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Carlos Cruz-DiezCouleur additive Serie 7
About the Item
The Franco-Venezuelan artist Carlos Cruz-Diez (Caracas, 1923) has lived and worked in Paris since 1960. He is a major protagonist in the field of Kinetic and Optical art, a movement that encourages “an awareness of the instability of reality.”
Carlos Cruz-Diez graduated from the School of Visual Arts and Applied Arts, Caracas, in 1945. While still at art school, he worked as an illustrator for popular Venezuelan newspapers and magazines such as La Esfera, Elite, and El Farol. From 1946 to 1955, he was the creative director at the Caracas branch of McCann-Erickson, the international advertising agency, and contributed illustrations to the Venezuelan newspaper El Nacional.
He first went to Europe in 1955 and lived in El Masnou (Cataluña, Spain), where he began a defining phase in his career, creating his earliest abstract compositions (Parénquimas) and his first Objetos Rítmicos Móviles [Mobile Rhythmic Objects]. He visited Paris that same year, where he saw the Le Mouvement exhibition at the Galerie Denise René. In 1956 he quit producing figurative social protest painting and returned to Venezuela, where he opened the Estudio de Artes Visuales, a visual arts studio for graphic and industrial design.
It was during that period that Carlos Cruz-Diez started developing the conceptual platform for his work based on optical and chromatic phenomena, a process that led to the creation of his first Color Aditivo [Additive Color] and Fisicromía 1, in 1959. He and his family settled in Paris in 1960, where he met and discussed his ideas with international artists such as Agam, Tinguely, Soto, Buri, Picelj, Morellet, Camargo, Lygia Clark, Le Parc, Calder, and Vasarely.
- Creator:Carlos Cruz-Diez (1923)
- Dimensions:Height: 15.75 in (40 cm)Width: 15.75 in (40 cm)
- More Editions & Sizes:40x40cm, edition of 8Price: $31,004
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- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2506213577712
Carlos Cruz-Diez
For Venezuelan artist Carlos Cruz-Diez (1923–2019), color was a dazzling, transient effect, which he attempted to capture on canvas and in light installations. The striking compositions he produced over his seven-decade career made him one of Latin America’s greatest postwar artists and a leading figure in the Op art movement.
“I don’t make paintings, nor sculptures. I make platforms for occurrences,” Cruz-Diez once said. “They are platforms where color is being produced, dissolved, generated in a perpetual instant. In it, there’s no notion of past nor future. In it is the notion of the present moment, just like life.”
Building on the chromatic explorations of Sir Isaac Newton, George Seurat and Josef Albers, he created striking paintings comprising lines of contrasting hues that appear to shimmer. He called these works physichromies.
Later in his career, Cruz-Diez shifted his explorations from paint to light. His “chromosaturations” are immersive environments consisting of three chambers, each flooded with a different-color light, which disoriented visitors and altered their perception. He also translated his chromatic illusions to public spaces, like the floor he created at the Simón Bolívar International Airport, near Caracas, and a pedestrian crossing outside the Broad Museum, in Los Angeles.
Cruz-Diez was a successful graphic designer as well, working for artist-clients like Roy Lichtenstein and Robert Rauschenberg. Across all these mediums, his work had the same boldness and immersive quality, engaging the viewer’s eyes, body and mind.
Browse Carlos Cruz-Diez's prints, sculptures and other art on 1stDibs.
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