure from the material Butrymowicz had access to in Poland. She “painted” her weavings with colors and shadings of yarns, including only a shimmering suggestion of a shape, often a circle, as she had done in the past, but the glisten and sumptuousness of the yarn in these works set them apart from her previous weavings. Selected exhibitions: Central Museum of Textiles, Lodz, Poland; Museum of Contemporary Art, Chicago, Illinois; National Museum, Poznan, Poland; National Museum, Warsaw, Poland; Skopje Museum of Contemporary Art, Poland; Exempla, Munich, Germany; Museum of Modern Art, Pasadena, California; Pierre Pauli...