Sir Alfred James Munnings

Alfred Munnings Equestrian Lithograph "Solario" Race Horse

1924

Art Sz: 15"H x 21"W Frame Sz: 25"H x 31"W Harper's Weekly colour plate from sketches by A.B. Frost depicting 'The Intercollegiate Regatta, Saratoga Lake, July 19, 1876- The Finish'

Colour c1958 'Polo' engraving by Louis Claude pencil signed (LR) Print Sz: 18 1/2"H x 23 1/4"W Frame Sz: 28"H x 32"W w/ French mat

Art Sz: 15 1/4"H x 10 1/4"W Frame Sz: 23 1/2"H x 18"W Lithograph on faux wood grain paper w/ Haley & Steele Gallery Label on verso

Art Sz: 16 1/8"H x 25 7/8" Frame Sz: 24 1/4"H x 34"W w/ a custom burlwood maple frame & hunter green mat Published privately in 1982 for Theodore Gordon Flyfishers in a limited edi...

Art Sz: 15 3/4"H x 19 3/4"W Frame Sz: 25"H x 28 1/2"W Limited edition copy number 626/ 2400 Pencil signed LL by the artist Blindstamp LR: The Wildlife Legislative Fund of America Larry Hayden is a visual artist whose drawings and photographs reflect his fascination with his domestic environment and its feathered inhabitants. An ongoing series of photographs spanning nearly five years show him to be an animalier; his subject is his small flock of laying hens who share with him a picturesque 19th century Maine farm that once covered one hundred thirty acres, and whose Northern edge was the Presumpscot River. Now reduced to a bit less than one acre and surrounded by residential Portland, it is this little world that is the core subject of Larry’s work. His photographs; paintings; and drawings are in respected collections including the Portland Museum of Art; Bates College Art Museum; the Colby Museum of Art; The Farnsworth Museum; the Fine Art Collection of William and Hobart Smith Colleges, and the University of New England Art Gallery, as well as distinguished corporate, institutional, and private collections. Larry’s work has been included in many publications including Design Language, 2006, Tim McCreight, Brynmorgen Press; Abstract Art, Dean Nimmer...

Pour Travailler De La Rene Du Cavesfon Dedans La Volte Et De La Jambe Dumesme Cote Print Sz: 15 1/2"H x 20 3/4"W Frame Sz: 21 3/4"H x 26 3/4"W Theodor Van Kefsel Theodor or Théodorus van Kessel...

La Tentation de St. Antoine is an original modern rare book illustrated by Odilon Redon (Bordeaux, 1840 - Paris, France) and written by various authors...

Bruni, Bruno, "Delle Primavera", "In Spring": Color offset lithograph, signed by hand. Tender allegory in pastel nuances. Fantastic Realism, Surrealism: Bruni processes subjective im...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Italian edition from 1972. Catalogue of works: Cramer 160. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Joan Miró - "Original Lithography X". Lithograph in colors from Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 866. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...