Unknown

"Framed Equestrian Scarf"

Carrousel silk c1980s scarf w/ (9) vignettes of equestrian images Scarf Sz: 36"Sq Frame Sz:38"Sq w/ gilt bamboo frame

Victorian silk needlework depicting palm tree & fishermen with nets Image Sz: 8 1/2"H x 13 1/8"W Frame Sz: 14 1/2"H x 18 7/8"W w/ gilt bamboo frame

Sz: 30"Sq All Silk by Ray Strauss Provenance: Acquired directly from The Jack Kreindler Estate

Sz: 30"Sq All Silk by Ray Strauss Provenance: Acquired directly from The Jack Kreindler Estate

Sz: 30"Sq All Silk by Ray Strauss Provenance: Acquired directly from The Jack Kreindler Estate

Sz: 30"Sq All Silk by Ray Strauss Provenance: Acquired directly from The Jack Kreindler Estate

Gampi and kozo paper applique on handwoven tussar silk 84 x 98 in. This piece is currently unframed and framing is additional.

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

This gorgeous and refined pair of Asian lamps has aventurine stone carvings. The blue base of the lamp, made of cloisonné, features floral designs. ...

Artist's Rug made after Jean-Baptiste Valadie

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Untitled, 2014. 100% Silk Chiffon, 100% Cotton, Hand Dyed and Silk Screen Printed. Remembrance Through Cloth Collection, 590 x 870mm Born in Namibia, Lynette Diergaardt received her...